Scuola Politecnica di Design SPD and Aiap have the pleasure to invite you to the Design Talks conference of Lizá Ramalho at Scuola Politecnica di Design Milano.
Lizá Ramalho is the co-founder, together with Artur Rebelo, of Portuguese graphic design studio R2. Both Lizá Ramalho and Artur Rebelo will be present at the opening of their exhibition at Aiap Gallery in Milan, organized in collaboration with Scuola Politecnica di Design.
Founded in 1995, the R2 studio is based in Porto (Portugal). R2 works for numerous cultural organisations, contemporary artists and architects, handling identity, exhibition design and graphic installations. The studio has received many awards, including the 2010 Red Dot Award in the category of communication design, the Type Directors Club New York (2010), Red Dot Award (2009), European Design Awards (2009 and 2010), Grand Prix, International Biennial of Graphic Design Brno (2006), its work has been part of International exhibitions. Lizá Ramalho and Artur Rebelo both are members of AGI and teach Design and Multimedia at Coimbra University. [ lizá ramalho / artur rebelo / R2 ]
Design Talks conference
15 June 2011 | 6:30 PM
Scuola Politecnica di Design
Via Ventura 15, Milan, Italy
Exhibition
Exhibition date: 16 June – 8 July | monday – thursday 2 PM – 6 PM
Opening reception: thursday 16 June | 6:30 PM
Exhibition Location: Galleria Aiap | Milano
Scuola Politecnica di Design SPD
Via Ventura 15
20134 Milano, Italia
tel +39 02 21597590
info [ at ] scuoladesign [ dot ] com
@SPDMilan
[<a href="” target=”_blank”>facebook]
Aiap.
Via Ponchielli, 3
20129 Milano
tel +02 29520590
aiap [at] aiap [ dot ] it
june 13 – 15. merchandise mart. chicago [ details ]
left: kartell
Apartment Therapy called this year’s show-stopping booths “a mix of design carnival, furniture circus and visual theme park,” and if we’ve learned anything so far from Salone Milan this year, it’s that designers love a good show. Years of planning and hard work go into each and ever product featured on the exhibition floor, but what would these designers be without a good display? Out of the hundreds of chairs at Salone, what draws your attention to one and not another? Let’s take a look at who’s sitting down on the job and who’s strutting their stuff.
Kartell’s unabashed use of red is real winner in my book. Displaying all their wares side by side in a single color is also an effective way to show off the individuals designs without distraction. It’s simple, bright and straightforward, and the flawlessly executed big, bold lettering is downright eye-arresting.
left: dedon
I also love the collaged wall mural Dedon used. Their mostly neutral-colored wares benefit from the backdrop of bright shapes and patterns.
left: alias
Lastly, Alias wins for cleverness with their great wall of stacked chairs. Talk about a way to effectively display your product while using the product as the display itself. Of course, it doesn’t hurt that all of these booths also have stellar products to hawk.
[ at the salone internazionale del mobile ]
about perrin drumm
chauncey zalkin discovers a history lesson while visiting 2011 la triennale di milano.
“here it is: the best insight of the show. thanks alberto alessi (curator)”
[ full story at
what women make ] @whatwomenmake | see other examples at
salone internazionale del mobile
News to me! The Museum of Design Atlanta (MODA), in association with the Barber Vintage Motorsports Museum, introduces Passione Italiana – an examination of the astonishing design passion and technological advancement behind the most desired motorcycles in the world. This exhibition presents eleven masterpieces of Italian motorcycle design spanning the last five decades including motorcycles by MV Agusta, Ducati, Bimota and Moto – Morini.
[ The Museum of Design Atlanta (MODA) ]
<a href="about phil patton
preview of komb house which opens to public december 16-20 cairo international convention & exihibit center.
designer: karim rashid
<a href="about phil patton
oogst 1000 wonderland
is a self-sufficient farm, restaurant, hotel and amusement park for 1,000 people per day.
All food is produced in a self sustainable manner within the structure of Oogst. Frank Tjepkema: ‘Oogst 1000 combines extreme fun with extreme usefulness, and as such, is the first example of ecotainment pushed to the limits.’ See Oogst 1000 come to life here, in a one minute animation.
Oogst by Tjep. will be part of Hyperlinks, an exhibition grouping a diversity of projects exploring, and more importantly, fading out the border between the fields of architecture and design. December 11 thru July 20, 2011. The Art Institute of Chicago.
view of ten thousand waves. nine-screen installation, 35mm film transferred to high definition, 9.2 surround sound, 49 min 41 sec.
Isaac Julien/Creative Caribbean Network at the Bass Museum of Art in partnership with PUMA.Creative presents the most comprehensive exhibition of the artist’s work in the last ten years. The exhibition features the US premiere of the installation Ten Thousand Waves along with films and photographs from earlier series Paradise Omeros, Better Life, Baltimore, and Vagabondia. In subtle yet complex narratives, Julien’s body of work is a meditation on the cultural impact of global migration. His installations are presented on an epic scale; poetic and art-historical references are interwoven into frank portrayals of human drama.
Conceived and made over four years, Ten Thousand Waves meld the legendary siren of Chinese cinema Maggie Cheung; rising star of Chinese film Zhao Tao; poet Wang Ping; master calligrapher Gong Fagen; artist Yang Fudong; acclaimed cinematographer Zhao Xiaoshi; and a 100-strong Chinese cast and crew. The film’s original musical score is by fellow East Londoner Jah Wobble and The Chinese Dub Orchestra and contemporary classical composer Maria de Alvear.
above: excerpts from 10,000 waves
above: excerpts from “better life”
above: excerpts from “baltimore”
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resources:
10,000 waves
issac julien
puma.creative
shanghai eye
art-it asia
isaac julien ” baltimore</a
this year the design / miami space is adjacent to the art basel miami convention center.
there are 15 galleries who voiced appreciation being this close to the art show where the previous venue was the miami design district. the galleries include: barry friedman/new york, carpenters workshop gallery/london, cristina grajales gallery/new york, d&b lab/brussels, demisch danant/new york, galeri kreo/paris, gallery seomi/seoul, johnson trading company/new york, jousse entreprise/paris, ornamentum/houston, perimeter art & design/paris, r 20th century/new york, sebastian + barquet/new york, todd merrill/new york.
the 40,000 sq. ft structure is designed by moorhead & moorhead. the interior space uses a “scatter” pattern to engage the visitor and designed by architectural firm aranda/lasch. the pavilion includes: food bar, vip section, store, and a theatre for the many lectures. this show marks the sixth anniversary. [selected photos from design / miami]