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metal

Home Tag metal

ICFF 2012: alessi and cranbrook show off metal workshop.

May 23, 2012

click > enlarge

To celebrate New York Design Week and the reopening of Alessi’s Soho storefront after two months of renovations, the renowned Italian metalworks manufacturer and design house presented “METAL WORKSHOP: Cranbrook for Alessi,” an exhibition of products from their collaboration with the Cranbrook Academy of Art, the country’s top ranked, graduate-only program in architecture, design, and fine art.

In 2009 Alessi initiated a workshop co-directed by Cranbrook 3D Designer-in-Residence, Scott Klinker, and Metalsmithing Artist-in-Residence, Iris Eichenberg. Ten participants were chosen for the week-long, hands-on experiment in metal working. The studio was loaded with metal types from a local supplier that included sheet, rod, tube, solid block and I-beams, and the participants had 24-hour access to the shop to play with the materials and develop product proposals and pre-production samples. They met for loose critiques throughout the week and brainstormed about “American Typologies,” products specific to American culture.

According to Alberto Alessi, “The idea to organize this workshop came to me during a visit to Cranbrook in 2009. This visit gave me the opportunity to experience the existence of a clear attitude typical of the Arts and Crafts movement, and also typical of silver and metalsmiths, that has always intrigued me so much because it is so rare in European design.”

Klinker added that “When Alberto Alessi visited Cranbrook in 2009, he seemed especially impressed with the material experiments in the studios. His vision for a collaborative workshop was very specific: search for new forms in metal through a hands-on, craft process in the metal shop. The workshop addressed two main questions. First, what forms will metal take? Then later, what Alessi products might come from those forms? The final products seem to capture this fascination with the physical manipulation of metal.”

Four the products created during the workshop will be made by Alessi and released later this year. You can see a few of them pictured here, including Scott Klinker’s Patterned Bowl Studies and my personal favorite, the Pinch Vase by Adam Shirley. The banana easel is Dear Charlie by John Truex. Stop by Alessi Soho (130 Greene Street), which was, coincidentally, designed by Cranbrook graduate Hani Rashid (1985) , or follow the project on their blog.





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cooper hewitt’s object of the month: bertoia’s wing chair.

cooper hewitt’s object of the month: bertoia’s wing chair.

Apr 8, 2012

Before Harry Bertoia made his eponymous furniture collection for Knoll in the early 50s, he was an artist and jewelry maker. He even made the wedding bands for Charles and Ray Eames. But once his gridded metal collection became a hit at Knoll he’s been known first and foremost as a furniture designer.

The most famous of the five pieces he made is, of course, the Diamond chair, a chair that’s more sculpture than traditional seating. In fact, Bertoia noted that “If you look at these chairs, they are mainly made of air, like sculptures. Space passes right through them.” As one of the most important pieces of furniture designed in the 20th century, it’s the Cooper-Hewitt’s Object of the Month for April.

Made from welded steel in polished or satin chrome or bonded rilsan, it’s scratch, chip and chemical resistant. Some of the pieces in the collection include cushions, which are affixed with snaps or feature stretched fabric, pulled taut across the entire front. I wish I could sit in one all month long, but until I upgrade my simple wooden Adirondack deck chairs to something of the midcentury variety, I will continue to gaze longingly at Bertoia’s masterpiece from afar. [ harrybertoia.org ]




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