walter hood – DesignApplause

2021 chicago architecture biennial kicks off in a new format.

Sep 10, 2021

an architecture biennial unveils avant-garde ideas, materials, technologies and practices and serves as a forum for architects to make connections, collaborate with others and engage the public in issues and concerns in the field. the biennial also recognizes outstanding work in the industry.

the 2021 fourth edition of the chicago architecture bienniel kicks off 17 september organized in an entirely new format from previous years. all earlier editions were held at the chicago cultural center, an architectural masterpiece in itself, filling all three floors and greeting over 500,000 visitors in 2019.

because of the pandemic which affected long-established global venues, such as the venice architecture biennale, whose dates were put off twice — first, from may to august 2020, then to may 2021, chicago’s events will offer content within a neighborhood-centric format throughout the city.

the 2021 chicago event, titled the available city, builds on a chicago architecture professor’s long-term efforts to find creative uses for thousands of vacant city-owned lots. it will ask us to ponder how shared spaces, like community playgrounds, affect cities’ quality of life.

the biennial’s theme dovetails with mayor lori lightfoot’s $750 million “invest south/west” program to boost investment in struggling neighborhoods on the city’s south and west sides.

the mayor said in a news release, she was “thrilled” that the biennial “will be focused and grounded in our neighborhoods that can benefit from it the most.”

david brown, the 2021 chicago architecture biennial artistic director, is a professor at the university of illinois at chicago. brown participated in the inaugural 2015 biennial with an exhibition, also called the available city, which explored how 15,000 city-owned vacant lots could be transformed into usable public spaces rather than conventional reuses like urban farms.

above > david brown

since then, brown has worked with community-based organizations, connecting them with architects and designers to develop plans to turn individual lots or combinations of lots into small parks, plazas and buildings of various sizes.

this time around, the available city includes 15 site-specific architectural installations: located on public and private lots located in chicago’s neighborhoods of north lawndale, bronzeville, woodlawn, englewood, pilsen, collateral projects and the south loop. there are also two exhibition-based explorations located in an unused storefront space in bronzeville and at the graham foundation.

the host again is the graham foundation. and rather than starting from the ground up, the 2021 biennial will expand on brown’s work.

“that’s one of the reasons we’re really confident we can do this,” said sarah herda, the co-artistic director of the 2015 biennial and a member of the organization’s board. “we feel like it’s really a good moment” to reunite with brown and take his research forward, she said.

the biennial to date has featured models, drawings, installations and other work by more than 350 architects, designers and artists from more than 40 nations.

stressing that the 2021 biennial will seek to retain that international flavor, herda said the event might display projects from around the world that deal with issues like those brown has explored in his research.

out-of-town architects might communicate with chicago community groups via zoom or other online forums, she said.

the biennial’s first event will be an online conversation between brown and california landscape architect walter hood, winner of a macarthur foundation “genius” grant, who participated in the 2019 biennial.

as in previous years, the nonprofit organization that runs the biennial will present the event in cooperation with the chicago department of cultural affairs and special events.

the biennial becomes the second chicago architecture organization to shift from indoor activity to outdoor events and online platforms in response to the pandemic. the chicago architecture center presents it’s annual open house chicago, which normally gives participants access to the interiors of chicago buildings, is presenting outdoor and online tours.

[ contributors ]
ana miljački – critical broadcasting lab at mit (boston);
ania jaworska (chicago);
atelier bow-wow (tokyo);
borderless studio (chicago);
central park theater restoration committee (chicago);
christophe hutin architecture (bordeaux);
counterspace (johannesburg + republic of london + united kingdom)
craig wilkins (detroit);
departamento del distrito (mexico city);
drawing architecture studio (beijing);
el cielo (mexico city);
elleza kelly (new haven + new york);
englewood nature trail (chicago);
enlace arquitectura + ciudad laboratorio (caracas);
fala (porto);
gensler (stone soup group) (los angeles + chicago);
hood design studio (oakland);
in care of black women (chicago);
jill desimini (cambridge);
jovanna jackson (chicago);
maite borjabad lopex-pastor (chicago + madrid);
manuel hertz architecture (basel);
matri-archi(tecture) (basel + cape town);
michelle joan wilkinson (washington dc);
open architecture + under the grid (chicago);
outpost office (columbus);
port (chicago + philadelphia);
projecthood (chicago);
rayna rezmilic (santiago);
riff studio (new york city);
sekou cooke studio (charlotte);
shau (bendung);
soil lab (copenhagen + dublin);
sonja henderson and alphonso nieves (chicago);
stefan gruber (pittsburg);
studioapt (ann arbor);
studio barnes with shawhin roudbari and mas context (miami);
studio ossidiana (rotterdam + venice);
the bittertang farm (chicago + bainbridge island);
the open workshop (san francisco + toronto);
urban american city (new york city).

contributor/tokyo atelier bow wow

contributor/niger mariam kamara/a>

contributor/chicago ania jaworska

contributor/detroit craig wilkins

the graham foundation is pleased to present the available city, part of the fourth edition of the chicago architecture biennial (cab). this edition marks a new approach to the biennial model, bridging the traditional exhibition format to a deeper engagement with the community to expand access and impact. offering opportunities to discover installations, exhibitions, and programs that explore transformative possibilities for vacant spaces in communities worldwide.

visit the [ chicago architecture biennial ] to explore more about the biennial, what is on view throughout the city, and upcoming programs and events. look for DesignApplause to spell out these events in weekly separate articles.

[ upcoming programming! ] #cab21 #chicagoarchitecturebiennial

this is a developing story…

Cooper-hewitt awarded $5M from nyc for renovation.

Oct 7, 2013

campus/mansion

The Smithsonian’s Cooper-Hewitt, National Design Museum has received a $5 million allocation through the City of New York’s Department of Cultural Affairs. The funding supports Cooper-Hewitt’s renovation of the historic Carnegie Mansion and grounds, which will result in 60 percent more gallery space when the museum reopens in fall 2014. This is a major additional allocation from the City, which has previously supported this renovation, and will go toward further restoration of millwork, woodwork, flooring, stone and windows, as well as upgrading the Arthur Ross Terrace and Garden.

[ official release ]
The Smithsonian’s Cooper-Hewitt, National Design Museum has received a $5 million allocation through the City of New York’s Department of Cultural Affairs. The funding supports Cooper-Hewitt’s renovation of the historic Carnegie Mansion and grounds, which will result in 60 percent more gallery space when the museum reopens in fall 2014. This is a major additional allocation from the City, which has previously supported this renovation, and will go toward further restoration of millwork, woodwork, flooring, stone and windows, as well as upgrading the Arthur Ross Terrace and Garden.

“The City is pleased to continue its support for Cooper-Hewitt’s transformative project, which will make the institution an even more vibrant destination on Museum Mile,” said Kate D. Levin, commissioner of the New York City Department of Cultural Affairs. “The renovation of the Carnegie Mansion will make design accessible to museumgoers with expanded gallery space, the restoration and preservation of historic rooms, innovative landscape design.”

old ground floor
new ground floor

“We are so grateful to the City and the Department of Cultural Affairs for their continuing support of the largest capital campaign in Cooper-Hewitt’s history as well as their commitment to safeguarding this national treasure,” said Caroline Baumann, director of Cooper-Hewitt. “We are proud stewards of the Andrew Carnegie mansion, an iconic New York City landmark, and its preservation is one of the driving forces behind this expansion. This grant makes the past and future of design more accessible and impactful to the public.”

Cooper-Hewitt’s renovation is part of an $89 million capital campaign launched in 2006, which includes a $79 million renovation and a $10 million endowment. The expansion includes enlarged and enhanced facilities for exhibitions, collections display, education programming and the National Design Library, and an increased endowment. To date the museum has raised $73.4 million against the $79 million renovation goal, which includes $14.3 million from New York City, and $7.3 million toward the $10 million endowment goal. The scope of the renovation grew as a result of the museum’s desire to increase visitor interactivity and accessibility. The expanded scope, an increase of $25 million, brought the overall cost from $54 million to $79 million. To date the museum has raised 91 percent of its goal.

The museum is working with a team of designers to realize the new Cooper-Hewitt. Design stories will come alive in the exciting new galleries that are being reimagined by Diller Scofidio + Renfro—winners of the 2005 National Design Award for architecture. Local Projects, participatory media designers and 2013 National Design Award winner for interaction design, are developing engaging ways for visitors to become designers. Cooper-Hewitt’s ambition to increase accessibility extends to the Arthur Ross Terrace and Garden, which is being designed by Walter Hood, the 2009 National Design Award winner for Landscape Architecture. A new graphic identity for the museum is being designed by Pentagram. Thinc Design is realizing the new temporary exhibition space on the third floor.

The overall expansion is a collaboration between design architect Gluckman Mayner Architects and executive architect Beyer Blinder Belle. The program of historic preservation, working within preservation parameters established by Beyer Blinder Belle, will aim for Leadership in Energy and Environmental Design certification.

The first phase of the expansion involved renovating the museum’s East 90th Street townhouses in order to move the National Design Library and administrative functions from the Carnegie Mansion to the townhouses, enabling the creation of 60 percent more exhibition gallery space within the museum. The renovation of the townhouses was completed in September 2011. The second phase of the renovation, which involves mansion restoration and the creation of a new 7,000-square-foot gallery, is nearly 70 percent complete.

new gallery
new textiles

During the mansion renovation, Cooper-Hewitt’s usual schedule of exhibitions, education programs and events are being staged at various off-site locations, including the Cooper-Hewitt Design Center in Harlem, which has serviced more than 19,000 people since its opening in May 2012. Sold- out programs cater to a broad audience, providing immersive experiences for pre-schoolers and adults. The museum’s “Design in the Classroom” program, which teaches 21st-century skills by using design as a tool across the curriculum, has served more than 36,000 New York City K–12 public school children during the past two years.

[ About the Smithsonian’s Cooper-Hewitt, National Design Museum ]
Founded in 1897, Cooper-Hewitt is the only museum in the nation devoted exclusively to historic and contemporary design. The museum presents compelling perspectives on the impact of design through educational programs, exhibitions and publications. International in scope and possessing one of the most diverse and comprehensive collections of design works in existence, the museum’s rich holdings range from Egypt’s Late Period/New Kingdom (1100 B.C.) to the present day and total more than 217,000 objects.

The museum has more than 70 full-time staff members, including curators, conservators and design education specialists, and the fiscal year 2013 operating budget is $16 million. The museum is 70 percent funded by earned and contributed income, the remainder coming from federal appropriations.