this internationally traveling exhibition celebrates the 100th anniversary of the founding of the bauhaus, a legendary german school that revolutionized the parameters of art, the crafts, and technology. while it existed for only 14 short years (1919-1933), its influence shaped modern thinking and artistic approaches to industrialization. bauhaus instructors included some of the most famous modern artists and architects including mies van der rohe, walter gropius, wassily kandinsky, josef and anni albers, paul klee, lászló moholy-nagy, lily reich, and more. many of the influential figures and others involved at the bauhaus left germany and spread the school’s lessons internationally. the exhibition the whole world a bauhaus, titled after a quote by student and teacher fritz kuhr, includes art and design pieces by select instructors and students as well as photographs and documents that convey the spirit of the bauhaus. one hundred years after its founding, the modern ideals of the school spread the globe and are still integrated in today’s interdisciplinary approaches to the arts.
the whole world a bauhaus is divided into eight different chapters, each focusing on an aspect of work and life at the bauhaus during its operation: art, crafts, and technology; floating; community; encounters; the total work of art; new man; radical pedagogy; and experiment. these sections highlight the work students did in their revolutionary workshops with industrial materials and processes, the school’s major impact on the international avant-garde, and how the students and instructors sought to rethink their world.
the elmhurst art museum is the only u.s. venue of the touring exhibition the whole world a bauhaus curated by boris friedewald.
revoliutsiia! demonstratisiia! soviet art put to the test | the art institute of chicago | 29 october 2017 > 15 january 2018
the october revolution of 1917 changed the course of world history; it also turned russia into a showcase filled with models. every object and sphere of activity had to demonstrate how society could be remade according to revolutionary principles. it would take intensive experimentation and discussion to determine the shape of this unprecedented society. to be realized in any concrete way, communism had to be modeled and put on display.
revoliutsiia! demonstratisiia! soviet art put to the test accordingly fills regenstein hall with ten model displays from the early soviet era. each of these sections holds rare works of art and features expert, life-size reconstructions of early soviet display objects or spaces, commissioned especially for this exhibition.
it’s well documented that the russian art scene, beginning c 1895 and leading up to a 1917 communist revolution, was an avante garde, graphically primed, and prolific force. movements included neo-primitivism, rayonism, cubofuturism, italian futurism, and the first abstract constructivist and suprematist paintings. artists included mikhail larionov, natalia goncharova, aristarkh lentulov, lyubov popova, olga rozanova, el lissitzky, vladmir tatlin, kazimir malevich, alexander rodchenko, wassily kandinsky. kandinsky would later join the bauhaus design faculty, as well as hungarian artist lászló moholy-nagy who was inspired by the constructivists.
artists were asked to remake society according to revolutionary principles – to find new answers to old questions.
the revolution not only incited a political / social movement, but also inspired two monumental design genres – russian contructivism and in 1919, weimar, germany, the founding of the bauhaus. constructivism would dominate the graphic messaging for the revolution. constructivism would also evolve into an iconic bauhaus style.
the art institute of chicago presents ten displays containing nearly 550 works, the largest exhibition of soviet art to take place in the united states in 25 years. visitors have the opportunity to explore the trajectory of early soviet art in all its forms and consider what it tells us about socially minded art now.
above> sculpture class in school of design / 610 fairbanks chicago / c 1940
serendipity: the faculty or phenomenon of finding valuable or agreeable things not sought for…
this article intends to provoke an ongoing conversation re chicago’s design history. let’s begin with a philosophy of “one must look back to move forward” and with elements necessary to this narrative — in chronological order… bauhaus movement, lászló moholy-nagy, new bauhaus in chicago, the chicago design archive, and chicago designer steve liska. an aside, this year, iit institute of design is celebrating the 80th anniversary of its founding as the new bauhaus.
[ bauhaus movement /// weimar/dessau germany ] the historical bauhaus is the most influential educational establishment in the fields of architecture, art and design. founded 1919 in weimar germany by architect walter gropius as a school that combined crafts and the fine arts, it was famous for an approach to design which it publicized and taught. the school closed in 1933 when the nazis came to power in germany.
the bauhaus can still be felt today, essentially characterizing the image of german design abroad. architects, designers and artists associated with the bauhaus include: alvar aalto, josef albers, herbert bayer, charles and ray eames, eileen gray, johannes itten, walter jacobsen, wassily kandinsky, paul klee, le corbusier, laszlo moholy-nagy, george nelson, isamu noguchi, eero saarinen, frank lloyd wright and mies van der rohe.
above> in 1907 belgian architect henry van de velde founded the school of arts and crafts in weimar germany / 1919 he invites walter gropius to move in who starts the state bauhaus
[ lászló moholy-nagy, a new bauhaus school /// chicago usa ] also known as moholy – a hungarian experimental artist, modernist, and former faculty at the parent bauhaus in dessau comes to chicago. in 1937, at the invitation of walter paepcke, the chairman of the container corporation of america, moholy-nagy, moved to chicago to become the director of the new bauhaus. the philosophy of the school was basically unchanged from that of the original.
unfortunately, the school lost its financial backing and it closed in 1938. paepcke continued his own support and in 1939, moholy-nagy opened the school of design. in 1944, the school became the institute of design. earlier in 1939, the institute of design became a part of illinois institute of technology and became the first institution in the united states to offer a phd in design.
below> moholy-nagy on the balcony of the prellerhaus in dessau / 1927 / courtesy of the metropolitan museum of art
[ the chicago design archive and chicago designer steve liska ] liska shares his thoughts with DesignApplause upon discovering his new office was once the home of moholy’s school…
[designapplause] for the past 30 years you have managed to create wonderful office spaces for yourself. your current space may be your best. how did you arrive at this location?
[steve liska] our lease was up, was grumbling about it to a client that just developed the 600 north fairbanks helmut jahn building. he said he had a tenant (the pritzker military library) moving out of his building and i should take a look. it was slightly scary.
[DA] what is your vision of your office spaces? what is your office supposed to do?
[SL] as brand designers- communication is critical. so have always appreciated an open, flexible, collaborative office. our office supports us and gives us a neutral environment to share ideas. and has good coffee.
[DA] what was involved / how did you arrive at the finished presentation of your space?
[SL] the building is almost 100 years old, very solid and concrete loft-like. my friends at gary lee partners helped us plan for all the previous tenant demo- we removed walls, office and lots of strange old equipment. then they helped configure the space, basically made it happen.
[DA] tell us about some back stories to this building.
[SL] it was built almost a 100 years ago as a bakery (the horn and hardart automat company). it has been a us post office, housed hugh hefner’s first playboy office, the chez paree nightclub in the 50s, home to joe sedelmaier, shel silverstein, dingbat’s disco (mr. t!) and of course the school of design. lots of history, stories and a few cool ghosts.
[DA] what did you know and what did you learn about moholy?
[SL] it took a while to learn about the school and moholy-nagy from our new landlord, but once we did- we were fanatics. he actually taught in what is now our space. we have a great old photo of a sculpture class in our office from the late 40s. i have always been a fan of everyone from the bauhaus, but the more i researched moholy-nagy – the more obsessed i became. such a renaissance man.
[DA] tell us about the facade presentation.
[SL] many years ago the building’s owners hired an artist to decorate the front of the building with a huge mural of moses. not sure why moses, but it was quirky and interesting. the building was undergoing surface repair- so moses was going to be painted over. we talked to our landlord about replacing it with something related to moholy-nagy and the school of design. we eventually found a little 2 1/4 inch square photo at moma that we thought was a good evolution from moses. our landlord agreed- they ended up hiring the same artist to paint the mural based on that photo. a year later- the traveling moholy-nagy show was announced.
the best part is watching all the tourists who take photos from across the street. they don’t exactly know what the mural is all about- and that is good.
[DA] is this your final location in a perfect world?
[SL] no that would be costa rica or paris. but for now- this is pretty good.
[DA] as long as we have you, what kind of things are you working on?
[SL] a lot of real estate work, some educational institution branding, and ongoing work for a lot of existing clients. (liska.com)
[DA] i’ve been to your offices many times and we have run into each other pitching work. i don’t recall you wearing anything but a white shirt and tie. and now that you’ve aged a bit you remind me of the design community in the late 60s early 70s. very serious looking. thoughts?
[SL] i’m glad you think i am serious looking. like most things in fashion- it comes back over and over again. i count on that. i do own 2 blue shirts. seriously.
[DA] want to say something we haven’t talked about?
[SL] no, done for now. have to go pick out tomorrow’s tie.
above> liska’s office on 610 north fairbanks today / a mural of moholy over the entrance
the chicago design archive (2002-present), is a permanent and exclusive online record of chicago-related experiential, graphic and product design. the mission statement is simple – to share the best of chicago design. originally hosting only graphic design, experiential and product design work is now being collected. the cda founding board recently added a graphic design advisory and a curatorial board. it goes without saying that this dedicated team feels the burden of preserving and growing the cda, afterall, it’s only chicago’s design heritage. we asked advisor, steve liska, if we could meet at his office. entering his office building we all notice the plaque below. we didn’t know…
below> video trailer of ‘moholy-nagy: future present’ produced by and exhibited in chicago in 2016. other usa venues included the guggenheim, and most recently lacma
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
