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anne. ross lovegrove goes democratic for bernhardt design 125th.

Home designhome >>home officeanne. ross lovegrove goes democratic for bernhardt design 125th.

anne. ross lovegrove goes democratic for bernhardt design 125th.

May 22, 2014 | home office, new, people, producer, Retro, seating, seating |
anne. ross lovegrove goes democratic for bernhardt design 125th.
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In honor of the 125th anniversary of the Bernhardt furniture company, several designers have produced new chairs. Ross Lovegrove’s Anne chair, named for the company founder, is a real surprise. Lovegrove produced his iconic Go stacking chair, of magnesium/aluminum, for Bernhardt This walnut chair is radically different. It’s based on the American courthouse chair—a perhaps surprising inspiration for the Welsh born Lovegrove but a solid, democratic form based on the Windsor chair. The courthouse chair is to be found in many classic films think the spirit of Gregory Peck in To Kill a Mockingbird.

lovegrove-windsor1windsor chair | 1940s

Lovegrove’s take on it is a smart exploration of traditional wood, from someone who has spend more time with plywood, polycarbonate or magnesium. The chair is built by both traditional craft work and seven axis CNC machines, he said. For the leather seat, he thought of a pair of jeans bought pre-aged: he wanted the leather to seem sat in and crushed down already. It looks more like a flopped cushion than attached seat. Lovegrove shrewdly observed that many new things are sharp and off-putting, but things that we use and feel familiar to us have been softened by use. If you know the rest of his work, the bio futuristic side if you will, then the Anne chair is witty—a comment. It suggests a mellower Lovegrove? But it also suggests Art Nouveau. [ ross lovegrove ] [ bernhardt design ]

about phil patton

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Phil Patton

about Phil Patton

Phil Patton is a contributing editor at Departures and Esquire magazines, a contributing writer at Wired and an automotive design writer for The New York Times. He was a regular contributor to The New York Times House and Home section and, in 1998, originated the “Public Eye” column. He has written many books including: Made in USA: The Secret History of the Things That Made America (Grove-Weidenfeld, 1992), which was named a New York Times notable book of the year; Bug: The Strange Mutations of the World's Most Famous Automobile (Simon & Schuster, 2002); Michael Graves Designs: The Art of the Everyday Object (Melcher, 2004); and Dreamland: Travels Inside the Secret World of Roswell and Area 51 (Villard, 1998). He has also written for Art in America, ARTnews, Connoisseur, Geo, Harper’s Bazaar, Men’s Journal, The New Republic, New York Magazine, The New York Times Book Review, Rolling Stone, Smithsonian, Travel + Leisure, Traveler, The Village Voice and Vogue. Patton was Editorial Consultant on the Guggenheim Museum’s “Motorcycle” show in 1998 and Consulting Curator for the “Different Roads” exhibition at the Museum of Modern Art in 1999. In 2000 he was consultant and contributor for “On the Job: Design and the American Office” at the National Building Museum in Washington, D.C.

view all entries by Phil Patton.

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