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Collective.1 design fair.

Home designart & literature & educationCollective.1 design fair.

Collective.1 design fair.

May 12, 2013 | art & literature & education, events, people |
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phil-collective13-pier1click > enlarge

[ Collective design fair ] new this year, jumped the starting line on next week’s design fest in New York, centered on the International Contemporary Furniture Fair at the Javits Convention Center. Suggesting a sturdy market in the mid-century modern canon can be combined with innovators, the show at the Pier 57 complex from 8 May to 11 May, included Cristina Grajales, R20th Century, 21st twenty first Gallery and about two dozen other vendors .   
 
Jousse Entreprise of Paris and Modernity of Stockholm showed as well as shops from as far away as South Africa–namely, Southern Guild.

phil-collective13-space1

The most off-beat inventory may have been that of Ornamentum (Hudson, New York) with such items as Ted Noten’s jewelry and bags incorporating what appears to be a golden pistol and bullet embedded in Lucite.

phil-collective13-noten1lady k bag nr4 | prada

The show, created by architect Steven Learner, included a series of discussion programs a special display of work by Gaetano Pesce. There’s a distinct flavor to the show and it was humane is size and scope .
 
The proper name is Collective.1—suggesting that .2 and .3 are to come.

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Phil Patton

about Phil Patton

Phil Patton is a contributing editor at Departures and Esquire magazines, a contributing writer at Wired and an automotive design writer for The New York Times. He was a regular contributor to The New York Times House and Home section and, in 1998, originated the “Public Eye” column. He has written many books including: Made in USA: The Secret History of the Things That Made America (Grove-Weidenfeld, 1992), which was named a New York Times notable book of the year; Bug: The Strange Mutations of the World's Most Famous Automobile (Simon & Schuster, 2002); Michael Graves Designs: The Art of the Everyday Object (Melcher, 2004); and Dreamland: Travels Inside the Secret World of Roswell and Area 51 (Villard, 1998). He has also written for Art in America, ARTnews, Connoisseur, Geo, Harper’s Bazaar, Men’s Journal, The New Republic, New York Magazine, The New York Times Book Review, Rolling Stone, Smithsonian, Travel + Leisure, Traveler, The Village Voice and Vogue. Patton was Editorial Consultant on the Guggenheim Museum’s “Motorcycle” show in 1998 and Consulting Curator for the “Different Roads” exhibition at the Museum of Modern Art in 1999. In 2000 he was consultant and contributor for “On the Job: Design and the American Office” at the National Building Museum in Washington, D.C.

view all entries by Phil Patton.

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