collectables – DesignApplause

design miami 2021 offers a long awaited hybrid format a best of both worlds.

Oct 23, 2021

above> r & company gallery

design miami/ returns to pride park with new curatorial director, wava carpenter. the 17th edition of the fair will explore the theme of human kind and how design can impact the world for the better.

above> wava carpenter / photo karli evans

edited official release — design miami/ is delighted to present the 17th edition of it’s fair in miami beach from 1 – 5 december 2021. taking place in pride park, opposite the miami beach convention center, the fair will feature over 35 gallery and curio exhibitions to be presented alongside an exciting lineup of partnerships and collaborations. in addition, design miami/ will be presented in a hybrid physical and digital format. all exhibited works on the show floor will be available to purchase at designmiami.com for a limited time, alongside a robust online program of design talks and 3d virtual tours.

jennifer roberts, ceo of design miami/, says: “the 17th edition of design miami/ brings a myriad of reasons for celebration – from returning to our home in pride park to our human kind theme, which will look at how design can play a role in shaping the world for the better. as we continue to see the collectible design market grow, in both physical and digital spaces, we’re pleased to also welcome many new members to the design miami/ family – galleries, curios and partners – all of which are bringing thoughtful contributions to the fair”.

the theme of human kind, shining a spotlight on design-led visions for a more equitable and interconnected future. those operating at the cutting-edge of design thinking will bring together works, ideas, and presentations to spark conversations around the current state of the world and where we need to go. the galleries and partners have planned thoughtful and diverse responses to this timely theme.

carpenter says: “the practice of design, at its heart, has always aimed to create a better future. but in recent years, as the global challenges that humanity faces have approached existential proportions, the future that designers envision increasingly demands a fundamental reorientation of what it means to be human in this world, calling on all of us to become better stewards of nature and of each other.”

[ aesthetics of the moment: the fantastical & the primordial/ ]

perhaps as an escape from the realities of the world as it is now, designers and collectors are drawn to truly extraordinary forms that evoke another time and place. this larger trend finds two expressions: the fantastical and the primordial. the former aesthetic is exuberant, vibrant, surreal, as if created for a fairy tale or science fiction story, often inflected with a tongue-in-cheek wink. the second expression has a minimalist yet striking aura that calls to mind relics of the ancient past, prehistory and beyond time.

above > extraño 1 / tanya aguiñiga / volume gallery / 2020

at objective gallery, ‘reincarnation’ presents the work of brecht wright gander, fernando mastrangelo, j mcdonald, vincent pocsik, eny lee parker, and charlotte kingsnorth, which as an ensemble conjures objects of past lives and nostalgia for bygone ways of living. in the age of industrial and mass production, it is less possible to commune with one’s environment and the art of everyday life. the works in reincarnation revive pre-industrial artisanal processes and mastery of materials. jason jacques gallery presents ‘ceremony’, an ayahuasca ceremony from the planet zeefromzeglop. the ceremony posits that all that exists in the universe is connected through cracks in time-space that are universally opened by plant medicine. on show are tapestry depictions of great spirit animals and plants. meanwhile, volume gallery presents new braided and draped woven works from renowned craftsperson tanya aguiñiga. forming part of the designer’s ‘extraño’ series, the objects are a craftful expression of the grief, gratitude, rage, and exhaustion aguiñiga has felt in response to the constant threats faced by the bipoc community, as well as the diverse effects and losses of the pandemic.

above> tomorrow land / studio proba and enjoy the weather / miami design district

the miami design district has named creative studios, studio proba and enjoy the weather, this year’s winners of its highly anticipated 2021 annual design commission. curated by wava carpenter and anna carnick of anava projects and design miami/, this year’s installation, titled tomorrow land, will transform the neighborhood—as well as the entrance to design miami/—into an interactive playground through a series of joyful sculptures, seating, and ornamentation designed by studio proba. the physical installation will serve as the basis for an interactive, virtual game created by enjoy the weather. a dedicated app that uses ar technology and proximity beacons will allow visitors to ‘collect’ and customize studio proba’s shapes and place their own custom totems throughout the neighborhood and beyond.

[ material of the moment: ceramics/ ]

through their direct, hands-on and hands-in nature of production, ceramic works are an ideal medium for storytelling, especially autobiographical and sociological stories, which resonate deeply with audiences in this time of disruption and separation. it seems that, more than ever, ceramics artists are working with clay in new ways to share perspectives on and insights into who they are, where they came from, and where they want to see the world go. this has resulted in a thriving market for ceramics, and this year’s fair presents a strong representation of both contemporary and historical ceramics.

above> zizipho poswa / southern guild

southern guild presents an exhibition of ceramics specifically commissioned for the fair from four of south africa’s most accomplished artists working in clay – andile dyalvane, zizipho poswa, madoda fani and chuma maweni. these contemporary artists use the medium to explore aspects of traditional xhosa culture and spirituality while drawing on their personal experiences and deep belief systems. titled ‘studio visit’, the booth will take visitors behind the scenes of the artists’ practices as they foreground new techniques and achieve some of their most technically ambitious work to date. at friedman benda, the gallery will introduce a series of never-before-seen portrait works produced in glazed stoneware by nigerian american ceramicist and sculptor ebitenyefa baralaye – the first collaboration between the designer and the gallery. interpreted through a diasporic lens and abstracted through the aesthetics of craft and design, baralaye’s work explores cultural, spiritual, and material translations of form, objects, text, and symbols – this new series being a vehicle through which to offer reflections on his experience of being a black man in america.

mindy solomon presents ‘free flowing geometry’, a striking presentation of works by john gill, kelsie rudolph, and minkyu lee. exploring the boundaries of form and function, each artist builds pieces that are carefully crafted with functionality in mind, taking artistic license to bring movement and vibrant color to the mix. moderne gallery offers contemporary and 20th century ceramic pieces, including a masterful ceramic representation of the planet, glazed ceramic globe (2021) by japanese ceramicist hashimoto tomonari, presented alongside estelle halper’s 1960s organic sculptural work.specialized in nordic design and decorative arts, hostler burrows also presents a beautifully curated selection of contemporary scandinavian ceramics alongside a few exceptional historic design pieces, including works by steen ipsen, martin bodilsen kaldahl, taher asad-bakhtiari, bjorn friborg, frida fjellman, maren kloppman, torbjorn kvasbo.

[ the best of the best/ ]

as always, design miami will host galleries representing work that tops today’s collectible design market, both vintage and contemporary. masterpieces from icons of the 20th century include works by pierre jeanneret, charlotte perriand, george nakashima, harry bertoia, joaquim tenreiro, and verner panton, while contemporary highlights are found in works by daniel arsham, katie stout, the haas brothers, and more.

moderne gallery presents a strong selection of rare and unique mid-century design, with a focus on studio craft movement pieces. a particular highlight is george nakashima’s first furniture design: the karuizawa chair (1935), made for st. paul’s catholic church in karuizawa, japan. until recently, only two chairs were known to exist worldwide. across the chair’s peeled cryptomeria frame is suspended a seat made of woven grass threads, a design that displays both traditional materials and a modern sensibility. it’s clearly the precursor for what is now nakashima’s most popular, grass-seated chair (designed 1944).

above> amnesia or platelet apparition? / samuel ross / friedman benda / 2020

at friedman benda, the gallery will present a solo booth of work by artist and creative director samuel ross, celebrating the launch of the gallery’s partnership with the acclaimed british designer. emblematic of his all encompassing, conceptually rigorous approach, ross will transmute the traditional fair booth into a quasi-industrial setting. the space, caught between construction and deconstruction, acts as a liminal staging ground for select works from three discrete but intersecting series: signal, rupture and amorphous strand.

[ design miami/ 2021 curios/ ]

curio is an exhibition platform that invites designers, architects, curators, innovators and gallerists to present total environments of objects, textures, artifacts and ideas that challenge and contextualize familiar design narratives. curios are interspersed amongst design miami’s gallery program, infusing the fair with inventive snapshots of today’s design landscape. the 2021 miami fair presents a diverse range of 19 curios that question and respond to the theme of human kind, including 13 fresh faces this including: apical reform & zeel studio, bea interiors design, bohinc studio, james de wulf, objective gallery, pelle, tuleste factory, twenty first gallery and verdi.

non-profit organization and platform, house of today returns to miami after their debut curio presentation in 2017, this year showcasing a solo exhibition of work by lebanese designer khaled el-mays. this new series of work has been made in collaboration with craftspeople in mexico city and is a continuation of the long relationship between el-mays and house of today, founded by cherine magrabi tayeb. entitled new nature, the five-piece series features two mirrors, a bar, bench and the designer’s first ever chair, made from leather, wood, raffia, and wicker as well as ceramics which is a new material for the designer who has collaborated with master company anfora who has over 100 years experience in the industry. also returning to miami is harry nuriev with his sixth curio presentation, a continuation of the designer’s recent explorations of transitory spaces that serve as a metaphor for “traveling through different layers of space, reality, and consciousness”—a theme found in much of nuriev’s work. the bedroom is a silver bedroom installation that will feature a ryokan-style mattress, situated within a zen-like cube that underscored the value of the bedroom as a space to escape reality, meditate, experience vulnerability, and access different levels of consciousness.

above> mass table / tom dixon / mass research studio / 2020 // below> emotional rocks / apical reform & zeel studio / 2021

amongst this year’s debut curio presentations, highlights include first time exhibitors apical reform & zeel studio – a collaboration between designers amrish patel, darshan soni, and gordana zgonjanin that brings apical reform’s innovative work that encompasses functional, bespoke and kinetic art – presented by miami based zeel studio. for design miami/ they will debut emotional rocks, an installation that aims to capture the essence of time through the impact of the intangible aspects of emotions on hard objects such as rocks. the emotional rocks and blurry stars kinetic benches will also be installed throughout the common spaces of design miami, offering visitors a spot to rest and to take the time to evaluate their relationship with the world. also new to miami is new york-based twenty first gallery who will showcase an exhibition of new work by london-based polish designer marcin ruask.

[design miami/ 2021 galleries/ ]

ago projects/ mexico city
ateliers courbet/ new york
bernard goldberg fine arts/ new york
carpenters workshop gallery/ new york
converso/ chicago
friedman benda/ new york
hostler burrows/ new york
jason jacques gallery/ clinton corners
john keith russell/ south salem
magen h gallery/ new york
moderne gallery/ philadelphia
ornamentum/ hudson
r & company/ new york
side gallery/ barcelona
southern guild/ cape town
the future perfect/ san francisco
thomsen gallery/ new york
todd merrill studio/ new york
volume gallery/ chicago
wexler gallery/ philadelphia

[ design miami/ 2021 curios/ ]

apical reform & zeel studio/ gujarat
atra/ mexico city
bea interiors design/ miami bohinc studio/ london
gallery all/ alhambra, beijing harry nuriev/ new york
house of today/ beirut
j. lohmann gallery/ new york james de wulf/ los angeles mercado moderno/ rio de janeiro mindy solomon gallery/ miami objective gallery/ shanghai pelle/ brooklyn
reinaldo leandro/ new york room 57 gallery/ new york
tom dixon/ new york
tuleste factory/ new york twenty first gallery/ new york verdi/ bogota

[ design miami/ 2021 partners/ ]

doha design district
fendi
grand seiko
kohler
lexus
maestro dobel
miami design district
perrier jouet
panerai
scad
usm

[ schedule of events/ ]

preview day/ by invitation only
tuesday, november 30/
members preview/ 11am – 12pm
collector’s preview/ 12-7pm
wednesday, december 1/
vip preview/ 11am – 1pm

public show days/
wednesday, december 1/ 1–8pm
thursday, december 2/ 11am–8pm
friday, december 3/ 12–8pm
saturday, december 4/ 12–8pm
sunday, december 5/ 12–6pm

[ about design miami/ ]

design miami/ connects the world through extraordinary collectible design, with live fairs and experiences on four continents that bring together galleries, designers’ studios, brands, experts, collectors, and enthusiasts, and designmiami.com, a content-rich digital marketplace. each edition of design miami/ features museum-quality 20th and 21st century furniture, lighting, and objets d’art from the world’s top, expertly vetted galleries with flagship fairs taking place alongside art basel in miami, florida, each december and basel, switzerland, each june. design miami/ is also accessible 365-days a year through designmiami.com, featuring shoppable works from design miami’s expert galleries, dm/bx – a curation of more accessible one-of-a-kind, limited edition, and small batch design objects, as well as virtual programming, and engaging storytelling at the forum magazine.

this is a developing story…

art + design auction part 1. wright.

Apr 3, 2020

above > untitled | marilynn gelfman-karp b.1939 | soldered wire, plexiglas 15 h × 25 w × 7¼ d in – 38 × 63 × 18 cm | 1970 | estimate: $1,500–2,000

wright’s art + design auction, split over two days, features a diverse and lively collection of mid-century furniture and modern and contemporary art. highlights from art + design part 1 include robust collections of works by miguel berrocal, rochester-based artist william sellers, robert loughlin, cleve gray, and jim dine. this sale also features carpets, seating and lighting from the 1950s to now.

above > bright day | cleve gray 1918–2004 | acrylic on canvas 36 h × 60 w in – 91 × 152 cm | 1969 /estimate: $15,000–20,000

floor lamp | koch & lowy | enameled steel 73 h × 21 dia in – 185 × 53 cm | usa, c. 1980 | estimate: $2,000–3,000

above > landscape screen | jim dine b.1935 | screenprint on linen canvas 71¾ h × 86 w × 7 d in – 182 × 218 × 18 cm | 1969 | estimate: $7,000–9,000

above > wall sconces, set of eight charlotte perriand | galerie steph simon france, | enameled steel 7 h × 5 w × 2¾ d in – 18 × 13 × 7 cm | 1963 | estimate: $4,000–6,000

above > sunrise | roy lichtenstein 1923–1997 | offset lithograph in colors 17½ h × 23¼ w in – 44 × 59 cm | 1965 | estimate: $5,000–7,000

[ important design design ] includes many works of exceptional design. each item will be featured in our award-winning, full-color auction catalog as well as presented in our online preview at [ view lots ] | 1440 west hubbard street chicago | 312 563 0020 [ auction / chicago ]

auction > 11 december 2014 | 12 noon cst

https://www.wright20.com/auctions/2020/04/art-design-part-1

life-size sand traffic jam seen on miami beach during design miami/ 2019. leandro erlich.

Nov 10, 2019

above > traffic jam (order of importance)

the beach has been a symbol of leisure and prosperity for so many years, and in particular for miami but now there is a frontline feeling about the beach. it has become a different kind of stage. ~ leandro erlich

last year at art basel 2018 in ruth benzacar‘s booth (above) a maquette of buenos aires artist leandro erlich was shown for $18,000. titled ‘traffic jam (order of importance) – the art is a miami beach-appropriate installation where cars, suv’s, taxis, etc., are moulded in sand – actually a mix of sand three types of salt which form a hardened crust. the vehicles seem to rise from nowhere, form a traffic jam, and then fade away.

erlich has a reputation for whimsical perception-bending optical-illusions. this 2018 maquette became the concept presented to the city of miami that will be shown life-size on miami beach during art basel 2019. the city has contributed $300,000 towards his most monumental work. the work will have a life of just fifteen days. but…there may be more to this concept though details are not fully available at this writing. possibly, this concept may become an off-shore reef. the reasoning comes from erlich’s interest in climate change and all that threatens humans, animals, architecture, and civilization.

his first climate related work was for the 2015 climate change summit in paris, maison fond. to evoke global warming his installation was an image of a building melting: the ground floor of this small parisian building has already almost completely disappeared.

and the world’s coral reefs are dying. this artificial structure (traffic jam) could both be a symbol as well as an artful prototype.

“the beach has been a symbol of leisure and prosperity for so many years, and in particular for miami,” says erlich. ‘but now there is a frontline feeling about the beach. it has become a different kind of stage.”

[ information ]
leandro erlich; design miami/ @designmiami #climatechange

expo chicago 2019: expression vs communication look #2.

Sep 21, 2019

above > study for homage to the square / josef albers / david zwirner (new york, london, paris, hong kong) – booth 239 / 1954 – 1960

what is the difference between art and design? i think it comes down to function. design can have many functions, whereas art has one single function. the function of art.

the question of what’s the difference between art and design often comes up at art expositions, perfect launchpads for such a confabulation. in this instance, DesignApplause submits that architecture, design, and engineering are one and the same.

> “what is the difference between art and design? as it applies to graphic design, i will say that the difference between art and design or artist and designers, is expression vs communication. … expression is about the artist and their view, design is about the audience and viewer. expression can be abstract and intangible but design has to be clear for the most part.” ~ anonymous

> “when one attempts to define art, there will be an artist to prove it wrong. ‘art is beautiful’ art becomes ugly. ‘art is emotional’ art becomes emotionless. ‘art is form’ art becomes idea. that’s the problem, art will always shatter definitions.

having said that, i will ignore my own advice and take a crack. i think it comes down to function. design can have many functions, whereas art has one single function. the function of art. digging deeper, the art concept can be portrayed in many different ways. the function of art isn’t singular, its endless.

so design is applied art? or maybe an eames chair is a design object when you’re trying to sell it or sit in it, and an art object when you’re observing it, etc. ~ anonymous

DesignApplause asked galleries if their artists in this show pursued any architectural or design studies in their background. 25 of 39 (64%) galleries point out the following:

above > elevator / gregory scott / catherine edelman gallery (chicago) – booth 167 / 2019

gregory has always blurred the lines between painting and photography, incorporating paintings he did of himself, or his body, back into his photographs. the resulting images were both humorous and odd, challenging the viewer’s perception of photographic truth. then, at the age of 49, scott decided to go to graduate school to strengthen his knowledge of art history and video making. having successfully merged his love of painting and photographs, his interest turned to video and its ability to move and manipulate still images. he received his bachelor degree in graphic design from the institute of design at iit in chicago in 1979 and his master of fine art from indiana university in 2008.

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above > horizontal obeah golio / remy jungerman / fridman gallery (new york) – booth 365 / 2016-18

remy brings together motifs from the de stijl movement with the maroon culture and the winti religion of his native suriname. he is interested in the journey of patterns and textures across time periods and continents. in jungerman’s works, the pared-down, highly stylized forms and primary colors of dutch modernism with inspiration from masters artist/designer piet mondrian and designer gerrit rietveld.

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above >jigawatts / sarah pichilkostner / josh lilly gallery (london) – booth 249 / 2019

the long-term research by sarah is focused on the representation of energy, time, space, self-optimization, productivity, self-reflection and empathy created by objects. solutions involve an interest and understanding of mechanical engineering. through a deep study of the behavior of materials, that combines effortless contemporary methods with laborious and outmoded fabrication techniques, pichlkostner reflects on the social behavior of and towards objects.

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above > tropic of cancer II / john little / mccormick gallery (chicago) – vallarino fine art (new york) – booth 255 / 1960

john started as a very successful textile and wallpaper designer. in 1933 he began classes at the art students league with george grosz, painting mainly cezannesque landscapes and then with hans hofmann in both new york and provincetown, which pushed him towards abstraction and his first serious involvement as a painter. he also happened to be a neighbor of lee krasner and jackson pollock, whom he became close friends.

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above > flow / emi ozawa / richard levy gallery (albuquerque) – booth 424 / 2019

emi strategically arranges color, form, and shadow to create compositions that shift when viewed from different perspectives. originally from tokyo, she studied woodworking at the university of the arts in philadelphia and later an mfa in furniture design from risd.

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above > sound landscape / void /galerie papillon (paris) – booth 413 / 2019

two artists arnaud eeckhout and mauro vitturini founded void to use sound as a medium to represent reality. the medium give shape to move through different fields of design in the form of installations, sculptures, objects, videos, paintings, and performances.

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above > mappings / kay rosen / rené schmitt (berlin) – booth 132 / 2019

kay works with language using words and letters and strategically lays out the content to manipulate the meanings in a very clever and insightful way. though not formally trained as a graphic designer, her typography and design skills inspire.

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above > untitled / devin reynolds / royale projects (los angeles) – booth 272 / 2019

raised in venice, ca, reynolds grew up working on fishing boats, scavenging flea markets with his mother, and surfing crudely painted boards emulating artists such as drew brophy and sean spoto, memories that have greatly informed his practice. inspired by barry mcgee and margaret killgallen, his obsession with marking his alias on the sides of boxcars moved into the studio where graffiti still greatly informs the scale and application of materials used in his work today. reynolds left southern california for new orleans, la to study at tulane university where he received his ba in architecture.

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above > rossiniére / georges rousse / sous les etoliles gallery (new york) – booth 263 / 2015

georges has been a photographer since the age of 9 and evolved into architectural photography, inventing a unique approach that shifted the relationship of painting to space. he began making installations in the types of abandoned or derelict buildings that have long held an attraction for him – creating ephemeral, one-of-a-kind artworks by transforming these sites into pictorial spaces that are visible only in his photographs. he fits well into oscar niemeyer‘s definition of architecture, “”architecture is invention.”

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above > study for homage to the square / josef albers / david zwirner (new york, london, paris, hong kong) – booth 239 / 1954 – 1960

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above > corona & bar cabaret / robert cottingham / tandem press & apex gallery (madison) – booth 262 / 2015 & 2019

although robert is known for his photorealistic depictions of signs, storefront marquees, railroad boxcars and letter forms, he does not consider himself a photorealist artist. his imagery, while derived from the photographs he takes, expands on the photographic image, it does not replicate it. he received his bfa degree from the pratt institute. he later studied art at the arts center college of design.

[ expo chicago 2019: expression vs communication look #1 ]

expo chicago 2019: expression vs communication look #1.

Sep 20, 2019

above > shelves ‘dune’ / zaha hadid / david gill gallery (london) – booth 105 / 2007

what is the difference between art and design? i think it comes down to function. design can have many functions, whereas art has one single function. the function of art.

so design is applied art? or maybe an eames chair is a design object when you’re trying to sell it or sit in it, and an art object when you’re observing it, etc. ~ anonymous

DesignApplause asked galleries if their artists in this show pursued any architectural or design studies in their background. 25 of 39 (64%) galleries point out the following:

physichromie no. 2406 / carlos cruz-diez / ascaso gallery (miami, caracas) – booth 442 / 2002

carlos (1923 – 2019) was an artist and designer.

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cadeira tripe de ferro / lina bo bardi / bergamin & gomide (sao paulo) – booth 311 / 1948-89

pmr chase longue / mendes da rocha / bergamin & gomide (sao paulo) – booth 311 / 1985

patrona alta / oscar niemeyer / bergamin & gomide (sao paulo) – booth 311 / 1971

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above > a fake history of humanity / octavio abúndez / galeria curro (guadadalajara) – booth 101 / 2019

galeria curro‘s proposal deals with knowledge and its representation and reception throughout the history of art and science. octavio abúndez’s new painting project a fake history of humanity offers alternative versions of history to our post-truth era, while deconstructing and creating a tribute relationship with the richter’s color charts. octavia is an architect.

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above > holiday greetings / herbert bayer / stephen daiter gallery (chicago) – booth 143 / 1941

above > the measure of man: a study in perspective / herbert bayer / stephen daiter gallery (chicago) – booth 143 / 1940

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above > coffee table ‘megalith in motion’ / david libeskind / david gill gallery (london) – booth 105 / 2018

above > shelves ‘dune’ / zaha hadid / david gill gallery (london) – booth 105 / 2007

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above > highway with mountain / theaster gates / richard gray gallery (chicago) – booth 139 / 2019

theaster gates is a chicago social practice installation artist, designer with a b.s degree in urban planning and ceramics.

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above > we hold these truths / bob faust / kavi gupta (chicago) – booth 121 / 2019

bob faust is a chicago graphic designer.

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above > chair ‘abrigo’ / mameluca studio (rio de janeiro, miami, new york) – booth 440 / mercado moderno / 2019

above > cafofo / mameluca studio (rio de janeiro, miami, new york) – booth 440 / mercado moderno / 2015

gallery mercado moderno is based in rio de janeiro, miami and new york. founded in 2001 by alberto vicente and marcelo vasconcellos, mercado moderno is a gallery dedicated to brazilian design from the 1950s to 80s and contemporary design-art.

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above > untitled / richard koppe (1916-1973) / richard norton gallery (chicago) – booth 275 / 1951

above > postcard of chicago restaurant well of the sea

richard was the first design student for lazlo moholy-nagy at the new bauhaus chicago. he later turned to painting and some interior design where he created murals and chandeliers for a famous chicago restaurant well of the sea.

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above > various paintings / danielle tegeder / carrie secrist gallery (chicago) – booth 137 / 2017

dannielle is chicago artist integrating languages of architecture, planning and design, and urban construction. inspired by her father who was a pipe fitter in commercial architecture.

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[ expo chicago 2019: expression vs communication look #2 ]

architecture and design begets art at expo chicago 2018.

Sep 29, 2018

above > expo chicago 2017 featuring work by lara schnitger (anton kern) as part of in/situ chronopolitics / curated by florence derieux

In the art world, DesignApplause attempts an objects-only mindset that could include a sculpture, or a photograph or painting of an airstream trailer for example. However, typically the art conversations becomes limited to works by designers showing in design galleries. For Expo 2013, for the first time, we put this question to the dealers we talked to: are there any architecture or design trained artists in your booth today? 2018 is our fourth iteration of this theme.

above > untitled 1945 / richard koppe / richard norton gallery / chicago / booth 275

born in st. paul, minnesota, richard koppe studied at the st. paul school of art with artists cameron booth, leroy turner and nicolai cikovsky. in 1937, koppe moved to chicago and continued his studies at the institute of design (id) with the noted bauhaus masters laszlo moholy-nagy, gyorgy kepes and alexander archipenko. he became an instructor at the institute of design in 1946 and remained an associate professor at the id until 1963. robert koppe was moholy-nagy‘s first design student.

the new bauhaus was founded in chicago in 1937 by the renowned professor, photographer and artist, laszlo moholy-nagy. the new bauhaus stems from the german bauhaus, a pioneering school of art and design that operated from 1919-1933. the theories and teachings of the bauhaus, which emphasized a synthesis of numerous artistic disciplines, was most influential in championing modernist twentieth century design, fine art and architecture. after adolph hitler closed the german school in 1933, many of the bauhaus teachers, namely through the efforts of moholy-nagy, emmigrated to america to establish and work with the new bauhaus in chicago. industrialist walter paepke, chairman of the container corporation of america, was an early financial backer of the school, which was originally located in the old marshall field mansion on chicago’s prarie avenue. in 1944, the school was retitled the instiute of design (id) and today resides on the campus of the illinois institute of technology. (iit) the school became the first institution in the united states to offer a phd in design. much of moholy-nagy’s curriculum and ideas were outlined in his extensive 1947 book, “vision in motion”. many important prefessors and designers have taught or studied at the new bauhaus/id. these include such artists as serge chermayeff, ivan cherymayeff, alexander archipenko, buckminster fuller, gyorgy kepes, richard koppe, nathan lerner, harry callahan, robert bruce tague, john cage and werner drewes, among others. much of the influence on today’s american modern art, design and architecture may be attributed to the teachings of the chicago new bauhaus.

a serendipitous moment via moholy-nagy chicago design archive and designer steve liska.

above > museum quality #bentply preview of nyc show re moma’s mid-century design exhibitions period works by #isokon #eames and #noguchi / r & company / new york city / booth 131

above > rothko chapel 2018 / gregory scott / catherine edelman gallery / chicago / booth 167

gregory scott was born in ann arbor, michigan in 1957 and received his bachelor degree from the institute of design at iit in chicago in 1979. scott has always blurred the lines between painting and photography, incorporating paintings he did of himself, or his body, back into his photographs. the resulting images were both humorous and odd, challenging the viewer’s perception of photographic truth. then, at the age of 49, scott decided to go to graduate school to strengthen his knowledge of art history and video making. having successfully merged his love of painting and photographs, his interest turned to video and its ability to move and manipulate still images.

above > local 1 chicago 55 west van buren 2008 / david hartt / corbett vs dempsey / chicago / booth 211

graphic design trained david hartt currently is an assistant professor, department of fine arts, school of design, university of pennsylvania

above > www14 2017 / canan tolon / anglim gilbert gallery / san francisco / booth 247

canan tolon, who trained as a designer and architect, explores visualizations of space via illusionistic imagery and constructions. tolon is known for her seemingly abstract paintings with geometric motifs and limited color palettes; over time, however, the rhythmic forms in her compositions begin to come into focus as series of overlain architectural structures and landscapes. these compositions are really tolon’s experiments in visual familiarity, examining the eye’s ability to piece together depictions of space from apparent abstraction. she is also known for large-scale installations with recurring use of dirt, grass, mirrors, and architectural constructions; these reference themes of colonization, urban growth, and land ownership.

above > tecate 2015 / peter alexander / peter blake gallery / laguna beach / booth 261

after initially working as an architect peter alexander rose to prominence in the 1960s with translucent resin sculptures. working with a southern california sensibility, los angeles-based artist peter alexander is most commonly associated with the light and space movement. his primary means of working today is in sculptural forms made of polyester resin reminiscent of his earliest work from 1965-1972. he has also produced paintings, including a series that depicts luminous aerial views of the city lights stretching across the los angeles basin. he also was commissioned to paint a large mural for the walt disney concert hall in los angeles.

above > the conservation center: the laboratory / studiogang / the conservation center / chicago / booth 166

the conservation center: the laboratory by studiogang designers re-imagined in a 19th century warehouse highlighting pre-existing elements such as original finishes and grand arched windows. the conservation center is the largest and most comprehensive private art conservation laboratory in the country. with over 33 years of experience, the center is a leader in the field of art preservation, evolving new treatments and methods to adapt to the rapidly-changing art world.

above > john m armleder / galeria javier lopez & fer frances / madrid / booth 344

swiss artist, john m armleder is internationally recognized for his versatile work that lies in between art and life. his art shows a clear vision of xxth century art history, and he specifically addresses the dilemma of object-ness. from 1979 onwards, armleder began to exhibit his so-called “fs,” furniture sculpture. these pieces comprise the pairing of daily objects with paintings. the artist does this either by integration, in which case the object becomes the canvas, or by placement side by side, where the object becomes like any other element of the pictorial composition. [ full bio ]

back story to this post > apologies, i was told that armleder studied architecture which led him to conceive and juxtapose flat art and 3-dimensional art, i.e., creating the space, an environment, criteria many architects are drawn to. however, research suggests armleder works, which do evoke design and architectural comparisons, is self-taught. he himself believes that art is in the eyes of the beholder. nonetheless, he’s included in this post.

asked how he would define himself and his art armleder said, “obviously i believe that i’m a visual artist, i’ve been interested in painting and doing three dimensional objects since i was a kid. one always believes that the artist knows more, or understands the work he is doing better than the onlooker, or the people who take care of the work, and i think it’s not true. the artist has a very restrictive understanding of his own work because he’s so close to it, and he remembers the moments when he was making it, and the anecdotes, which are just episodes. it’s not at all a universal understanding. i think the art should work on its own, the people who look at the works invent the works again, and the artist is just a side effect. so it’s very difficult for me to say this or that, and i don’t think it’s really my style to try to control the understanding or the focus of the work and say that it’s about this rather than about that. so what binds it all together? it’s obviously time, space—areas. and all that would be wiped out by new time, new spaces.

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note: there were seven galleries who did not hang work at expo chicago, works of their artists who have backgrounds in architecture and design. we plan on adding this work to this post as it comes in.
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expo chicago (september 27-30, 2018), the international exposition of contemporary & modern art, has established the city of chicago as a preeminent art fair destination. opening the fall art season every september, expo chicago takes place at historic navy pier whose vast vaulted architecture hosts leading international art galleries alongside one of the highest quality platforms for global contemporary art and culture. dedicated to rigorous and challenging programming, expo chicago initiates strategic international partnerships, built alongside strong institutional relationships with major local museums and organizations to open parallel exhibitions and events. the 2018 edition of expo chicago will align with art design chicago, an initiative of the terra foundation for american art, to present various programs and events throughout expo art week (september 24–30, 2018) including panel discussions, performances, and activations across the city.

the seventh edition features art from over 3,000 artists represented by 135 international galleries, 27 countries, and 63 cities. Admission includes a dynamic roster of on-site programming, including panel discussions, site-specific installations, film and new media works, and special exhibitions by renowned institutions.

pantone 18-3838 ultra violet (ahem) color of the year 2018.

Dec 31, 2017

here’s what pantone marketing spins…

enigmatic purples have long been symbolic of counterculture, unconventionality, and artistic brilliance. musical icons prince, david bowie, and jimi hendrix brought shades of ultra violet to the forefront of western pop culture as personal expressions of individuality. nuanced and full of emotion, the depth of pantone 18-3838 ultra violet symbolizes experimentation and non-conformity, spurring individuals to imagine their unique mark on the world, and push boundaries through creative outlets.

prince, bowie, and hendrix.

we do like the color – enjoyed finding examples for this gallery – but ultra violet has very limited applications. not a quintessential first choice for durable goods such as furniture. in an interior, more likely to be an accent and not a dominant color. and maybe not a very long shelf life, typically a year from collection to collection.

but then again this year, a homage to prince. and bowie. and hendrix…

2017 design miami/ design visionary and collaborations preview 1.

Dec 3, 2017

above > mwabwindo school which will serve primary school students in rural zambia

design miami/ 2017 exhibitions feature
utopian aspirations, robotic fabrications, americana, monumental scale, world debuts, and solo exhibitions

/ 33 galleries represent 14 countries, and include 8 founding galleries & 3 first-time galleries
/ design for a better world is a narrative that runs across galleries and through time periods
/ computer numerical control (cnc) continues to change manufacturing forever––see examples on-site
/ natural wood and craft furniture make a resurgence
/ galleries bring the large and the statuesque from the outside in, showing works of unprecedented scale

[ design visionary/ ]
an exhibition space within the fair will be dedicated to honoring the recipient of the 2017 panerai design miami/ visionary award – mwabwindo school which will serve primary school students in rural zambia. developed and operated by 14+ foundation, designed by selldorf architects, with artwork by rashid johnson, and newly commissioned furniture by christ & gantenbein, all of whom have provided their services pro bono. opening in 2018, the school will provide quality arts-based education to the community. below >

[ collaborations / ]
fendi/ welcome! to celebrate its tenth edition at design miami/, fendi presents welcome!, a luxurious living room setting designed by chiara andreatti that creates a survey of the fendi universe. this sophisticated, open environment, incorporates fendi selleria leather and stitching, fur craftsmanship and other iconic elements of the house’s dna. below >

audi/ the audi/ motherboard audi presents the audi a8 featuring a new design language, an innovative touchscreen operating concept, and a systematically electrified drive. the audi a8 is also the first production automobile in the world to have been developed for conditional automated driving. audi engineers are giving visitors an intimate look into the core of audi’s research and development facility: a mock-up for testing of the electronic components from the various stages in the development process of the audi a8 is on display. below >

maison perrier jouët/ becoming in collaboration with artists petra bachmaier and sean gallero of luftwerk, chicago, maison perrier-jouët’s becoming takes over miami in key locations throughout art basel miami beach including design miami/, eden by perrier-jouët, and miami international airport, using projected color and light to reimagine familiar environments in unexpected ways. the immersive space at design miami/ features a rhythmic ebb and flow of colored light that results in a bold, contemporary reinterpretation of the maison’s historic links with art nouveau. below >

airbnb/ a wild thing designer duo fien muller and hannes van severen of muller van severen invite design miami/ visitors into their own home in a complete replica of their actual living room in belgium. the installation includes their personal items, such as works of art by the designers’ family members, souvenirs they’ve collected over time, and original furniture of their own design. but there’s more than meets the eye––listen closely for whispered stories detailing the hidden lives of the room’s objects, which discreetly guide visitors through the space. below >

louis vuitton objets/ nomades presents an exclusive objet nomade: the turquoise-colored edition of the bomboca sofa, a new piece by fernando and humberto campana. other objets nomades making their design miami/ 2017 debut include atelier oï’s swing boat and belt chair; patricia urquiola’s palaver chair; india mahdavi’s talisman table; and marcel wanders’s lune chair and diamond screen. louis vuitton objets nomades is an ever-expanding collection of limited edition, collectible furniture inspired by louis vuitton’s storied art of travel. below >

preview day (by invitation only)
tuesday, december 5/
collectors preview/ 12–6pm
opening night preview/ 6–8pm
vernissage (by invitation only)
wednesday, december 6/
10am–12pm

public show days
wednesday, december 6/ 12–8pm
thursday, december 7/ 10am–8pm
friday, december 8/ 11am–8pm
saturday, december 9/ 12–8pm
sunday, december 10/ 12–6pm

[ design miami/ ] is the global forum for design. each fair brings together the most influential collectors, gallerists, designers, curators, and critics from around the world in celebration of design culture and commerce. occurring alongside the art basel fairs in miami, florida, each december and basel, switzerland, each june, design miami/ has become the premier venue for collecting, exhibiting, discussing, and creating collectible design. http://www.designmiami.com

design galleries that showed up at expo chicago 2017.

Sep 17, 2017

not a plethora of design galleries at the sixth edition of expo chicago but those who showed up are gems.

above & below > r and company creates and delivers superdesign with a film: superdesign: when design wanted to change the world. in addition there are two series of talks, one of on radical italian design 1965-1975.

trailer of superdesign: italian radical design 1965-1975 from r & company

the film includes interview with the following – emilio ambasz, franco audrito, dario bartolini, lapo binazzi, andrea branzi, germano celant, gilberto coretti, pietro derossi, piero gilardi, ugo la pietra, roberta meloni, alessandro mendini, adolfo natalini, gaetano pesce, gianni pettena, franco raggi, charlie stendig, cristiano toraldo di francia, jim walrod. dedicated to jim walrod, a film by maria cristina didero and francesca molteni – directed by francesca molteni / 62 minutes

above> half dollar chair | johnny swing | 2003 | r & company | 231

r & company represents a distinguished group of historical and contemporary designers whose goal is promoting a closer study, appreciation and preservation of 20th and 21st century design. gallery owner zesty meyers is a founding member of design miami.

johnny swing artist’s statement: art making is a social responsibility. to honor the privilege of being an artist, there are expectations i have for my work. first, it needs to be entertaining; second, it needs to spark curiosity, so that it creates a dialogue with the viewer; and third, it should have a formal quality, so that when the work is or approximates furniture, it must be comfortable.

above > laguna (lagoon) glass collection | michela cattai | 2017 | casati gallery 615

the gallery focuses on furniture, lighting, objects and art from post-war italian to global contemporary. gallery owner ugo alfano casati is a founding member of design miami.

cattai’s interest in the glass, coupled with her appreciation for italian design, led her to experiment with and eventually reinterpret centuries old murano glass crafting traditions.

above > boardroom crockery from slave city 2005-2009 | joep van lieshout | carpenter’s workshop gallery 443

sculpture, visionary, and enfant terrible sculpter joep van lieshout produces work that breaks the boundries of art, design, and architecture.

carpenters workshop gallery proposal of functional sculptures stands just at the intersection of two universes: reaching precisely a symbiosis of art and design.

above > horse cabinet | gaetano pesce | 2006 | salon 94 435

pesce, a playful italian architect, product designer, film-maker, and artist. a founding member of group n and an important figure in the radical design group. pesce notice ! offsite at the peninsula hotel see pesce’s introspective installation what it is to be human. thru 8 october 2017

the gallery’s program is focused on monochrome, concrete, and reductive abstraction, with an emphasis on california minimalism and light and space.

design miami 2016 highlights.

Dec 1, 2016

above> objets nomades by louis vuitton

design miami/ 2016 will continue its dedication to offering an extensive program of special events, satellite projects, collaborations and commissions to complement the gallery exhibitions this year.

returning this year and continuing to explore the relationship between fashion and design are fendi and louis vuitton. fendi brings a decidedly conceptual, mobile interpretation of a vip room, the happy room, which references the italian brand’s heritage and workmanship. louis vuitton adds to its objets nomades collection with two striking new furniture pieces. airbnb will present sobremesa, a shared space inspired by the mexican tradition of lingering around a table after a meal, working with emerging mexico city-based design studio, pedro&juana. long-time collaborator audi presents the extra hour, by lego, inspired by the audi rs 7 piloted driving concept and focusing on the new kind of freedom and control over time and for the fifth year, maison perrier-jouët returns, this time working with andrew kudless and focusing on the notion of digital craftsmanship. compac, spain-based surface manufacturer collaborates with israeli designer arik levy on an installation inspired by frozen lakes, referencing features of quartz and marble.

above> photo courtesy of the architect’s newspaper

above> the 2016 design miami/ pavilion by new york-based shop architects is flotsam & jetsam, a lattice-like pavilion made from biodegradable bamboo filament. the concept ties together two qualities, one visually obvious beach, the other, miami seen as a center for creative thinking and technological. the installation is currently the world’s largest 3d object. a collaboration with fabrication firm branch technology and oak ridge national laboratory who, also using a biodegradable bamboo medium to create the 3d rendered seating.

collaborations/

design miami/ collaborates with institutions, partners and sponsors to present newly commissioned works of design at each fair. these collaborations take the shape of immersive installations, curated exhibitions and unique objects that celebrate design innovation and express keen enthusiasm for design patronage.

above> audi presents the extra hour by lego / inspired by the audi rs 7 piloted driving concept and focusing on the new kind of freedom and control over time that has come along with it. audi has commissioned installations by international designers and architects including bjarke ingels, reed kram, clemens weisshaar and konstantin grcic, thus underlining the brand’s commitment to fostering design culture. each of audi’s installations has highlighted key elements of audi’s technological advancements and married automotive design with the most current developments in different fields of design, urban planning and architecture.

above> dean & deluca, the legendary new york gourmet market and leading international purveyor of fine food, is partnering with one of the world’s most innovative architects, ole scheeren, to create a prototype of his design for a unique food retail concept titled stage. stage presents a glowing, pristine object in polished stainless steel with the undulating topography of a bespoke, high tech display system, created for the powerful celebration of the preparation and presentation of food.

stage will be located in the main exhibition tent of the design fair and will operate throughout the duration of the fair as its main and sole food partner.

above> airbnb presents sobremesa, a lively exploration of shared space, by pedro&juana, an emerging mexico city-based design studio founded by ana paula ruiz galindo and mecky reuss. sobremesa is the mexican tradition of sharing time and space lingering around the table after a meal in casual conversation; pedro&juana recreate the experience of sobremesa in a unique environment inspired by iconic mexican courtyard spaces. walking into the installation, visitors will feel transported to a space that is authentically connected to the designers’ home city through plants, interior design and local everyday objects. the sobremesa installation will change and evolve throughout the week to represent how shared spaces—like airbnb homes—become rich in experience, spirit, and memory as more and more people live and participate in them over time. the exhibition also features a program of meals, cocktails, music, and experiences at designated times throughout the week, activated by an array of diverse hosts selected by the designers.

above> courtesy of fendi / alberto zanetti

fendi presents the happy room, an inspired interpretation of a modular vip room. with a soft and rarefied tone, distinguished by simple volumes and rounded shapes, the happy room by cristina celestino suggests harmony and delicacy. numerous iconic elements, such as the distinctive arch of palazzo della civiltà italiana in rome, or the inlay of materials; drawing on the stylistic matrix of the fendi fur atelier, which is repeated within the collection through innovative techniques and the contrasting play of various types of marbles.

happy room will be located in the main exhibition tent.

curio/

this year part of curio, a design miami’s new exhibition platform, which invites designers, curators, innovators and gallerists to present cabinets of curiosity throughout the fair. each curio reveals a total environment of objects, textures, artifacts and ideas that challenges and contextualizes familiar design narratives.

above> patricia findlay presents atelier biagetti’s no sex

no sex in miami is the current episode of atelier biagetti’s exploration of contemporary life and goes deep into the human psyche to address the all-time greatest obsession: the idea of sex. first shown during milan design week 2016 curated by maria cristina didero, this time it is the ultimate environment for psychological confrontation, the therapist’s studio. the space itself contains all the expected elements, but the deceptively familiar surroundings are not innocently functional but rather tease the viewer, thus provoking new kinds of behavior around the perception of what sexy is, and around the idea of contemporary design.

galleries/

above> photo courtesy of friedman benda / adam reich

friedman benda returns to design miami with asymmetrical symmetry, two parallel room settings featuring the work of eleven contemporary designers. contrasts, opposites and asymmetries will illustrate the rich diversity and backgrounds of designers spanning four continents and four generations, while calling attention to the breadth and depth of each individual designer’s practice.

one room, a juxtaposition of non-traditional materials in a frenzy of vibrant colors and textures, marks friedman benda’s first collaboration with american artist chris schanck.this setting will feature a monumental contemporary dining table and mirror, and a new series of armchairs in schanck’s signature alufoil technique and will preview his first solo exhibition at friedman benda in september 2017. misha kahn, fresh from a working trip to south africa, will present the first in a new series of cabinets produced in swaziland made with woven grass, trash, car parts, and sea glass. the inclusion of the campana brothers’ bi-level marquetry table along with a pair of pink pirarucu armchairs, complete the room.

the second setting is an exploration of volumes, with furniture and objects in natural materials and earthy tones. british designer faye toogood’s volumetric roly-poly dining chairs in silver nitrate bronze will preview her first solo exhibition with friedman benda, assemblage 5, opening february 23, 2017. these chairs will be paired with korean designer byung hoon choi’s minimalist sculptural dining table in light oak and stone. american design legend, wendell castle, now 84, will show the first in his exciting new block series of carved chairs ‘born’ of wood, referencing classical sculpture of the renaissance period, marcel wanders’ low embroidered leather odjurss äte murmur chairs will be juxtaposed with los angeles based artist adam silverman’s organic ceramic vessels. the setting will include lighting – the unveiling of chilean design studio gt2p’s new remolten lava table lamps made from lava excavated from chile’s villarrica volcano; a voluminous rice paper and bamboo floor lamp by the influential italian architect and designer andrea branzi, as well as british designer paul cocksedge’scapture, a hand-spun aluminum dome chandelier, which holds the glow of a warm white light, but with no visible source.

brooklyn-based calico wallpaper will unify the rooms, a second collaboration with the company’s founders. inspired by the concept of optical illusion, calico wallpaper will present a site-specific print of their aurora wallpaper with a custom pattern designed to play with the viewer’s perception and challenge one’s visual system.

above> chicago based volume gallery focuses on american design, with a strong emphasis placed on emerging contemporary designers. featured designers in miami are: tanya aguiñiga, ania jaworska, christy matson, jonathan muecke, anders ruhwald, thaddeus wolfe.

above> at galerie kreo, clémence and didier krzentowski present exclusive limited-edition pieces by ronan & erwan bouroullec, pierre charpin, naoto fukasawa, konstantin grcic, hella jongerius, jasper morrison, marc newson, maarten van severen and martin szekely, as well as work by françois bauchet, humberto & fernando campana, alessandro mendini, jerszy seymour, studio wieki somers and others.

above> curved seat by jonathan nesci in waxed aluminum plate for giovanni beltran

giovanni beltran is a miami-based design agency founded in 2015 by the gallery noguchi breton [originally guccivuitton]. as noguchi breton, we have been engaged with the cultural and material vernaculars embedded within artistic practices of south florida since 2013. giovanni beltran maintains our interest in colloquial aesthetics to include the development and promotion of furniture, design and architecture.

designers> jonathan gonzalez, jonathan nesci, lex pott, deon rubi

off site/

the following are venues around the city:

above> courtesy of louis vuitton

objets nomades is a collection of furniture that reinvents louis vuitton’s art of travel. the installation will be composed of its most emblematic creations, some of which were especially made for design miami/: the stool by atelier oi, the cocoon by the campana brothers, the bell lamp by barber & osgerby, the concertina table , chair and light shade by raw edges, the swing chair by patricia urquiola and the lounge chair by marcel wanders. louis vuitton also unveils the blossom stool, designed by tokujin yoshioka, and the fur cocoon by the campana brothers. sharing a sense of intuitiveness, desire and pleasure, the objets nomades aims to continue louis vuitton’s tradition of offering inspiring and surprising designs to clients all over the world.

the blossom stool and fur cocoon will be displayed at design miami from 30 november until 4 december and are available for purchase during the design fair. the collection will then reside through january at the boutique store / 140 ne 39th street miami

above> evergreen brasil / luminaire lab / 3901 ne 2nd ave miami

luminaire’s commitment to promoting good design continues with evergreen brasil, an exhibition of brazilian designs debuting during art basel and design miami/ week thursday 1 december and on display until 31 december in collaboration with casa vogue brasil. the exhibition features a curated selection of multidisciplinary design covering furniture, accessories and jewelry from both emerging and established designers. characterized by their welcoming attitude, special connection to nature, celebratory lifestyle, inventiveness even when materials are scarce, and tendency to experiment and improvise — brazilian design is a celebration of diversity.

above> the speed of light courtesy of london designer philippe malouin. the speed of light sets lantern-esque led light globes in the design district on a path along the paseo ponti pedestrian mall / paseo ponti & ne 40th street miami

video courtesy philippe malouin