caruso st john (london) present a room that highlights the circulation of images, references, and histories between their own office and their collaborators artist thomas demand and architectural photographer hélène binet. a felt wallpaper – folds – forms a wall around a table of five models. works by benet hang on the wallpaper.
super models presents replicas of twelve models collected by german architecture museum (dam ) during the 1980s. despite the assumption that museums only knowingly show original works of art, models commissioned to replicate buildings have long been part of the culture of architectural exhibitions.
the principle is that it remains a museum that belongs to the geography, and culture and identity of the country.
the overhaul of the tax code unveiled thursday by house republican leaders would hit hard at one of chicago’s great cultural assets.
welcoming visitors into the main venue of the biennial, this bright, brash yellow installation has consumed a smaller, much less interesting chicago cultural centre reception desk.
‘steps’ is a new concrete seating design, aimed to redefine how people use public space.
vertical city brings together 15 architects torevisit the 1922 chicago tribune tower competition that attracted 263 entries from the united states and around the world. the influence and reach of this particular project drove many responses and copies.
studio mumbai brings architects into the making process with workshop team of over 100 crafts-people, artisans, and builders to what principal bijoy jain calls ‘making a sound and getting a response’.
we were never worried. apple michigan avenue delivers a better than anticipated airy, transparent, floating paper-thin carbon-fiber roof architecture & design proclamation.
the home is significant as many consider it to be the first modern dwelling in the u.s. built in 1922 on what looks to be a big field the conceptual home inspired observation and study then and continues to do so today.