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SOUTHERN GUILD

Home Tag SOUTHERN GUILD
design miami 2021 offers a long awaited hybrid format a best of both worlds.

design miami 2021 offers a long awaited hybrid format a best of both worlds.

Oct 23, 2021

above> r & company gallery

design miami/ returns to pride park with new curatorial director, wava carpenter. the 17th edition of the fair will explore the theme of human kind and how design can impact the world for the better.

above> wava carpenter / photo karli evans

edited official release — design miami/ is delighted to present the 17th edition of it’s fair in miami beach from 1 – 5 december 2021. taking place in pride park, opposite the miami beach convention center, the fair will feature over 35 gallery and curio exhibitions to be presented alongside an exciting lineup of partnerships and collaborations. in addition, design miami/ will be presented in a hybrid physical and digital format. all exhibited works on the show floor will be available to purchase at designmiami.com for a limited time, alongside a robust online program of design talks and 3d virtual tours.

jennifer roberts, ceo of design miami/, says: “the 17th edition of design miami/ brings a myriad of reasons for celebration – from returning to our home in pride park to our human kind theme, which will look at how design can play a role in shaping the world for the better. as we continue to see the collectible design market grow, in both physical and digital spaces, we’re pleased to also welcome many new members to the design miami/ family – galleries, curios and partners – all of which are bringing thoughtful contributions to the fair”.

the theme of human kind, shining a spotlight on design-led visions for a more equitable and interconnected future. those operating at the cutting-edge of design thinking will bring together works, ideas, and presentations to spark conversations around the current state of the world and where we need to go. the galleries and partners have planned thoughtful and diverse responses to this timely theme.

carpenter says: “the practice of design, at its heart, has always aimed to create a better future. but in recent years, as the global challenges that humanity faces have approached existential proportions, the future that designers envision increasingly demands a fundamental reorientation of what it means to be human in this world, calling on all of us to become better stewards of nature and of each other.”

[ aesthetics of the moment: the fantastical & the primordial/ ]

perhaps as an escape from the realities of the world as it is now, designers and collectors are drawn to truly extraordinary forms that evoke another time and place. this larger trend finds two expressions: the fantastical and the primordial. the former aesthetic is exuberant, vibrant, surreal, as if created for a fairy tale or science fiction story, often inflected with a tongue-in-cheek wink. the second expression has a minimalist yet striking aura that calls to mind relics of the ancient past, prehistory and beyond time.

above > extraño 1 / tanya aguiñiga / volume gallery / 2020

at objective gallery, ‘reincarnation’ presents the work of brecht wright gander, fernando mastrangelo, j mcdonald, vincent pocsik, eny lee parker, and charlotte kingsnorth, which as an ensemble conjures objects of past lives and nostalgia for bygone ways of living. in the age of industrial and mass production, it is less possible to commune with one’s environment and the art of everyday life. the works in reincarnation revive pre-industrial artisanal processes and mastery of materials. jason jacques gallery presents ‘ceremony’, an ayahuasca ceremony from the planet zeefromzeglop. the ceremony posits that all that exists in the universe is connected through cracks in time-space that are universally opened by plant medicine. on show are tapestry depictions of great spirit animals and plants. meanwhile, volume gallery presents new braided and draped woven works from renowned craftsperson tanya aguiñiga. forming part of the designer’s ‘extraño’ series, the objects are a craftful expression of the grief, gratitude, rage, and exhaustion aguiñiga has felt in response to the constant threats faced by the bipoc community, as well as the diverse effects and losses of the pandemic.

above> tomorrow land / studio proba and enjoy the weather / miami design district

the miami design district has named creative studios, studio proba and enjoy the weather, this year’s winners of its highly anticipated 2021 annual design commission. curated by wava carpenter and anna carnick of anava projects and design miami/, this year’s installation, titled tomorrow land, will transform the neighborhood—as well as the entrance to design miami/—into an interactive playground through a series of joyful sculptures, seating, and ornamentation designed by studio proba. the physical installation will serve as the basis for an interactive, virtual game created by enjoy the weather. a dedicated app that uses ar technology and proximity beacons will allow visitors to ‘collect’ and customize studio proba’s shapes and place their own custom totems throughout the neighborhood and beyond.

[ material of the moment: ceramics/ ]

through their direct, hands-on and hands-in nature of production, ceramic works are an ideal medium for storytelling, especially autobiographical and sociological stories, which resonate deeply with audiences in this time of disruption and separation. it seems that, more than ever, ceramics artists are working with clay in new ways to share perspectives on and insights into who they are, where they came from, and where they want to see the world go. this has resulted in a thriving market for ceramics, and this year’s fair presents a strong representation of both contemporary and historical ceramics.

above> zizipho poswa / southern guild

southern guild presents an exhibition of ceramics specifically commissioned for the fair from four of south africa’s most accomplished artists working in clay – andile dyalvane, zizipho poswa, madoda fani and chuma maweni. these contemporary artists use the medium to explore aspects of traditional xhosa culture and spirituality while drawing on their personal experiences and deep belief systems. titled ‘studio visit’, the booth will take visitors behind the scenes of the artists’ practices as they foreground new techniques and achieve some of their most technically ambitious work to date. at friedman benda, the gallery will introduce a series of never-before-seen portrait works produced in glazed stoneware by nigerian american ceramicist and sculptor ebitenyefa baralaye – the first collaboration between the designer and the gallery. interpreted through a diasporic lens and abstracted through the aesthetics of craft and design, baralaye’s work explores cultural, spiritual, and material translations of form, objects, text, and symbols – this new series being a vehicle through which to offer reflections on his experience of being a black man in america.

mindy solomon presents ‘free flowing geometry’, a striking presentation of works by john gill, kelsie rudolph, and minkyu lee. exploring the boundaries of form and function, each artist builds pieces that are carefully crafted with functionality in mind, taking artistic license to bring movement and vibrant color to the mix. moderne gallery offers contemporary and 20th century ceramic pieces, including a masterful ceramic representation of the planet, glazed ceramic globe (2021) by japanese ceramicist hashimoto tomonari, presented alongside estelle halper’s 1960s organic sculptural work.specialized in nordic design and decorative arts, hostler burrows also presents a beautifully curated selection of contemporary scandinavian ceramics alongside a few exceptional historic design pieces, including works by steen ipsen, martin bodilsen kaldahl, taher asad-bakhtiari, bjorn friborg, frida fjellman, maren kloppman, torbjorn kvasbo.

[ the best of the best/ ]

as always, design miami will host galleries representing work that tops today’s collectible design market, both vintage and contemporary. masterpieces from icons of the 20th century include works by pierre jeanneret, charlotte perriand, george nakashima, harry bertoia, joaquim tenreiro, and verner panton, while contemporary highlights are found in works by daniel arsham, katie stout, the haas brothers, and more.

moderne gallery presents a strong selection of rare and unique mid-century design, with a focus on studio craft movement pieces. a particular highlight is george nakashima’s first furniture design: the karuizawa chair (1935), made for st. paul’s catholic church in karuizawa, japan. until recently, only two chairs were known to exist worldwide. across the chair’s peeled cryptomeria frame is suspended a seat made of woven grass threads, a design that displays both traditional materials and a modern sensibility. it’s clearly the precursor for what is now nakashima’s most popular, grass-seated chair (designed 1944).

above> amnesia or platelet apparition? / samuel ross / friedman benda / 2020

at friedman benda, the gallery will present a solo booth of work by artist and creative director samuel ross, celebrating the launch of the gallery’s partnership with the acclaimed british designer. emblematic of his all encompassing, conceptually rigorous approach, ross will transmute the traditional fair booth into a quasi-industrial setting. the space, caught between construction and deconstruction, acts as a liminal staging ground for select works from three discrete but intersecting series: signal, rupture and amorphous strand.

[ design miami/ 2021 curios/ ]

curio is an exhibition platform that invites designers, architects, curators, innovators and gallerists to present total environments of objects, textures, artifacts and ideas that challenge and contextualize familiar design narratives. curios are interspersed amongst design miami’s gallery program, infusing the fair with inventive snapshots of today’s design landscape. the 2021 miami fair presents a diverse range of 19 curios that question and respond to the theme of human kind, including 13 fresh faces this including: apical reform & zeel studio, bea interiors design, bohinc studio, james de wulf, objective gallery, pelle, tuleste factory, twenty first gallery and verdi.

non-profit organization and platform, house of today returns to miami after their debut curio presentation in 2017, this year showcasing a solo exhibition of work by lebanese designer khaled el-mays. this new series of work has been made in collaboration with craftspeople in mexico city and is a continuation of the long relationship between el-mays and house of today, founded by cherine magrabi tayeb. entitled new nature, the five-piece series features two mirrors, a bar, bench and the designer’s first ever chair, made from leather, wood, raffia, and wicker as well as ceramics which is a new material for the designer who has collaborated with master company anfora who has over 100 years experience in the industry. also returning to miami is harry nuriev with his sixth curio presentation, a continuation of the designer’s recent explorations of transitory spaces that serve as a metaphor for “traveling through different layers of space, reality, and consciousness”—a theme found in much of nuriev’s work. the bedroom is a silver bedroom installation that will feature a ryokan-style mattress, situated within a zen-like cube that underscored the value of the bedroom as a space to escape reality, meditate, experience vulnerability, and access different levels of consciousness.

above> mass table / tom dixon / mass research studio / 2020 // below> emotional rocks / apical reform & zeel studio / 2021

amongst this year’s debut curio presentations, highlights include first time exhibitors apical reform & zeel studio – a collaboration between designers amrish patel, darshan soni, and gordana zgonjanin that brings apical reform’s innovative work that encompasses functional, bespoke and kinetic art – presented by miami based zeel studio. for design miami/ they will debut emotional rocks, an installation that aims to capture the essence of time through the impact of the intangible aspects of emotions on hard objects such as rocks. the emotional rocks and blurry stars kinetic benches will also be installed throughout the common spaces of design miami, offering visitors a spot to rest and to take the time to evaluate their relationship with the world. also new to miami is new york-based twenty first gallery who will showcase an exhibition of new work by london-based polish designer marcin ruask.

[design miami/ 2021 galleries/ ]

ago projects/ mexico city
ateliers courbet/ new york
bernard goldberg fine arts/ new york
carpenters workshop gallery/ new york
converso/ chicago
friedman benda/ new york
hostler burrows/ new york
jason jacques gallery/ clinton corners
john keith russell/ south salem
magen h gallery/ new york
moderne gallery/ philadelphia
ornamentum/ hudson
r & company/ new york
side gallery/ barcelona
southern guild/ cape town
the future perfect/ san francisco
thomsen gallery/ new york
todd merrill studio/ new york
volume gallery/ chicago
wexler gallery/ philadelphia

[ design miami/ 2021 curios/ ]

apical reform & zeel studio/ gujarat
atra/ mexico city
bea interiors design/ miami bohinc studio/ london
gallery all/ alhambra, beijing harry nuriev/ new york
house of today/ beirut
j. lohmann gallery/ new york james de wulf/ los angeles mercado moderno/ rio de janeiro mindy solomon gallery/ miami objective gallery/ shanghai pelle/ brooklyn
reinaldo leandro/ new york room 57 gallery/ new york
tom dixon/ new york
tuleste factory/ new york twenty first gallery/ new york verdi/ bogota

[ design miami/ 2021 partners/ ]

doha design district
fendi
grand seiko
kohler
lexus
maestro dobel
miami design district
perrier jouet
panerai
scad
usm

[ schedule of events/ ]

preview day/ by invitation only
tuesday, november 30/
members preview/ 11am – 12pm
collector’s preview/ 12-7pm
wednesday, december 1/
vip preview/ 11am – 1pm

public show days/
wednesday, december 1/ 1–8pm
thursday, december 2/ 11am–8pm
friday, december 3/ 12–8pm
saturday, december 4/ 12–8pm
sunday, december 5/ 12–6pm

[ about design miami/ ]

design miami/ connects the world through extraordinary collectible design, with live fairs and experiences on four continents that bring together galleries, designers’ studios, brands, experts, collectors, and enthusiasts, and designmiami.com, a content-rich digital marketplace. each edition of design miami/ features museum-quality 20th and 21st century furniture, lighting, and objets d’art from the world’s top, expertly vetted galleries with flagship fairs taking place alongside art basel in miami, florida, each december and basel, switzerland, each june. design miami/ is also accessible 365-days a year through designmiami.com, featuring shoppable works from design miami’s expert galleries, dm/bx – a curation of more accessible one-of-a-kind, limited edition, and small batch design objects, as well as virtual programming, and engaging storytelling at the forum magazine.

this is a developing story…

justine mahoney tainted.

justine mahoney tainted.

May 4, 2017

after a sell-out first-edition show of sculptures at southern guild’s cape town gallery, this much-anticipated exhibition is set to stimulate the johannesburg art and design scene.

justine mahoney will open the johannesburg version of her solo show with southern guild on 4 may.

tainted presents a study of the jostling schizophrenia that exists between an apparent playful veneer and the darker element that lurks beneath the surface, presenting 10 sculptures and the corresponding collages from which they are born.

opens on 4 may: 18:00 – 20:00

gallery hours apply

between dusk and dawn – a solo show by philippe bousquet.

between dusk and dawn – a solo show by philippe bousquet.

Mar 24, 2017

from 24 march to 26 may, southern guild’s cape town gallery will come alive with over 100 thought-provoking sculptures and paintings by renowned french assemblage artist philippe bousquet. philippe, who has lived in johannesburg for close to 13 years, and is known for his intricately constructed jewel-like sculptures, will introduce new directions in his work, including portraiture, fine art and larger-scale structures. the solo show, titled between dusk and dawn, presents the artist’s intellectual foray into the space between these two states. ‘when it’s not dark, it’s not light,’ he explains of the title that alludes to the ideas of harmony and balance, in opposition to life’s extreme constructs.

between dusk and dawn invites audiences to look beyond what they would normally see, and to search for meaning within the grey areas, because, as the artist views it, ‘truth is not real, it’s an individual concept of life’. each piece, made from found objects and waste materials, in the traditional spirit of assemblage, tells a story that is open to interpretation based on personal experience, religious views, political leanings and social commentary. ‘it’s my way of telling stories about how i see people and the world,’ philippe says. ‘each story has more than one side to it, and will be received differently by each person.’

porky hefer at london design biennale.

porky hefer at london design biennale.

Sep 7, 2016

southern guild brings porky hefer’s solo show, otium and acedia, to represent south africa at the inaugural london design biennale at somerset house, london. focusing on the theme of ‘utopia’, porky hefer’s suspended creatures welcome you to experience leisure, fear and luxury all in one.

design miami/ 2015 celebrates the diversity of design.

design miami/ 2015 celebrates the diversity of design.

Oct 21, 2015

As the market for collectible design continues to evolve and mature with each edition, Design Miami/ celebrates the full diversity of its field. With the 11th edition of Design Miami/ this December, the fair offers extraordinary works from galleries based on five continents that specialize in everything from classic early twentieth century design to the conceptual cutting edge. Work ranging from full-sized architectural elements to the most delicate jewelry, by designers from as far afield as the Philippines and Japan, South Africa and Brazil, will be on show under one roof at the global forum for design.

There’s a story behind every piece of great design/.

[ latin spirit/ ]

dmiami15-cangaco1

cangaço – bookstand/ fernando and humberto campana, 2015/ courtesy of campana studio and fernando laszlo/

Firma Casa, the first participating gallery from Brazil (São Paulo), offering a program that is notably strong in design from Latin America. The distinctive and innovative work of the Campana Brothers – Design Miami/ Designers of the Year in 2008 – are represented at both Firma Casa and Friedman Benda. A rare jacaranda wood bench by Modernist pioneer Joaquim Tenreiro is showing at R & Company. Cristina Grajales Gallery exhibits a spectacular coffee table by Gloria Cortina topped with golden obsidian, a naturally occurring volcanic glass. ADN Galeria of Mexico participates in the Design Curio program with a project by the Mexico-based sculptor and furniture designer Eduardo Olbés.

[ design reborn/ ]

dmiami15-arreazia1

pair of lamps from villa arreaza, caracas/ gio ponti, 1954/ courtesy of casati gallery/

The scholarship, research and the preservation of historic works that are so important to the world of collectible design are aspects that are perhaps less visible to visitors to Design Miami/. A number of exhibitions at this year’s fair will put the spotlight on projects honoring design history. Galleria Rossella Colombari will recreate an interior in the style of Villa Planchart in Caracas designed by Giò Ponti, using colors and materials dear to the architect. Another apartment – this one from Milan, designed by Ponti’s protegé architect Attilio Colonello – will be recreated from historic drawings and photographs by Casati Gallery, in a scenography that will include a number of pieces from the original scheme.

[ personal connections/ ]

dmiami15-downtown1

dining table for madeleine and jean prouvé/ pierre jeanneret, 1943/ marie clérin for laffanour – galerie downtown/

There’s a story behind every piece of great design, often one that reflects personal relationships, whether between a group of like-minded creative souls, friends and mentors, hard working duos, romantic partners, or siblings. One compelling personal connection central to the history of modern design is evoked in a piece presented this year by LAFFANOUR – Galerie Downtown: a table given to Jean Prouvé by Pierre Jeanneret in 1943, and which remained in use by Prouvé’s family at his house in Nancy, France. Family relationships are evoked in pieces by Xander Kriel, who created his Vos Altar in memory of his grandfather for Southern Guild, and by Wharton Esherick, who’s graceful sculptural form The Actress (1938/9), presented by Moderne Gallery, was inspired by his daughter Mary. Thomas Fritsch will present works by Verá Szekely, co-founder, with André Borderie and her husband Pierre Szekeley, of Borderie Szekeley, a trio that created work together until 1957.

[ monumental design/ ]

dmiami15-myerscough1

enignum xvi/ joseph walsh, 2015/ courtesy of the designer and sarah myerscough gallery/ photographer: andrew bradley

Large-scale design and architectural components continue to be a keenly anticipated highlight of the Design Miami/ program. Galerie Patrick Seguin will once again be sharing a work of pioneering mid-century modular architecture, in this case the only remaining example of Jean Prouvé’s 1939 baraque de campagne, a rapidly assembled 4 x 4m military hut. At Galerie Philippe Gravier, Kengo Kuma will present a small nomadic tearoom constructed from simple lightweight plastic materials and inspired by the humble, reclusive dwelling of the writer Kamo no Chōmei. Substantial works in wood by Wendell Castle will be on show at Friedman Benda, R & Company and Carpenters Workshop Gallery, in celebration of the American art-furniture pioneer’s equally monumental career. At Sarah Myerscough Gallery, a new generation of designers creating large, finely-crafted works in wood will be represented by Joseph Walsh. From a lighter perspective, first time gallery Orley Shabahang presents the durable, finely crafted silk rugs created by Haji Jalili in the late 19th century represent a highly portable form of monumental design. On the opposite side of the spectrum is the continuation of Naihan Li’s I Am A Monument series at Beijing-based Gallery ALL, which shrinks monumental architectural structures into playful functional pieces for the home.

[ simulacra/ ]

dmiami15-crown1

cardboard crown necklace/ david bielander, 2015/ courtesy of dirk eisel/

Playful and sometimes pointed references to familiar everyday objects infuse certain exhibitions at Design Miami/ with visual wit. Juxtaposing precious materials and functionality, Siegfried De Buck’s silver Praline Box (1993) is the ultimate vessel for Belgium’s prized chocolate confections, showing at Caroline Van Hoek. Fellow gold and silversmith David Bielander’s thin metal jewelry pieces at Ornamentum reference the simple cardboard crowns of childhood role-play. Another familiar childhood form – in this case a paper airplane – receives a nod in Karen Chekerdjian’s IQAR table for Carwan Gallery. Eric Serritella’s series of ceramic vessels crafted to resemble sections of weathered wood will receive its most ambitious addition yet in a new, larger, work inspired by the branches and bark of a birch tree can be viewed at Jason Jacques Inc. Wolfs + Jung’s ongoing Nature V2.01 explores the disconcerting contrast of apparently natural surfaces and manmade forms: ammann// gallery will be showing new works from the series including a teetering stool balancing on sticks cast in bronze and a rounded bronze vessel apparently clad in bark.

[ earthly matter/ ]

dmiami15-bodypart1

bodypart iii/ kristina riska, 2015/ courtesy of hostler burrows/

Echoing the burgeoning interest in clay as a sculptural medium over recent years, decorative ceramics remain a strong area of creative innovation at Design Miami/. The Finnish ceramicist Kristina Riska will show Bodypart III, a sculptural vessel of vast proportions and organic curvature at Hostler Burrows. Lee Hun Chung contrasts the glassy finish of ceramic glaze with the rough, stone-like surface of concrete in a low table at Seomi International. Patrick Parrish Gallery will show the first ceramic works of painter Guy Correiro.

[ sacred geometry/ ]

dmiami15-vivid1

zig-zag chair/ gerrit thomas rietveld, 1934/ courtesy of galerie vivid

Geometric shapes occur both by natural and man-made design, the former often inspiring the latter. Ralph Bakker’s jewelry designs, coming to the fair with Antonella Villanova, are based on naturally occurring geometric patterns found in nature. Galerie VIVID presents geometry that changed the face of design in post World War I Europe in the form of Gerrit Thomas Rietveld’s Zig-Zag Chair. Brian Thoreen’s work, appearing at Patrick Parrish Gallery, demonstrates his passion for geometric forms that evolve from nature.

[ transparent and luminescent/ ]

dmiami15-magenh1

light pods/ terrence main, 2015/ courtesy of magen h/

The technical challenges and diverse effects afforded by glass continue to inspire forms both ethereal and unexpected. At Galerie kreo Julie Richoz shows new works created with glass blowers at Marseilles’s legendary CIRVA (Centre International de Recherce sur le Verre et les Arts plastique). Kyoto-born designer Ritsue Mishima – represented by Pierre Marie Giraud – moved to Venice in 1989 to work alongside the city’s fabled glassblowers, deviating from Venetian tradition to create un-pigmented works. Commonplace Studio’s Lumière series marries blown glass to contemporary technology, illuminating each globe with projections of moving images in a ghostly tribute to the early days of cinema at Victor Hunt Designart Dealer. Terence Main’s branchlike Light Pods set budlike glass elements at the tips of cast aluminum twigs to create a ‘growing’ chandelier at Magen H. Gallery.

[ hard steel, soft leather/ ]

dmiami15-wave1

wave bench/ maria pergay, 1968/ courtesy of demisch danant/

The contrast of cold, hard metal with hide is one addressed in a multiplicity of ways at Design Miami/. The unyielding, cool lines of Maria Pergay’s stainless steel furnishings find soft contrast in their leather and hide upholstery. Alberto Biagetti and Laura Baldassari make a more playful juxtaposition in the Body Building collection at Secondome, an ‘anti gym’ that takes formal inspiration from metal workout equipment, undercutting the hard edge with soft pink upholstery. Nanda Vigo’s fur is of the faux variety: at Erastudio Apartment-Gallery synthetic leopard skin covers her hybrid brass forms from 1971 that perform both as coat racks and lighting elements. The classic combination of hard steel face and soft leather straps appears in a number of the vintage watches with extraordinary provenance at the fair’s first watch gallery Le Collection’Heure.

dmiami-banner1

[ Design Miami/ ] is the global forum for design. Each fair brings together the most influential collectors, gallerists, designers, curators and critics from around the world in celebration of design culture and commerce. Occurring alongside the Art Basel fairs in Miami, USA each December and Basel, Switzerland each June, Design Miami/ has become the premier venue for collecting, exhibiting, discussing and creating collectible design.

design miami 2014. preview.

design miami 2014. preview.

Nov 17, 2014

above> peter marino: design miami/ 2014 design visionary award winner

dm14-moore2

above> zaha hadid’s site-specific installation at design.05 miami / recent photo of the moore building

ten years ago, a small fair for collectible design named design.05 miami launched concurrently with art basel miami beach. located in the moore building in the miami design district, it offered a selection of fifteen invited exhibitors, with the stated aim of bringing museum-quality galleries together with the best collectors, connoisseurs, and designers from around the world in one of the premier destinations for art and design.

fast forward 10 years. rodman primack, executive director of design miami/ stated, “the fair grew out of the need for a consolidated marketplace that would act as a platform to showcase the range and strength of what was then a fledgling market.” adding, “since then, the collectible design market has really changed in scale; it’s internationalized and diversified, and this is reflected very clearly in the fair. design miami/ has changed the way galleries engage with their audiences. i am excited to see this ecosystem bringing so many distinct viewpoints and aesthetics together.”

dm14-muecke1

above> a rare photo (designapplause can never get him to pose) of muecke with a model of the pavilion concept

[ pavilion commission ]
minneapolis-based designer jonathan muecke has been commissioned to create the pavilion for the tenth anniversary of design miami/.

the design miami/ pavilion commission has become an important feature of the fair. an ephemeral extension of the fair space itself, the pavilion is at once an exhibit and a piece of functional temporary architecture. while the commission is traditionally given to an early career architect or studio, for its tenth anniversary design miami/ has selected a designer whose practice reflects the multifaceted nature of the fair itself.

alexandra cunningham cameron, creative director at design miami/ commented, “for our tenth anniversary, we wanted to pay homage to the type of young designer that design miami/ wishes to champion – one who experiments with materials, form and scale; who is as much a theorist as a maker; and who challenges us to consider how we relate to the world built around us.”

muecke studied architecture at iowa state, interning at the architectural office of herzog & de meuron in basel, switzerland before studying design at the cranbrook academy of art. muecke has evolved a design practice that resists standard divisions between design, art and architecture, instead focusing on refined forms that investigate notions of positive and negative space that relate to humanscale.

centered around a double-layered circular structure with apertures at both poles, muecke’s design miami pavilion (dmp) is designed on a human scale, rejecting monumentality in favor of lightness and variability.

dm14-marino1
above> in a not so rare photo of peter marino in leather on metal on leather. a leather vest pricked all over with metal studs, leather wrist guards with metal spikes, a leather hat with a metal skull, a strand of leather hanging from his neck which holds some metal knives, leather belt, metal belt buckle, metal knuckles with skulls, leather pants, leather boots. all the leather is always black.

[ new initiatives ]
design miami/ is launching two new forward-looking initiatives this year: the exhibition strand design curio, and the design visionary award.

conceived as contemporary ‘cabinets of curiosity’, the four independently curated design curio booths scattered throughout the fair will take the widest possible view of design practice. they will go beyond the scope of collectibledesign to embrace diverse fields from science and technology, to handcraft,and from unrealized prototypes to esoteric collections.

[ design visionary ]
the inaugural design visionary award recognizes peter marino. with this award, design miami/ recognizes marino for his achievements as an architect, for his knowledge and status as a collector of design, art and the decorative arts, and for the impact he has had as an advisor on contemporary and twentieth century design to his numerous clients.

commenting on the first edition of this award, primack stated, “this award is about recognizing the figures that have really propelled the world of design in the broader sense. peter is a great talent, and is also an amazing patron of others’ talents. his knowledge of furniture, his ability to create collections in design and his work with leading brands to help them understand the importance of bringing design voices into their world have substantially impacted the market and the language of design”.

marino founded his eponymous architecture, planning and design studio in new york in 1978 having trained with i. m. pei and george nelson. early clients included andy warhol, yves saint laurent and pierre bergé, and gianni and marella agnelli.

‘one way: peter marino‘ opens at the bass museum of art on 4 december 2014.

dm14-diet-moore1above> production sketch basketball shelf | emmett moore | gallery diet | 2014

dm14-galeriao-ponti1above> mod. 820 armchairs | gio ponti | galleria o | 1956

dm14-grajales-barrali1above> chiaroscuro chair | pedro barrail | cristina grajales gallery | 2014

dm14-nilufar-rida1above> settimanile | roberto giulio rida | nilufar gallery | 2014

dm14-seomi-jin1above> still life series | jang jin gallery seomi | 2014

[ 2014 exhibitors ]
ammann gallery – cologne
antonella villanova – florence
caroline van hoek – brussels
carpenters workshop gallery – london & paris
carwan gallery – beirut
casati gallery -chicago
cristina grajales gallery – new york
demisch danant – new york
edward cella art + architecture – los angeles
erastudio & apartment-gallery – milan
galerie jacques lacoste – paris
galerie kreo – paris
galerie maria wettergren – paris
galerie pascal cuisinier – paris
galerie patrick seguin – paris
galerie vivid – rotterdam
galleria o. – rome
gallery diet – miami
gallery seomi – seoul & los angeles
hostler burrows – new york
jason jacques inc. – new york johnson trading gallery – new york
jousse entreprise – paris
laffanour – galerie downtown – paris
louisa guinness gallery – london
magen h gallery – new york
moderne gallery – philadelphia
nilufar gallery – milan
ornamentum – hudson
pierre marie giraud – brussels
priveekollektie contemporary art + design – heusden aan de maas
r & company – new york
southern guild – cape town
victor hunt design art dealer – brussels
volume gallery – chicago

[ special exhibitions ]
of the 35 galleries at design miami/ 2014 11 are among those that participated in the first year of the fair in 2005. several of these founding galleries present special exhibitions that celebrate the growth of the collectible design market over the past decade. these include a display dedicated to public commissions in france from the 1960s and 70s from demisch danant; an exhibition on the functional, durable furniture created for universities by charlotte perriand, jean prouvé and le corbusier from galerie patrick seguin; a monograph on rick kauffman’s new york art et industrie gallery and the creative crossover surrounding it from magen h gallery, and newly commissioned works debuting at the fair with cristina grajales gallery, galerie kreo, r & company and nilufar.

[ special commissions ]
design miami/ 2014 features a significant number of special commissions, including works in glass, stone and acrylic. ammann//gallery presents the sakala vase by satyendra pakhalé, his first work in blown murano glass; galerie vivid presents commissioned works by finnish-born designer janne kyttanen, which take the designer’s 3d printed aluminum sedona bench as their point of departure; max lamb creates a granite lamp for johnson trading gallery made over six days using stitch drilling, and jeweler ted noten unveils a table – his first foray into furniture – at ornamentum.

[ a bronze age ]
it may have associations with the earliest days of human craft, but bronze is very much the material of the moment at design miami/. from artist jewelry to monumental decorative works, via furniture and lighting, the cast metal is deployed across multiple formats at this year’s fair. casati gallery introduces the work of chicago-based designer steven haulenbeek with a collection of bronze mirrors, furniture, lights and objects all distinguished by the ‘chaotic texture’ produced by casting in ice. carwan gallery debuts furniture pieces combining bronze, onyx, mother of pearl, resins, fine inlaid wood and silver-plated brass by italian architect vincenzo de cotiis. carpenters workshop gallery shows a new collection of iconoclastic architectural-themed bronzes from studio job; and new furniture pieces and jewelry by claude lalanne are exhibited by louisa guinness gallery.

[ cabinets of curiosity ]
spanning the twentieth and twenty-first centuries, design curio/ presents four immersive environments of objects, textures, artifacts and ideas that truly challenge and contextualize familiar design narratives. this first edition, in celebration of the fair’s 10th anniversary, emphasizes surprising installations of scientific research alongside handcraft and creative production. these include oceanic art and design endeavor coral morphologic’s blue room, offering a coral-eye view of miami’s aquatic waterscapes; beijing’s gallery all presenting naihan li’s latest installation from her i am a monument series, recreating beijing’s cityscape to a scale of 1:100 with billowing smog rising amongst buildings reimagined as furniture pieces. koenig & clinton and joe sheftel gallery partner to present a collection of sottsass objects interacting with works by the memphis group in a jewel-box space; patrick parrish gallery invites visitors to experience the vertiginous grid-based exhibition: surfaces on which your setting and sitting will be uncertain, displaying a group of sculptural furniture objects by ro/lu with matching clothing designs by various projects.

event> design miami/ 2014 @designmiami #designmiami
dates> 3 – 7 december 2014
venue> meridian & 19th street miami beach, usa
december 3-4/ 10am-8pm
december 5/ 11am-8pm
december 6/ 12-8pm
december 7/ 12-6pm

Collective.1 design fair.

May 12, 2013

phil-collective13-pier1click > enlarge

[ Collective design fair ] new this year, jumped the starting line on next week’s design fest in New York, centered on the International Contemporary Furniture Fair at the Javits Convention Center. Suggesting a sturdy market in the mid-century modern canon can be combined with innovators, the show at the Pier 57 complex from 8 May to 11 May, included Cristina Grajales, R20th Century, 21st twenty first Gallery and about two dozen other vendors .   
 
Jousse Entreprise of Paris and Modernity of Stockholm showed as well as shops from as far away as South Africa–namely, Southern Guild.

phil-collective13-space1

The most off-beat inventory may have been that of Ornamentum (Hudson, New York) with such items as Ted Noten’s jewelry and bags incorporating what appears to be a golden pistol and bullet embedded in Lucite.

phil-collective13-noten1lady k bag nr4 | prada

The show, created by architect Steven Learner, included a series of discussion programs a special display of work by Gaetano Pesce. There’s a distinct flavor to the show and it was humane is size and scope .
 
The proper name is Collective.1—suggesting that .2 and .3 are to come.

<a href="about phil patton

Southern Guild. Collective.1 design fair.

May 10, 2013

SouthernGuild_Gregor-Jenkin_Entertainedentertained | gregor jenkin |click > enlarge

In addition to Frieze there are several other big events going on. One is brand new, the Collective Design Fair. Southern Guild, a unique gallery we always say hello to at DesignMiami, is showing.

[ Southern Guild ] the leading platform for contemporary South African design, will make its New York debut at Collective.1 Design Fair, taking place 8 > 11 May 2013 at Pier 57, in the New York City. Founded in 2008 as a showcase for exceptional South African design, Southern Guild will present work by 17 leading South African designers and artists including Gregor Jenkin, Dylan Lewis, Porky Hefer, Bronze Age, Conrad Botes, Brett Murray, Dokter and Misses and Hylton Nel.

SouthernGuild_Andile-Dyalvane_Docks-tabledocks table | andile dyalvane

SouthernGuild_Dokter_Misses_La-La-Shwantladokter misses and la la shwantla

SouthernGuild_Kyle Morland_K-factor IV (left)_and Pieter Henning_Tier tablesk-factor IV | kyle morland (left) tier tables | pieter henning

SouthernGuild_Remed_Universal-selfuniversal self | remed

[ collective design fair ] a new design event in New York City, will host 24 international galleries presenting a cohesive selection of vintage and contemporary design for its inaugural edition, Collective .1.

The full list of Collective.1 exhibitors includes some of the most respected names in the design field such as : 21st twenty first Gallery (New York), Casati Gallery (Chicago), Cristina Grajales Gallery (New York), Demish Danant (New York), Grey Area (New York), J. Lohmann Gallery (New York), Jousse Entreprise (Paris, France), kinder MODERN (New York), Lost City Arts (New York), Magen H. Gallery (New York), Maison Gerard (New York), Mark McDonald (Hudson, NY), Modernity (Stockholm, Sweden), Mondo Cane (New York) Nicolas Kilner (New York), Ornamentum (Hudson, NY), R20th Century (New York), Sebastian + Barquet (New York), Sienna Patti Contemporary (Lenox, MA), Southern Guild (Johannesburg, South Africa), Todd Merrill 20th Century and Contemporary Studio (New York), Volume Gallery (Chicago), Wexler Gallery (Philadelphia).

Design days dubai 2012.

Mar 1, 2012



Design Days Dubai launches with 22 galleries from 14 countries presenting the best of modern and contemporary collectable design.

Visitors to Design Days Dubai, which runs from March 18-21, 2012, in a custom-designed structure in Emaar’s Downtown Dubai, will see many of the world’s most prestigious galleries showcase important 20th and 21st century design, along with new limited series works commissioned exclusively for the fair.

click > enlarge
above: double buffet nouvelle zélande 2010 | vincent dubourg | carpenters workshop gallery


above: mermaid bench 2011 |myungsun kang | gallery seomi


above: ariane 3 | jedd novatt | galerie diane de polignac


above: coletivo | leo capote 2 |amo de madre

Says Fair Director, Cyril Zammit. “From French and Italian mid-century modern to Korean craft to modern Arabesque to cutting-edge contemporary work, Design Days Dubai’s gallery programme will be a balanced mix of both historic and contemporary design.”

[ participating galleries ]

CARPENTERS WORKSHOP GALLERY, LONDON/PARIS
 
CARWAN GALLERY, BEIRUT

COLETIVO AMOR DE MADRE, SAO PAULO

_CROFT, SEOUL

FRANZISKA KESSLER GALLERY, ZURICH

GALERIE BEATRICE SAINT-LAURENT, PARIS

GALERIE DIANE DE POLIGNAC, PARIS

GALERIE DOWNTOWN – FRANÇOIS LAFFANOUR

GALERIE NATIONALE, PARIS

GALLERY SEOMI, SEOUL

MARIAM AL NASSAR 20TH CENTURY DECORATIVE ARTS, UK/KUWAIT

NAKKASH GALLERY, DUBAI

NILUFAR, MILAN

GALLERIA COLOMBARI, MILAN

PRIVEEKOLLEKTIE CONTEMPORARY ART | DESIGN, HEUSDEN

R 20TH CENTURY, NEW YORK CITY

SARAH MYERSCOUGH FINE ART, LONDON

SECONDOME, ROME

SMOGALLERY, BEIRUT

SOUTHERN GUILD, SOUTH AFRICA

STILWERK LIMITED EDITION DESIGN GALLERY, HAMBURG

VICTOR HUNT DESIGNART DEALER, BRUSSELS

[ design days dubai schedule of events ]
Sunday 18 March – Wednesday 21 March, 2012
Public Hours of Admission
Sunday, 18 March, 4 – 10 pm
Monday, 19 March, 4 – 10 pm
Tuesday, 20 March, 12 – 6 pm
Wednesday, 21 March, 2 – 8 pm

[ about design days dubai ]

The first design fair of its kind in the Middle East and South Asia, Design Days Dubai will be an annual event in the international art and design calendar attracting influential galleries, collectors, designers, critics and curators from around the world with its exclusive showcase of collectible and limited edition design and cultural and educational programme.

Design Days Dubai is held in partnership with Dubai Culture & Arts Authority and will be located in Emaar’s Downtown Dubai – the city’s premium lifestyle community – by the base of the world’s tallest tower, Burj Khalifa, and a short walk from Address Hotels (where the fair’s launch event will be held), The Dubai Mall, the world’s largest shopping and entertainment destination that houses the region’s prime retail outlets, and some of the city’s best restaurants and nightlife

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