
production motorcycles turn into icons but what about custom bikes?
how can one-off machines compare to production models beloved by the masses? can we draw any conclusions looking at a few very exceptional motorcycles?
how can one-off machines compare to production models beloved by the masses? can we draw any conclusions looking at a few very exceptional motorcycles?
the special edition bullitt is conceived to capture what the movie audience experienced from arguably the best cinema car chase – full=screen mode and volume up please..
the house will be completely off-grid, with its own water supply, sewage treatment, and electrical system, all designed to minimize energy use.
above > expo chicago 2017 featuring work by lara schnitger (anton kern) as part of in/situ chronopolitics / curated by florence derieux In the art world, DesignApplause attempts an objects-only mindset that could include a sculpture, or a photograph or painting of an airstream trailer for example. However, typically the art conversations becomes limited to […]
ultra-minimal, featuring no roof, no galley, no bunks, no head! but it is loaded with hinckley’s fine aesthetics, craftsmanship, performance, technology, 3d-printed titanium hardware, and price.
first of its kind smartwatch providing the time with tactile information instead of visual clues. you don’t see time ticking away, you feel it.
this zero-emission car is designed for an era of luxurious limited space.
frida escoberdo has designed a monolithic timber, tiered platform in randolf square – a singular formal gesture with moveable modules that allows for informal lounging, gatherings, and forums. the installation mirrors the chicago cultural center’s gridded ceiling.
asks 24 architects to reconsider the status of the architectural interior. the exercise foregrounds the importance of the interior as a model of sociability. the architects reference a photograph of a canonical interior, from any time period.
the serial nature of these works might suggest a reading against a lineage of art from the 1970s often called process or serial art, which exhausted an idea or concept in a monotonous way.
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