phillipe starck – DesignApplause

Kartell. The culture of plastic.

Feb 28, 2013

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Kartell made plastic cool. Established in 1949 by chemical engineer Giulio Castelli, the company distinguished itself with such designers as Gino Colombini and Anna Castelli Ferrieri. It teamed up with many of the name designers from the golden age of Italinan design in the 1950s and 1960s. It became known in the US, particularly for work by Joe Colombo at the landmark exhibition at the Museum of Modern Art in New York, Italy: the New Domestic Landscape in 1969.

The Kartell items included in The New Domestic Landscape were among the most practical and accessible in a show that sometimes verged into counterculture utopianism. The company was purchased by fashion industry veteran Claudio Luti and given renewed life. In the last few years, Kartell established polycarbonate as a key material and explored its possibilities of color and transparency. The most recent stellar examples of Kartell products include Ron Arad’s Bookworm bookshelf and Philippe Starck’s Ghost chair.

Now Taschen has done a book on the firm, PLASTIC CULTURE with text by Elisa Storace, curator of the Kartell museum just outside of Milan—who knew? [ kartell ] [ taschen ]

| ron arad’s bookworm shelf on wall | kartell’s paris showroom

phillipe starck | ghost chair

<a href="about phil patton

Light-emitting-diode. 1962-2012.

Nov 28, 2012

water light graffiti | antonin fourneau | 2012 | click > enlarge

No, the LED did not die in 2012, it turned 50* years old. It doesn’t seem that old, but neither does the LED wristwatch which became popular in the mid-70s. We can say the LED came of age at 45, a result of better, more consistent and reliable chips that power the lamp. We predict that by age 60 the LED will be identified with those things gone viral.

Panasonic’s latest LED light bulb (LDAHV4L27CG) won the 2011 Good Design Gold Award (Minister of Economy, Trade and Industry (METI) Prize) at this year’s Good Design Award show hosted by the Japan Institute of Design Promotion. This LED light bulb is notable for its use of clear glass, while its LED light source resembles a filament that can effectively disperse light in all directions. It offers both a rated lifespan of 40,000 hours and excellent energy-saving performance. The combination of such characteristics led to such recognition at the Good Design Awards. The photo > LDAHV6L27CGE

LED traffic lights in Örnsköldsvik, Sweden. 2007.

LED grow lights.

Pulsar P4 Ladies’ (Oval, Stainless) is Pulsar’s first model for women. It was the first LED wristwatch with a movement miniaturized enough for a ladies model. 1975.

photo > vintage technology association

*Nick Holonyak invented the first ‘visible’ i.e., visibly practical LED, while working as a consulting scientist at General Electric and has been called ‘the father of the light-emitting-diode’. The first LED was invented in 1961, at Texas Instruments, by Bob Biard and Gary Pittman. Their device was infrared, not visible red. The first commercial LED was the TI SNX-100 infrared LED, introduced in 1962. We are not sure what color the first visible LED was. And we can’t seem to find the ‘visible’ LED’s birth certificate.

[ illumination ]

street light
airbus a380
led traffic light
indoor grow lights
mercedes-benz f800
bridge
neofab legion ii flashlight
pulsar p4 ladies
microsoft mouse
early red led
panasonic light of the year 2012

Flos gift collection 2012. NYIGF 2012.

Aug 15, 2012

d’e-light by philippe starck | click > enlarge

A somewhat startling surprise and wondering why now, but… the good news is, Italian lighting design company Flos is participating for first time in NYIGF. What to show ( many options ) at the gift show? Proudly presenting the “Gift Collection.” Duh. Comprised of twelve portable lighting options, the Gift Collection includes new designs such as the MiniKelvin by Antonio Citterio and the Piani designed by the Bouroullec Brothers, as well as mainstays in the Flos catalog such as the May Day by Konstantin Grcic and the Miss K and Miss K Soft designed by Philippe Starck. The collection as a whole will make its debut at booth #3931 | 19 > 22 August [ flos ] [ nyigf ]

kelvin LED by antonio citterio

mini teca by ron gilad

piani by the bouroullec brothers

Flos 50 birthday press kit. Milan 2012.

Apr 24, 2012

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it’s safe to say the press kit without peer this year is flos’s 50th birthday effort. the innovative usb flash drive is also jam-packed with 50 years of information and images. the kit includes historical archives, over 250 images, info on a special ipad app named flos 50, love letters, and much more. happy birthday flos!

a graphic window display announces a retrospective of 50 years of flos history. this passageway leads to the “professional space” showroom and archive exhibition.

rather than a commerative book it was decided to create an ipad app, flos 50, an exclusive virtual tour of the fifty-year history of flos.

the flos 50 app design team. details at the bottom of this post.

there are two limited edition anniversary lamps for the occasion: above> “the light photon” limited edition
o-led table lamp designed by philippe starck; also the new “arco led” floor lamp, its best-known lamp by achille castiglioni.

within the press kit are images of 150 products. above> ‘luminator” by achille and pier giacomo castiglioni.

within the press kit are “love letters” from designers. above> achille castiglioni.

[ flos 50 app credits ]
project and art direction: ramak fazel
graphic design: neil donnely
flos 50 history: stefano casciani
product photography: piero fasanotto
illustrations: nico k. tucci
chief archivist: cicci pezzolo
development: mobile dream studio
additional support: flos historical archives
special thanks: piera pezzolo gandini

[ flos timeline ]
1962 – Flos is founded in Merano, 28 September. First board meeting appoints advisors Achille Castiglioni, Arturo Eisenkeil, Sergio Biliotti, Dino Gavina and Cesare Cassina
1964 – Sergio Gandini joins board of directors and is elected Chairman
1964 – company moves offices and factory to Nave (near Brescia)
1968 – Milan Corso Monforte 9 store opens. Design by Achille and Pier Giacomo Castiglioni
1970 – first Flos catalogue published. Graphic design by Max Huber
1971 – Rome Via del Babuino 85 showroom opens
1971 – first European subsidiary starts operations in Germany
1972 – Turin Galleria Subalpina store opens. Design by Achille Castiglioni
1974 – acquisition of Arteluce, a lighting company established in 1939 by Gino Sarfatti
1975 – Flos is a first time exhibitor in the lighting section at Milan’s Salone del Mobile. Stand designed by Achille Castiglioni
1976 – factory moves from Nave to Bovezzo (Brescia)
1979 – Parentesi lamp by Achille Castiglioni and Pio Manzù awarded Compasso d’Oro
1980 – new Milan Corso Monforte 7 offices open. Design by Achille Castiglioni, floor design by Max Huber
1988 – collaboration with Philippe Starck begins
1994 – Drop lamp by Marc Sadler awarded Compasso d’Oro
1995 – Flos receives Compasso d’Oro lifetime achievement award
1996 – Piero Gandini, Sergio’s son, becomes Managing Director of Flos SpA
1996 – Light Contract division set up, to develop turnkey projects

[ edited official press release ]
Milan, 18 April 2012 – On the occasion of Salone del Mobile 2012, Piero Gandini, Chairman and Managing Director of international lighting leader FLOS SpA, gets the celebrations under way to mark the company’s fiftieth anniversary, with a special event in Milan and the launch of a remarkable iPad application. Looking ahead to its next fifty years, Flos also announces some important novelties on the technology front with an exclusive agreement to use revolutionary bio-polymers, and the production of a special Limited Edition O-LED lamp.

Established in Merano on 28 September 1962 by far-sighted visionaries Dino Gavina, Arturo Eiseinkeil and Cesare Cassina, in 1964 Flos – which in Latin means ‘flower’ – moved to the Brescia area under the guidance of Sergio Gandini, the ‘illuminated’ entrepreneur who drew on the creative skills of an image committee formed of legendary talents such as Achille and Pier Giacomo Castiglioni, and Tobia Scarpa. So began a remarkable story of passion and devotion to hard work, research and innovation. But first and foremost there has always been, at the centre of the Flos story, deep respect for values like talent, art and culture, all of which can now been looked at in more detail with the help of the Flos Historical Archive, curated by Piera Pezzolo Gandini, Sergio’s wife, Piero’s mother and the worthy winner of a Compasso d’Oro in 2011 for her remarkable career. With the help of a team of professionals and friends, for the last six years Piera Pezzolo has undertaken meticulous research, restoration and classification work to bring together prototypes, designs, original drawings, packaging, graphics, advertising, photographs, film clips, books, catalogues, awards and appearances at trade fairs, exhibitions and museums. The archive takes various forms: multimedia, paper and collections of products and objects.

[ the flos 50 app ] Driven by the desire to grant the public access to this treasure trove of information assembled by his mother, Piero Gandini engaged Ramak Fazel, a photographer and artist of Persian origin, for the creative direction of a tool that could convey not only the sensory appeal of these historical objects, but also the emotions and passions they recalled.

The various “chapters” about the history of the company – more than 40 in all – are represented graphically in the app as archive binders. The first one users encounter is an in-depth social and cultural analysis edited by writer, journalist and historian Stefano Casciani, which covers the period from the years immediately preceding the foundation of the company to the present day. Nineteen binders are devoted to the designers who have worked with the company: Barber & Osgerby, Ronan and Erwan Bouroullec, Achille and Pier Giacomo Castiglioni, Antonio Citterio, Paul Cocksedge, Tim Derhaag, Rodolfo Dordoni, Thierry Dreyfus, Ron Gilad, Konstantin Grcic, Johanna Grawunder, Joris Laarman, Piero Lissoni, Jasper Morrison, Marc Newson, Tobia Scarpa, Philippe Starck, Patricia Urquiola and Marcel Wanders. They each sent Flos a very personal ‘love letter’, which is presented to users in the form of the original document, expressing emotions, memories, gratitude and best wishes for the past fifty years and those to come.

Developed by Mobile Dream Studio in Paris, the application has an innovative interface featuring dynamic images, animations, original video content and surprising interactions. From a 360 degree panoramic view of the archive room – the actual historical archive located in Piera Pezzolo Gandini’s family home in Brescia – users can open two doors to enter the secret, intimate worlds of two key figures in the company’s formation and development: Achille Castiglioni, the designer of more iconic lamps in the Flos catalogue than anyone else and a beacon for the company until his death in 2002, and Philippe Starck, who began working with Flos in 1988, introducing revolutionary concepts to the Italian industrial design. These two legendary figures are celebrated by two specially made videos. The first, by Andrea Caccia, documents a very intimate visit to Achille Castiglioni’s studio in Piazza Castello, Milan. It’s a poetic and nostalgic film, but one which also conjures up the joy and vitality that Castiglioni conveyed naturally by the way he lived. In the second, produced by Urubu Film, Starck and Piero Gandini tour Paris at dawn on a motorcycle, revealing the depth of their mutual esteem and friendship, and talking about light, which for both of them, at an unconscious level, symbolises life.

Other sections in the app include a touching tribute by Piero Gandini to his father Sergio, who continues to be the company’s spiritual guide even after his death in 1999; the graphical history of the Flos logo, from the original design by Heinz Waibl to subsequent versions by Max Huber, Pino Tovaglia and Bruno Le Moult; the Corso Monforte store window in Milan, an impactful brand’s communication machine, with past displays designed by Achille Castiglioni and subsequently by other great collaborators, including Italo Lupi and Bruno Le Moult. Here can be also seen the covers of all the company’s catalogues over the years; financial information and interesting facts and figures from the company’s fifty-year history; and Flos showrooms and single-brand stores throughout the world – represented by a Glo-ball lamp. Also documented here is the lucky encounter with Federico Martinez and Spanish company Antares, leading to the creation of Flos Architectural Lighting.

[ three themes for the future ]
New Tasks – The first task that Flos intends to accomplish is to introduce increasingly environment-friendly industrial production techniques. An important agreement with bio-on to reissue lamps manufactured until now in plastic material, like Miss Sissi by Philippe Starck or Piani by brothers Ronan and Erwan Bouroullec, using the new PHAs bio-polymer, which is 100% naturally biodegradable in water, makes Flos very proud to bring a total revolution in the relationship between mass production and environment.
New Technologies – The perfection of O-LED (Organic Light Emitting Diode) technology, a carbon and hydrogen source formed of ultra-thin sheets which are 100% recyclable like glass, opens up amazing possibilities for transforming light in new ways. Flos sets an example with the Light Photon lamp by Philippe Starck, which is being produced for the company’s anniversary celebrations in a limited edition of 500.
New Talents – Our real future is vested in the next generation, which will produce the new talents of tomorrow. Now more than ever, learning the lessons taught by its past, Flos undertakes to support and encourage the most promising young designers.

Available for download free of charge from the App Store starting late in April, FLOS 50 will establish an ongoing conversation with its public through frequent, original updates, news items, materials, games and entertainment ideas. [ flos ] [ o-led ] [ bio-on ]