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murano glass

Home Tag murano glass
uae is the london design fair’s guest country. london design week 2019.

uae is the london design fair’s guest country. london design week 2019.

Sep 19, 2019

irthi contemporary crafts council will debut its landmark first product line – a wide-ranging collection of pieces intended to celebrate and empower uae women through craft. the pioneering initiative has the twin aims of celebrating traditional and modern crafts while elevating female artisans, socially and economically.

based in sharjah, uae, irthi crafts council works to represent, foster and promote artisanal crafts across the middle east, north africa and south east asia. a socially and culturally pioneering initiative, irthi was developed from the nama women’s advancement establishment, which empowers women through the preservation of traditional and modern crafts.

this september irthi will launch their first line of products at the fair, the museum line, the collection a result of two projects carried out by the council: design labs and crafts dialogue. the work includes handblown glass from palestine, woven japanese grass tapestries and stools sand-cast in sharhaj.

some of the highlights: fatima al zaabi and venice-based architect matteo silverio’s material exploration of the contrasts between inherently fragile murano glass and sturdy, hard-wearing emirati clay within a single object.

misbah jewellery by irthi’s trainees and pakistan-based, mother/daughter-led lél, whose workforce consists of afghani artisans displaced by conflict. the collection focuses on misbah prayer beads as both pieces of jewellery and sculptural designs for the home, using traditional talli weaving techniques.

seating by ghaya bin mesmar and mermelada estudio. inspired by the sight of a traditional areesh palm-frond house blown into a strangely majestic conical form by the wind, the chair adopts this form, allowing for both privacy and protection from the elements. it combines traditional and modern safeefah weaving techniques and its vibrant colors are inspired by the rainbow of regional spices.

find irthi in hall 2

veronese presents its new 2017 collection.

veronese presents its new 2017 collection.

May 21, 2017

for the second year, the french design house will present its new murano glass light collections designed by piet hein eek, fredie jochimek, reda amalou, tristan auer, dan yeffet, laurent brabant among others.

talking to riccardo conti in fantini’s new space in chicago.

talking to riccardo conti in fantini’s new space in chicago.

Nov 14, 2016

we are visiting italian bathroom fixtures specialist fantini in their new chicago showroom in the luxehome design resource center in chicago’s merchandise mart and speaking to riccardo conti, managing director / fantini north america. one’s first impression when looking at the products is striking sophistication and a leanness in form.

[designapplause] riccardo, welcome to chicago. please tell us what’s unique and special about fantini.
[riccardo conti] first of all this year is special as we celebrate 70 years. i think over the last few decades fantini has been particularly successful because of consistency. for example, every time we introduce a new collection it’s always a collaboration with a designer, and though each designer brings their own personal vision to their solutions, everything is very much aligned with a style that tells you it’s a fantini product.

and that’s always been the case but recent introductions the company has become very aggressive to a change in mindset. we have entered a new phase that while preserving a fantini style of simplicity and elegance, we’ve have added a more transitional look.

[da] looking over your presentation in this showroom you are an exception to the rule. it’s very rare for a showroom to successfully mix and match iconic simplicity with iconic traditional. the two esthetics usually are served up as diametrically opposed —— and people normally like one or the other. fantini has managed to maintain simplicity while adding classic sumptuousness.
[rc] yes, i certainly agree and thank you. the new vision goes together well with what is existing. our designs are never too loud, more quiet but very elegant with a good sense of proportion.

a good example is our fontane bianche collection designed by italian architect and interior stylist elisa ossino, a fusion of stone and water. in addition i’d like to say the collaboration with salvatori for the fontane bianche collection is not new to fantini because we have collaborated with others before, especially boffi which is ongoing. and coincidently, salvatori is also celebrating 70 years.

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above/below> fontane bianche

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the materials in this collection is more industrial with a sort of delicate touch. industrial elements are rough and unfinished surfaces. the idea behind the collaboration with salvatori was not to just introduce a line of faucets, but also include sinks and accessories that tie into one concept. maybe some clients would prefer just the faucets or just the sinks.

and this idea is precisely special and unique because today companies try to be include too many iterations together and lose some focus on being a specialist. we do have kitchen products but maybe we are not yet very strong. in fontane bianche, fantini remains a bathroom specialist.

another new introduction is a collaboration with belgium architect / designer vincent van duysen, who is also the creative director for moltini, to create icona which offers two distinct concepts, icona classic and icona deco which communicates two sentiments, one of timelessness and one of memory.

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above> icona classic / below> icona deco

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[da] a noticeable detail is a distinctive metallic-like matte finish. how did the matte concept appear?
[rc] the finish is not new to us, it’s pvd (physical vapor deposition) treatment seen typically on jewelry, aerospace and biomedical applications and permits an unlimited range of color tones. pvd is more durable than chrome and aligns well within a bathroom environment. the new color palette comes in three options, matte gun metal, brushed copper and matte british gold. the finish permits an aged look but in fact it doesn’t age like real metal that tarnishes.

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interestingly the use of color go way back to 70s and back then there were many colors. in recent years, black and white started trending although the trend never really took off. in addition to black and white, we added numerous other colors (all on custom request based on the “ral” range of colors) and it’s been quite successful, applied to the balocchi collection first and then extended to the whole range.

[da] what else is new?
[rc] two new looks for us is lamé and venezia by italian designer matteo thun and spanish designer antonio rodriguez. lamé is an interesting shape and interesting to the touch, a square shape with rounded edges. it comes with a polished chrome finish with a unique and a choice of a contrasting matte black or white handle. a surprisingly well received new look are beautiful round crystal handles found in venezia which communicates style, tradition, elegance and refined luxury. venezia also has another classic lever handle in black or chrome plated metal.

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above> lamé / below> venezia

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[da] this finish looks like stainless steel.
[rc] for many years we’ve done the brushed nickel finish. but we’ve discontinued that finish and we now use stainless steel 316 as it is marine grade and highly resistant to corrosion. it’s used a lot in outdoor applications, it’s recyclable and really eco-friendly because when you do brass/nickel finish there’s a lot of chemical processes you have to go through.

we now have four collections made entirely of stainless steel two of which are new in 2016. one designed by naoto fukasa is called aboutwater, a collaboration with boffi. aboutwater is the result of an exploration into the simplification of forms. the faucets and shower system become discs and cylinders; the taps look like the controls of a stereo. the design is so reduced the aesthetic quality of materials is emphasized.

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above> aboutwater af21 / below> mint

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another new stainless steel product is mint and designed by angeletti (silvana) & ruzza (daniele). mint is a first in the marketplace, a square faucet. why is it the first? the reason everyone stays away from this shape is the difficulty to execute in production. with circular shapes you work with materials already available on the market. this shape is completely custom.

below> fantini in the luxehome design resource center in chicago’s merchandise mart

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above> riccardo conti

[ fantini ]

fuorisalone presents 25+. milan design week 2016

fuorisalone presents 25+. milan design week 2016

Apr 11, 2016

above & below> handmade murano glass by venetian artisans for matteo thun atelier. the atelier will be formally launching a preview of the most iconic collections in five brera locations. for location and product details found on the new web site.

Thun Atelier - 04/16

atelier clerici is an independent event and exhibition bringing together designers, companies and institutions experimenting with new forms of living and making. german designer hans maier-aichen interprets unpretentious objects / palazzo clerici 5 via clerici

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maarten bass presents new! newer! newest! / via savona 33 (zona tortona)

eventually i saw the difference anymore between a century and a second, or a temporary hype and perpetual change. but, i do believe that i made ​​something new! below> the new forest. with new techniques (such as google earth or drones) we increasingly familiarize ourselves with the view of earth from above.

anticipation by formafantasma for lexus /// spazio lexus torneria | via Tortona 32
an advanced hydrogen fuel cell technology similar to that of the concept car lf-fc to power a kinetic light installation.

mdw16-formafantasma-lexus_hydrogen2

the shit museum c/o siam, società di incoraggiamento arti & mestieri / via santa marta 18
the shit museum produces ideas, objects and projects from dung. it has now invented and registered merdacotta, a material which brings together the museum’s principles of transformation and sustainability. exhibition design: luca cipelletti

mdw16-shit1

 

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