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When birch tree forests are pruned or agricultural cultivations of fruit trees are picked, they are dispersed or burned. I have always been fascinated by these parts of nature, that continue to give off a grand expressive force, more powerful when they are combined with modern, perfect and industrial materials. They become mysterious, always diverse, unique, unrepeatable and somewhat sacred presences.
Trees, trunks and branches are part of our ancient culture but also of actual culture, because in the age of globalization, design searches to trace recognizable ‘anthropologoical’ platforms.
The collection, ‘Trees’ consists to place simple, everyday objects, books, and images next to the strange presence of branches and trunks, like in the reality of the world.
Andrea Branzi
In a short time, Carpenters Workshop Gallery in Paris has already treated us to a regular and rich demonstration of Design Art: in March Andrea Branzi will be given space to express himself as a free and committed thinker with this new collection « Trees ».
In a space that was once the Galerie de France, a place where contemporary art flourished, Catherine Thieck will come back to pose a few objects from her own collection on the shelves of Andrea Branzi. Works by Marcel Duchamp, Constantin Brancusi, Méret Oppenheim and Rebecca Horn will fill the shelves of an artist whose personality and preoccupations have remained consistently at the avant-garde of the architecture and design world.
The Italian architect and designer Andrea Branzi, born in 1938, was ahead of his time in Florence in 1966 when he set up Archizoom associati, the first, internationally renowned avant-garde group. In order to define this remarkable character, one must use the vocabulary of projects: theoretical research, new design, experimental laboratory, leeway, mass creativity, new organization… He also he coordinates and curates exhibitions, he regularly exhibits his personal work , publishes manifestos, teaches generations of students and participates in conferences all over the world.
« Trees » represents a continuation of his thinking on architecture. He creates a minimalist space of shelves, veritable pieces of micro-architecture made from aluminum that spread out in neo-plastic bursts like a Mondrian. However, through the splits in the frame, Andrea Branzi introduces trunks and twigs gathered in the wild. This strange encounter that began in the eighties with « Animali domestici », questions the duality of the nature-culture relationship. With « Trees », he adds a dimension, an extra slice of soul, as nature becomes art.
opening: saturday 10 march 4 > 9pm
exhibition: andrea branzi | trees
exhibition dates: 10 march > 16 may 2012
venue: carpenters workshop gallery | rue de la Verrerie, marais, 75004, paris | t / +33 (0)1 42 78 80 92
[ carpenters workshop gallery ]
