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Gesture chair. Steelcase.

Home designhome >>home officeGesture chair. Steelcase.

Gesture chair. Steelcase.

May 4, 2013 | home office, new, people, producer, seating |
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steelcase-gesture1

Revolutions in office technology produce revolutions in office furniture design. The typing pool gave way to the cube farm which in turn gave way to open “team” table. The Aeron chair famously became the symbol of Silicon Valley in the dot com boom.

steelcase-gesture2

steelcase-gesture-draw.

Now the rise of mobile phones and pads as dominant work tools has inspired Steelcase to reinvent the office chair. Based on what Steelcase design chief James Ludwig said were surveys of the habits of 2000 people in eleven countries around the world, the company will offer the Gesture chair beginning this fall. It will be shown at Neocon in June.

Steelcase looked at what Ludwig called the new environment of the office, where people work and sit more casually. The researchers talking to workers defined nine distinct new postures, such as the “swipe.” These postures conditioned the design of the new chair, with such innovations as arms that move up and down easily. The back and seat move more flexibly together; the chair, Steelcase says, encourages people to move around every so often.

[ steelcase ]

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Phil Patton

about Phil Patton

Phil Patton is a contributing editor at Departures and Esquire magazines, a contributing writer at Wired and an automotive design writer for The New York Times. He was a regular contributor to The New York Times House and Home section and, in 1998, originated the “Public Eye” column. He has written many books including: Made in USA: The Secret History of the Things That Made America (Grove-Weidenfeld, 1992), which was named a New York Times notable book of the year; Bug: The Strange Mutations of the World's Most Famous Automobile (Simon & Schuster, 2002); Michael Graves Designs: The Art of the Everyday Object (Melcher, 2004); and Dreamland: Travels Inside the Secret World of Roswell and Area 51 (Villard, 1998). He has also written for Art in America, ARTnews, Connoisseur, Geo, Harper’s Bazaar, Men’s Journal, The New Republic, New York Magazine, The New York Times Book Review, Rolling Stone, Smithsonian, Travel + Leisure, Traveler, The Village Voice and Vogue. Patton was Editorial Consultant on the Guggenheim Museum’s “Motorcycle” show in 1998 and Consulting Curator for the “Different Roads” exhibition at the Museum of Modern Art in 1999. In 2000 he was consultant and contributor for “On the Job: Design and the American Office” at the National Building Museum in Washington, D.C.

view all entries by Phil Patton.

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