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2022 inspired home show gia product design winners.

2022 inspired home show gia product design winners.

Mar 6, 2022

DesignApplause is honored to be a gia awards judge for the past 11 years, and i looked forward to selecting the best of the 2022 product design – thank you for submitting your product. the judges used the following criteria to select all submissions:

the gia awards criteria
> appearance
> user benefits
> ecological responsibility
> market impact & positioning
– note: this judge’s interpretation for example, if you’re making an ecological statement you’re letting the end-user know via the point-of-purchase (pop) packaging and/or product website – why? consumers are wanting planet saving products. how do we know for sure? give credit to the automobile industry’s dramatic shift to electric cars / if you’re making a design statement you might mention on the (pop) packaging, etc., that you’re entering your product and winning in other design competitions by displaying an award logo, i.e., a red dot award or german design award winner / if you mention that you’re product was mentioned in design-centric media, let your audience know because they want to make a statement too.

thirteen housewares suppliers ranging from well-established brands to first-time exhibitors were honored as global honorees of the iha global innovation awards (gia) for excellence in product design today. the global honorees in each of 13 categories were announced during the invitation-only gia dinner on the first evening of the inspired home show 2022, and the winners as well as the finalists were on display at the show. this is the first in-person gathering of the industry’s premier marketplace since 2019. the global winners are:

[ note: this post a work-in-progress as info comes in… ]

> bath + personal care: madesmart, drying stone™ toothbrush tray

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> cleaning: zoom broom, zoombroom tornado

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> cook + bakeware: grand fusion housewares, inc., leakproof silicone non-stick baking mat

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> home décor + gifts: wine grasp company, winegrasp™ single

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> home organization + storage: king jim, “tepra” lite – compact, palm-sized label printer

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> household + home electrics: the foundation, steamery cirrus no. 3

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> kitchen electrics: jura inc., jura z10

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> kitchen hand tools + cutlery: dreamfarm , brizzle – scoop drizzle basting brush

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> kitchenware: dreamfarm, spina – spin and strain colander

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> personal electrics: viatek consumer products group, int’l, body dryer

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> smart home: cooking pal ltd., multo™

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> sustainable products: georg jensen, sky drinking bottle – ( below )

designed to be used – and reused the new sky drinking bottle is available in both a stainless-steel version as well as in four elegant shades made from bpa-free tritan plastic: blue, pink, green, and gray. it is designed to be used time and time again, helping you limit the consumption of disposable bottles. designer: aurelien barbry

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> tabletop: gourmet kitchen works llc, olipac filare

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the 65 finalists in all categories are featured in the new product showcases in the buyers club in each show building and the 13 category global honorees are on display in the hall of product innovation in the grand concourse lobby in the north building.

https://www.theinspiredhomeshow.com/awards/gia-product/

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#TIHS22 @TIH_Show

neocon 2019 and satellite event happenings.

neocon 2019 and satellite event happenings.

Jun 1, 2019

[ neocon’s 51st edition ] since 1969 neocon continues to serve as the world’s premier platform and most important event of the year for the commercial design industry. below are events with the merchandise mart as well as off-site satellite offerings.

neocon at the merchandise mart | 222 west merchandise mart plaza chicago [ directions ] /
[ show info ] /
monday 10 june 9am > 5pm
tuesday 11 june 9am > 5pm
wednesday 12 june 9am > 3pm

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gia global innovation awards honoring product design excellence. international housewares show 2018.

gia global innovation awards honoring product design excellence. international housewares show 2018.

Mar 11, 2018

lockdown cut-proof bag by travelon / home organization + storage / booth n6031

with features like safetex cut-proof strap and body material, sold brass lock and one-piece construction valuables are safe when on-the-go.

safetex material cannot be cut with knives, scissors or razor – nor can bolt cutters cut the strap. lockdown bags come in two sizes, one for essential items the other for larger iPad size items.

theft is a crime of opportunity and the travelon¨ anti-theft lockdown bag stops theft.

below> fledge – flip edge cutting board by dreamfarm / kitchen hand tools + cutlery / booth n8107

fledge is the world’s best cutting board. fledge has unique flip up edges that prevent food from falling or rolling off the sides when being transported to a pot, bowl or table for serving. both fledge and the double-sized big fledge (coming soon) have non-slip rubber feet and knife-friendly patterns on both sides, and a generous juice groove for carving on the underside. won’t warp in the dishwasher.

below> flex by joseph joseph / bath + personal care / booth n7900

the concept behind the head is appearing in a variety of products. what makes this product standout is the unique head design and elegant packaging that easily stores with its minimal footprint, even if you don’t have a utility storage room.

conventional toilet brushes hold dirt and liquid, making them messy and unhygienic to use and clean. also their bristles can distort and wear, meaning they need to be replaced regularly. flex™ is an innovative toilet brush designed to solve all these problems.

it features a flexible, d-shaped head that reaches all areas, even under the rim. it has widely spaced bristles that prevent dirt clogging, allowing liquid to drain quickly and minimising drips between cleaning and storing.

it also has durable bristles and comes with a slimline holder for neat storage.

below> ta da over the sink drying mat by jascor housewares / cleaning / booth s1217

dry your dishes right where you wash them. made with fda-approved silicone and reinforced with stainless steel rods, this simple, sturdy mat allows runoff from freshly washed items to drip directly into the sink. you can even use it to rinse and drain fruits and vegetables. roll up and put away when you’re done. that’s how to-do becomes ta-da.

below> sensor mirror compact by simplehuman / personal electrics / booth n7735

a simple concept tweak creates a must-have travel companion. tru-lux light system simulates natural sunlight, allowing you to see full color variation, so you’ll know when your makeup is color-correct and flawless. the 3x magnification gives you a hyper-clear view of every detail. sensor turns light on automatically when taken out of the sensor pouch, and turns it off when put back in. the power button lets you toggle between 650 or 300 lux dual brightness settings. a fold-out ring handle is secure and comfortable in your hand, or can be used as a stand for hands-free viewing — and it comes with an attached button strap that keeps the mirror secure inside the pouch. the mirror is rechargeable, and one charge lasts up to 1 week with typical daily usage.

below> titan – trash compactor by joseph joseph / household + home electrics / booth n7900

titan is an innovative waste solution with a patented, hygienic compaction system. this allows it to hold up to three times more than a similar-sized household bin. compacting your rubbish means you empty your bin less often and use fewer liners. titan also features an anti-tear design that won’t stretch or pinch the liner and a replaceable odour filter to neutralise any unpleasant smells.

below> cuisnart venture portable gas grill submitted by the fulham group / cook + bakeware / booth s1672

the cuisinart venture portable gas grill is not your average “tailgating” gas grill. the sleek and modern aesthetic, with store ‘n go design inspires adventure and helps couples enjoy those intimate moments. perfect for the date night picnic or small group gatherings. the wooden lid doubles as a chopping board; simply remove the cutting board from the top to prepare your meal or use it for cheese and crackers to enjoy while sipping a glass of wine. the grill grates are porcelain enameled cast iron, giving off more heat and holds heat longer than steel. a simple, complete, and compact portable grilling system.

below> jura s8 / kitchen electrics / booth L11102

below> globe watering can – jet and shower watering can by eva solo / home décor * gifts / booth8324

globe watering can allows the user to select between a jet watering or shower watering with a simple turn of the spout. practical hole in the side for easy filling. perfectly balanced for easy pouring.

below> messy mutts travel water bottle and bowl by jascor / pets/ booth s1217

perfect for your thirsty mutt on the go! just fold up the silicone bowl and press the quick release button. unused water drains back into the 700ml or 24 oz stainless steel bottle after use and the bowl folds back over the bottle for easy portability.

care > disassemble and hand wash with warm water and mild soap or place in dishwasher. hand wash recommended. do not microwave. silicone bowl can be removed from cap. bpa and pvc free.

below> cubit by plott / smart home products / booth L14000

cubit is the first tool that can bring your dimensional data to your smart device and also extract it back into the real world after you have manipulated it. this means that after you measure your space and arrange it to your liking in the app, cubit will then guide you to make your design a reality bringing your project to life.​ editor’s and gia judge note: with regard to category strength the smart home products category contained quite a few exceptional products and a shame we couldn’t have had a tie amongst two or three products.

below> thawthat! deluxe by that! inventions / kitchenware / booth n8303

thawthat! deluxe defrosts meat right on the countertop without any external heat or power source for a gentle, even thaw in less than half the time of traditional countertop thawing.

features >
dissipates cold and draws ambient warmth to the surface / eco-friendly / rugged anodized aluminum, abs, polypropylene construction / cleaner than soaking and gentler than microwaving / faster (up to 2.5x) than traditional countertop thawing / concave surface directs melted liquid / green – no wires or batteries required / hand wash recommended

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below> collida by promeco / tabletop / booth s3277

promeco has created tempcontrol® technology which keeps dinnerware warm or cold for more than 30 minutes.

this technology is presented via the calido onyx black dinner plate by sanodegusto, offering the perfect backdrop for a culinary tour de force. the anti-scratch structure ensures multiple use without devaluing the design. moreover, the integrated revolutionary tempcontrol® technology makes sure any dish stays warm for at least 30 minutes. sanodegusto is a division of promeco.

[ gia global innovation awards – product design ] the iha innovation awards have honored the best in product design at the international home + housewares show for the past four years. the award’s name and tagline have now changed to the iha global innovation awards (gia), honoring product design excellence.

all products entered into the new product showcase will have a chance at winning. innovative products will be judged by a panel of experts that includes designers, retailers and news media.

product finalists selected by the judges were announced prior to the show and will be featured in each buyers club and at the iha global innovation awards display in the lakeside center lobby.

editor’s note: ron kovach has been a judge since inception of this award.

talking to designer jasper morrison about 1 inch for emeco. icff 2017.

talking to designer jasper morrison about 1 inch for emeco. icff 2017.

Oct 31, 2017

above> 1 inch collection

we’re talking to london designer jasper morrison and the evolution of his chair, 1 inch. we’re in the emeco showroom. some of the questions have been edited for brevity and clarity.

[DesignApplause] jasper, is the new 1 inch collection better or just another?

[jasper morrison] big smile – it’s always better. that’s the goal. to get better. and working with emeco, especially with emeco, where only one product is shown every year…the goal is to look towards the future creating products which are natural descendants of the original.

we looked at emeco’s whole catalogue and tried to find the gap. we found the gap to be a more comfortable, better-looking stacking chair and how could we make this a slightly cheaper price point than the usual emeco chair. we wanted to stick with a square tube to keep the emeco language going, but maybe we could replace the welded seat back with a plastic option. maybe it would sort of enrich it a bit because you have this fantastic recycled material that allows us to work with a new shape, a square tube.

[DA] gregg (buchbinder, ceo) was telling yesterday that 1 inch looked like a very simple solution, but it turned out not to be so simple.

[JM] it was a hell of a lot of work. when you bend a round tube, you can imagine that whatever direction you bend it in, it bends the same. but when you try for curves which are going in different directions with a square tube, it doesn’t like it. it’s very difficult. particularly the top where it can buckle the whole thing. so we had to redraw it many times. the factory would try and do it and each iteration it was bad news again, that the square was not liking to bend that way.

[DA] were you getting worried?

[JM] yes. and then, slowly we got to something better in the last minute and we were able to show prototypes in milan (2017). now we’re working on perfecting them.

[DA] this all sounds very technical and innovative. was there an ‘aha’ moment?

[JM] there were many ‘oh no’ moments. it was much more slow. it went on through the whole year, really. i think we can be fairly sure that there won’t be too many copies. don’t think anybody would have the patience.

[DA] when did this project begin?

[JM] we started before milan 2016. we only had fifteen months. some of that was for the design. we didn’t get the first prototype until after milan last year. but now we have a collection featuring a chair and armchair, stools in three heights, and café and bar tables.

[DA] gregg also made mention that 1 inch represents emeco’s first stab utilizing upholstery. how did that happen?

[JM] emeco is very unctuous of what people ask for. after so many years of aluminum it soon became clear that we needed plastic and wood. now we need upholstery too.

[DA] you’ve made very hard materials look soft with 1 inch. the upholstery makes things even softer and is unusual, i can’t describe the feeling. not sure if it’s foam or air. what is it?

above> 1 inch collection | emeco | 2017

[JM] we’re using the original seat itself and plopping upholstery and foam on top of it. you know very well if you sit on something flat, it’s not very comfortable. you sit on something curved, it gets better. if you add a little bit of upholstery to something curved, it improves again. we use very little upholstery to make it a comfortable chair.

[DA] i wanted to talk a bit about the process as well. does your design process drive the solution or is the problem driving the process?

[JM] with both this project and the previous one shown the year before, we do it really by conversation. with the first chair i’m asking a lot of questions like: how could we make a more affordable emeco chair with the material and supplies they already have. are there limitations, things we can’t do without losing quality while using recycled materials? the 1 inch frames are recycled aluminum and the seats are 100% reclaimed wood polypropylene, sustainable plywood or upholstered.

for me, before i start the design, it’s much easier as a designer to talk your way into a project than to sit down with a piece of paper and then say voila! then give your paper to the manager. i like designing by discussion with the players, the team thing, you know? a project doesn’t happen without the company, structure, and the engineers. usually the result is very different from the one which was drawn from the beginning.

[DA] a good designer needs a good client.

[JM] absolutely.

[DA] how do you interface with the team?

[JM] this project provides an interesting example. one member from our team in london was just at the emeco factory for three days. up till that point no one from our office had a face-to-face with emeco’s factory. we were just wiring 3d drawings back and forth. once we got through the milan thing, we decided they should meet and gregg flew him over. he arrived with all these templates to make it happen and had their first very physical discussion about what shape the chair should be.

[DA] are you computer savvy or are you still a sketcher?

above > alfi shell drawing | emeco | 2015

[JM] i’m still stuck on the 2d program. i pay other people to do the clever bit. i have sent sketches occasionally to start a project, but not usually. i usually do a precise 2d drawing that is the basis for the first 2d digital. after we make a few 2d adjustments we then go 3d and i can then spin it around and check it from every angle. typically i’ll put the old one beside the new one. there’s quite few back and forth making adjustments. but i don’t need to do any more drawings after the first one.

[DA] what’s the prototype stage like?

[JM] the first prototype is quite tiny. the next one we can probably sit on and we begin making functional adjustments. (we’re sitting on prototypes during our chat and jasper says to me…) ‘is the armrest high enough?’ i see you leaning. we’re thinking about raising it up a bit.’

[DA] i am, but maybe it depends on who’s sitting in the chair. the thing is, i’m really interested in what we’re seeing, but i’m not very conscious of the chair. and are you watching everyone who sits in the chair during this prototype stage?

[JM] that’s good about taking the chair itself out of the equation. and yes, by now we have probably twenty other 3d examples of chairs and we know how comfortable each is. like the alfi chair, it’s one of the most comfortable we’ve ever done.


above> alfi | 2015

[DA] let’s switch gears if you don’t mind. what are you thinking about and where are you in this point in time? whether personal or professional? are some things bothering you? tell us a bit about what’s going on up there.

[JM] ok. well i’m beginning to feel a bit senior in the business. it happens. and that’s ok. i’m quite liking it. i have a fairly controlled intake of work. i’m trying not to do too much. i’m really happy working with emeco because of gregg’s paired down vision of what a company needs to be. one product a year. lots of discussion. trying to do things very well and professionally. also his insistence on recycling materials and sustainability and longevity. it feels good. we get on really well.

on another side, i don’t know if you’ve been to my shop in london, but that’s a different kind of thing. it’s very experimental for us because we buy objects from different places and put them in the shop. anybody can come and buy them.

so having the shop has been a learning process and a hobby. we don’t need to make any money with the shop and we don’t really make any money with it. but it gives a lot to the project.

[DA] what do you mean?

[JM] it’s really nice to meet the customers. and the shop setting, it’s an interesting dynamic, we get a lot of feedback that way

[DA] alright, so you have the shop. that’s the experimental thing. anything else?

[JM] i stopped doing any teaching, but i like to do books. tomorrow night i actually have a book thing going on if you’d like to come. i’ve done three books in the last four years. one of them was on my work, one was on my photos and this one i’m launching tomorrow is on the collection of the portuguese ethnology knowledge museum, which is truly amazing. there are so many nice things which were done with nearly no facilities. things made in little villages in portugal. it’s a bit like that book architecture without architects. it’s a kind of product world version of that.

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[ jasper morrison ] [ emeco ] [ emeco’s time-tested material ] [ emeco’s 77-step process ]

raw edges designs ‘steps’ for now gallery.

raw edges designs ‘steps’ for now gallery.

Oct 30, 2017

above > ‘steps’ is a new concrete seating design, aimed to redefine how people use public space

[ raw edges ], a london design studio, recently designed steps as a cluster of concrete seats which will live outside now gallery on peninsula square for the foreseeable future to create a place for two to nest, invite people to dwell, play, lean and relax in this new swathe of london and enjoy the developing surroundings. fabricated by mass concrete, the simplicity of the seating will both stand out from the contrasting concrete metropolis and blend into the surrounding verdant peninsula gardens.

Raw Edges Steps from Raw Edges Design Studio on Vimeo.

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[ now gallery ] [ mass concrete ]

evergreen brasil at luminaire lab. design miami 2016.

evergreen brasil at luminaire lab. design miami 2016.

Nov 27, 2016

above> bogoió de argolas designed by marcelo rosenbaum

evergreen brasil at luminaire lab – a celebration of diversity

an exhibition in collaboration with casa vogue brasil of multidisciplinary brazilian design debuting during art basel and design miami/ week
opening reception: thursday, 1 december at 6 pm / luminaire lab 3901 ne 2nd avenue

luminaire’s commitment to promoting good design continues with evergreen brasil, an exhibition of brazilian designs debuting during art basel and design miami/ week thursday december 1st and on display until december 31st in collaboration with casa vogue brasil. the exhibition features a curated selection of multidisciplinary design covering furniture, accessories and jewelry from both emerging and established designers. characterized by their welcoming attitude, special connection to nature, celebratory lifestyle, inventiveness even when materials are scarce, and tendency to experiment and improvise — brazilian design is a celebration of diversity. 

showcasing the craft-based heritage that has given rise to a vibrant and expressive design identity in brazil, evergreen exhibits works by brazilian design master jorge zalszupin, design “veterans” such as fernando and humberto campana, claudia moreira salles and antonio bernardo, alongside established talents such as marcelo rosenbaum, marcio kogan, arthur casas and isay weinfeld as well as young emerging names that include ana neute, carol gay, pedro paulo venzon and guilherme wentz. fourteen creatives from different generations who are utilizing native materials and inspirations for historic or innovative expressions of cultural identity, showcasing traditional or experimental practices, which result in a clear artistic expression and a strong, vibrant spirit of brazil.

some highlights of the exhibition include the candy chandelier designed by fernando and humberto campana and created by the czech lighting company lasvit, that was inspired by the multi-hued candies found in brazilian markets. other highlights of the exhibition include a collection of baskets made by artisans from the northeast of brazil curated by marcelo rosenbaum, a rustic table and the first furniture piece ever designed by claudia moreira salles, jorge zalszupin´s iconic tea trolley and a wood necklace designed by antonio bernardo.

harnessing the richness of the brazilian culture, its vibrant resources, these designers create pieces that take inspiration from their surrounding and strive to improve their environment. although it is difficult to categorize design styles by their origin or country, there is one common link between all brazilian designers and that is their ability to always create and produce fresh and everlasting pieces with a special dose of respect to nature and its resources – truly evergreen.

evergreen brasil debuts on december 1 and continues through the month of december at luminaire lab in miami’s design district.

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[ luminaire ]

talking to riccardo conti in fantini’s new space in chicago.

talking to riccardo conti in fantini’s new space in chicago.

Nov 14, 2016

we are visiting italian bathroom fixtures specialist fantini in their new chicago showroom in the luxehome design resource center in chicago’s merchandise mart and speaking to riccardo conti, managing director / fantini north america. one’s first impression when looking at the products is striking sophistication and a leanness in form.

[designapplause] riccardo, welcome to chicago. please tell us what’s unique and special about fantini.
[riccardo conti] first of all this year is special as we celebrate 70 years. i think over the last few decades fantini has been particularly successful because of consistency. for example, every time we introduce a new collection it’s always a collaboration with a designer, and though each designer brings their own personal vision to their solutions, everything is very much aligned with a style that tells you it’s a fantini product.

and that’s always been the case but recent introductions the company has become very aggressive to a change in mindset. we have entered a new phase that while preserving a fantini style of simplicity and elegance, we’ve have added a more transitional look.

[da] looking over your presentation in this showroom you are an exception to the rule. it’s very rare for a showroom to successfully mix and match iconic simplicity with iconic traditional. the two esthetics usually are served up as diametrically opposed —— and people normally like one or the other. fantini has managed to maintain simplicity while adding classic sumptuousness.
[rc] yes, i certainly agree and thank you. the new vision goes together well with what is existing. our designs are never too loud, more quiet but very elegant with a good sense of proportion.

a good example is our fontane bianche collection designed by italian architect and interior stylist elisa ossino, a fusion of stone and water. in addition i’d like to say the collaboration with salvatori for the fontane bianche collection is not new to fantini because we have collaborated with others before, especially boffi which is ongoing. and coincidently, salvatori is also celebrating 70 years.

fantini16-fontane1011

above/below> fontane bianche

fantini16-fontane-bianche_1

the materials in this collection is more industrial with a sort of delicate touch. industrial elements are rough and unfinished surfaces. the idea behind the collaboration with salvatori was not to just introduce a line of faucets, but also include sinks and accessories that tie into one concept. maybe some clients would prefer just the faucets or just the sinks.

and this idea is precisely special and unique because today companies try to be include too many iterations together and lose some focus on being a specialist. we do have kitchen products but maybe we are not yet very strong. in fontane bianche, fantini remains a bathroom specialist.

another new introduction is a collaboration with belgium architect / designer vincent van duysen, who is also the creative director for moltini, to create icona which offers two distinct concepts, icona classic and icona deco which communicates two sentiments, one of timelessness and one of memory.

fantini16-icona-classic11

above> icona classic / below> icona deco

fantini16-icona-deco1

[da] a noticeable detail is a distinctive metallic-like matte finish. how did the matte concept appear?
[rc] the finish is not new to us, it’s pvd (physical vapor deposition) treatment seen typically on jewelry, aerospace and biomedical applications and permits an unlimited range of color tones. pvd is more durable than chrome and aligns well within a bathroom environment. the new color palette comes in three options, matte gun metal, brushed copper and matte british gold. the finish permits an aged look but in fact it doesn’t age like real metal that tarnishes.

fantini16-finishes11

interestingly the use of color go way back to 70s and back then there were many colors. in recent years, black and white started trending although the trend never really took off. in addition to black and white, we added numerous other colors (all on custom request based on the “ral” range of colors) and it’s been quite successful, applied to the balocchi collection first and then extended to the whole range.

[da] what else is new?
[rc] two new looks for us is lamé and venezia by italian designer matteo thun and spanish designer antonio rodriguez. lamé is an interesting shape and interesting to the touch, a square shape with rounded edges. it comes with a polished chrome finish with a unique and a choice of a contrasting matte black or white handle. a surprisingly well received new look are beautiful round crystal handles found in venezia which communicates style, tradition, elegance and refined luxury. venezia also has another classic lever handle in black or chrome plated metal.

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above> lamé / below> venezia

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[da] this finish looks like stainless steel.
[rc] for many years we’ve done the brushed nickel finish. but we’ve discontinued that finish and we now use stainless steel 316 as it is marine grade and highly resistant to corrosion. it’s used a lot in outdoor applications, it’s recyclable and really eco-friendly because when you do brass/nickel finish there’s a lot of chemical processes you have to go through.

we now have four collections made entirely of stainless steel two of which are new in 2016. one designed by naoto fukasa is called aboutwater, a collaboration with boffi. aboutwater is the result of an exploration into the simplification of forms. the faucets and shower system become discs and cylinders; the taps look like the controls of a stereo. the design is so reduced the aesthetic quality of materials is emphasized.

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above> aboutwater af21 / below> mint

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another new stainless steel product is mint and designed by angeletti (silvana) & ruzza (daniele). mint is a first in the marketplace, a square faucet. why is it the first? the reason everyone stays away from this shape is the difficulty to execute in production. with circular shapes you work with materials already available on the market. this shape is completely custom.

below> fantini in the luxehome design resource center in chicago’s merchandise mart

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above> riccardo conti

[ fantini ]

norway in milan. milan design week 2016.

norway in milan. milan design week 2016.

Apr 20, 2016

structure, the second exhibition of contemporary norwegian craft and design at milan design week, put the scandinavian country on the map.

showcasing the work of 26 designers or design studios from norway, structure was a collaboration between four norwegian organizations: design collective klubben, contemporary craft resource norwegian crafts, the norwegian centre for design and architecture, and norwegian paint company jotun, who provided a colorful backdrop from which the work could shine. the show, in milan’s ventura lambrate, was curated by renowned interior stylists jannicke kråkvik and alessandro d’orazio and editor in chief of swedish design magazine resident, hanna nova beatrice. “structure aims to bring together the best of contemporary norwegian creativity,” says a statement from the team, “…and foster ground-breaking collaborations and manufacturing partnerships, in a single state-of-the-nation exhibition that exists at the intersection of design, craft and art.”

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above> twice ‘norwegian designer of the year,’ and one of norway’s most experienced designers, andreas engesvik, created vigeland for the exhibition as a personal response to oslo’s sculpture garden by the same name. the vase is made from patinated bronze using a method called ‘lost wax casting’ in which the piece is first made from wax, a mould is formed around it, and then the wax is melted away and replaced by molten metal that forms the final piece.

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tumble by new designer falke svatun is a spherical stoneware vessel with a cut-out section in the base which allows it to sit over the edge of a shelf or cabinet, challenging perceptions of the solid form.

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also challenging perceptions were noidoi, a design team established in oslo in 2013 by kathrine lønstad and cosmin cioroiu, who created meld. the pendant light is made from cast stoneware, and designed to present a familiar material in an unexpected context. the lights can be hung alone or in pairs or groups and cast a focused beam of light, making them ideal for hanging above dining tables or work surfaces.

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above> sara wright polmar’s between is neither a sofa nor an armchair, but something in between. “between facilitates different ways to sit alone or in the company of others,” she says. this piece is a prototype and in manufacture users will be able to choose fabric combinations to create different looks.

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above> having launched an innovative range of textiles at the london design festival in september, the multi-talented design duo günzler.polmar (sara polmar and victoria günzler) has now turned to ceramics. pour is inspired by ancient and archetypal water pitchers and basins. the cast porcelain pitcher, glazed on the inside only, creates a contrast with the rough stoneware basin.

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yet more beautiful ceramics, this time from ann kristin einarsen: stilleben is a collection of ceramic bowls and pots, again glazed only on the inside, which has been designed to be as simple as possible. the minimalist forms and understated colour palette enable them to stand alone or be used in combination with each other.

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kristine bjaadal’s sfera is a spherical container made from larvikite or ‘blue pearl granite,’ a material only found in norway and canada, and turned ash. “i find the human inclination to collect memories and keepsakes fascinating, and throughout the last few years i have often returned to work with different kinds of containers,” says kristine. “a container keeps something. it could be something as trivial as beans, coins or cotton pads – a purely practical function; or maybe the container is used to keep objects you love, and in this way keeping your memories.”

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above> oslo-based interdisciplinary artist and designer anette korgstad created her steinlav collection to resemble the lichen common to rocks and trees in the norwegian countryside. the hand-thrown stoneware platters are glazed three times to create the desired effect.

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above> product and furniture designer sverre uhnger conceived trace, a collection of wooden trays and platters, in order to imbue digitally manufactured objects with a ‘trace’ of their making process. whereas hand-made objects often carry the marks of their maker, the grooves left by cnc (computer numerically controlled) machinery are usually removed.

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and finally, christina peel’s untitled project: christina meticulously folds wet porcelain squares, like origami paper, and then tessellates them together to create art pieces that play with idea of repetition, shadows and fragility.

following luminaire during milan design week 2016. day 2.

following luminaire during milan design week 2016. day 2.

Apr 14, 2016

above> entrance to fairgrounds

miami and chicago based luminaire offered DesignApplause a glimpse of milan design week 2016 through their eyes. four of those eyes belong to founders nasir and nargis kassamali.

[ day 2 ]

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desalto space at salone del mobile 2016
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catifa 53 chairs designed by lievore altherr molina for arper
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flexform space at salone del mobile 2016
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kartell space at salone del mobile 2016
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piero lissoni and nasir
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maruni space at salone del mobile 2016
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rock table designed by jean marie massaud for mdf
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metallico table designed by piero lissoni for porro
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ronan bouroullec
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glas italia space at salone del mobile 2016
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32 philippe starck explaining his designs for stanley
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nargis in classicon space at salone del mobile 2016

carwan gallery presents / stately hotel debuts. near via della spiga mdw16.

carwan gallery presents / stately hotel debuts. near via della spiga mdw16.

Apr 14, 2016

venue> hotel senato milan / via senato 22

for those who merge salone del mobile offerings and go shopping for next year’s accommodations, this excursion looks rewarding. beirut based carwan gallery curates a new installation from the design studio oevffice at hotel senato milano, unveiling their new edition of kapital tables, a special collection of nine unique exemplars each slightly different in shape and all handmade in italy from solid white carrara marble.

oevffice proposes an installation celebrating the concept of classical architecture ruins. the installation is a further development of the kapital collection designed in 2015, a series of limited edition tables and stools based on essential forms, reminiscent of primordial stone capitals and simple geometric assemblages commonly found in classical architecture.

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the collaboration with hotel senato highlights the will of this beautiful residency in donating an experience linked to design and architecture. following the magistral work of the architect alessandro bianchi, the hotel aims to be a new address in milan to complement the city’s stylish downtown. a space that exudes creativity, rigor and a unique character.

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Senato Hotel Milano 43 room boutique hotel. Architect: Alessandro Bianchi

 

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carwan gallery - senato hotel milan / 15 images

	
	
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