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new york’s metro show 2014.

Home designart & literature & educationnew york’s metro show 2014.

new york’s metro show 2014.

Jan 25, 2014 | art & literature & education, cultural & education, events, public space >>, urban planning |
new york’s metro show 2014.
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nycmetro-chisel1Project for a Knife Plate | Jules-Auguste Habert-Dys | Chicago’s Armstrong Fine Art | 1888>89

[ New York’s Metro Show ] running through Jan 26, mingles folk and decorative arts in an eclectic mix to inspire designers. With touches of outsider and found art, it includes such items presents working drawings for a ceramic table service by decorative arts master Jules-Auguste Habert-Dys. The drawings were transformed into actual ceramic plates, and presented at the 1889 Parisian Exposition.

nycmetro14-spew1
Spew | Martina Nehrling | Kathryn Markel Fine Arts |2014

nycmetro14-rooster1
Iron Rooster | American Primitive | C. 1920s

about phil patton

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Phil Patton

about Phil Patton

Phil Patton is a contributing editor at Departures and Esquire magazines, a contributing writer at Wired and an automotive design writer for The New York Times. He was a regular contributor to The New York Times House and Home section and, in 1998, originated the “Public Eye” column. He has written many books including: Made in USA: The Secret History of the Things That Made America (Grove-Weidenfeld, 1992), which was named a New York Times notable book of the year; Bug: The Strange Mutations of the World's Most Famous Automobile (Simon & Schuster, 2002); Michael Graves Designs: The Art of the Everyday Object (Melcher, 2004); and Dreamland: Travels Inside the Secret World of Roswell and Area 51 (Villard, 1998). He has also written for Art in America, ARTnews, Connoisseur, Geo, Harper’s Bazaar, Men’s Journal, The New Republic, New York Magazine, The New York Times Book Review, Rolling Stone, Smithsonian, Travel + Leisure, Traveler, The Village Voice and Vogue. Patton was Editorial Consultant on the Guggenheim Museum’s “Motorcycle” show in 1998 and Consulting Curator for the “Different Roads” exhibition at the Museum of Modern Art in 1999. In 2000 he was consultant and contributor for “On the Job: Design and the American Office” at the National Building Museum in Washington, D.C.

view all entries by Phil Patton.

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