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jaime hayon

Home Tag jaime hayon
rossana orlandi guiltlessplastic master’s pieces exhibition. milan design week 2019.

rossana orlandi guiltlessplastic master’s pieces exhibition. milan design week 2019.

Apr 6, 2019

above > studio job master pieces

during fuorisalone 2019 guiltlessplastic will unfold in 3 events:
ro plastic prize
ro plastic-master’s pieces – see below
ro ring

ro plastic-master’s pieces
april 6-14
ro plastic-master’s pieces, curated by rossana orlandi, is an exhibition of 29 one-of-a-kind pieces in recycled plastic made by world-renowned artists, designers and architects. exhibition design: studio vudafieri • saverino partners. from april 6th-14th, the exhibition will be open to the public at the railway pavilion of the museo scienza e tecnologia leonardo da vinci in milan.
on exhibit: massimiliano adami – william amor – nacho carbonell – matteo cibic – enrico marone cinzano – jacopo foggini – formafantasma – barnaba fornasetti – maurizio galimberti – jaime hayon – piet hein eek – thierry jeannot – studio job – max lamb – piero lissoni – massimiliano locatelli -fernando mastrangelo – alessandro mendini – lucio micheletti – brodie neill – fabio novembre -studio nucleo – italo rota – james shaw – patricia urquiola – dirk vander kooij – tiziano vudafieri -marcel wanders – nika zupanc.

#roplasticprize #guiltlessplastic #rossanaorlandi @rossanaorlandi

the salon art + design 2015.

the salon art + design 2015.

Nov 12, 2015

the success of [ the salon ] lies in the quality of the 55 exhibiting galleries, the extremely international flavor of the material, and this eclecticism that is highly sought by today’s collectors and influencers. up until expo chicago this past september, the salon could claim other fairs allow art, but no design or conversely design without art. the organizers’ willingness to consider all material—historic to contemporary—is predicated on the belief that today’s designers and collectors insist on a vibrant mix—as long as the quality is impeccable.

[ galleries ]

ammann//gallery / germany
galerie l’arc en seine / france
anne autegarden / belgium
galerie berès / france
galerie boulakia / france
carpenters workshop gallery / england

salon-job-buffet1

the robber baron buffet 2014 /studio job / carpenters workshop gallery

galerie chastel-maréchal / france
connaught brown / england
delorenzo gallery / u.s.a.
demisch danant / u.s.a.

salon-demisch-pergay1

table marronnier 2015 / maria pergay / demisch danant

patrick derom gallery / belgium
galerie dumonteil / us.a.
galerie dutko / england
galerie ulrich fiedler / germany
friedman benda / u.s.a.

salon15-friedman-campana1

detanoto modular shelf 1951,63 / fernando and humberto campana / friedman benda

thomas fritsch – artrium / france
david gill gallery / england
bernd goeckler antiques / u.s.a.
michael goedhuis / england
bernard goldberg fine arts / u.s.a.
oscar graf / france
cristina grajales gallery / u.s.a.
richard green / england
vivian horan fine art / u.s.a.
hostler burrows / u.s.a.
kraemer gallery / france
galerie kreo / france

salon15-kreo-hayon1

basket side table 2015 / jaime hayon / galerie kreo

j. lohmann gallery / u.s.a.
yves macaux / england
galerie alain marcelpoil / france
galerie marcilhac / france
mazzoleni galleria d’arte / italy
mark mcdonald / u.s.a.
todd merrill studio contemporary / u.s.a.
galerie le minotaure / france
joan b mirviss ltd. / u.s.a.
moderne gallery / u.s.a.
modernity / sweden
richard nagy ltd. / england
nilufar / italy

salon-nilufar-rida1

pair of pitz chest of drawers 2013 / rida / nilufar

galleria o. roma / italy
galerie du passage / france
galerie diane de polignac / france
priveekollektie contemporary art | design / netherlands
r & company / u.s.a.

salon15-randco-muller1

therapeutic toy double-face pony 2015 / renate müller / r & company

robilant + voena / england
salon 94 / u.s.a.

salon-94-owens1

adrian sassoon / england
seomi international / u.s.a.

salon15-seomi1-afterimage1

afterimage 012-379 2012 / kim sang hoon / seomi international

m.f. toninelli art moderne / monaco
vallois / france
axel vervoordt / belgium
galerie maria wettergren / france

salon15-wettergren-urup1

glass sculpture 2013 / tora urup / galerie maria wettergren

wexler gallery / u.s.a.
galerie zlotowski / france

event> the salon art + design
date> 12 > 16 november 2015
venue> park avenue armory nyC

2014 introductions from fritz hansen.

2014 introductions from fritz hansen.

Jul 26, 2014

above> analog table and drop chair

Fritz Hansen’s 2014 product launches continue to reflect their commitment to quality and exclusive design. With a theme of “unplugged relations” Fritz Hansen introduced the Analog table by Jaime Hayon and the re-launch of the Drop chair by Arne Jacobsen to inspire us to notice and cherish each other’s presence.

After more than 50 years in hibernation, the Drop is now re-launched! The chair was designed by Arne Jacobsen in 1958 as part of his masterpiece, the legendary SAS Royal Hotel (now known as Radisson Blu Royal Hotel) in Copenhagen. The Drop was originally produced along with the Swan and the Egg, but exclusively for the hotel and was never put into standard production. In addition to the original design of pliable, upholstered foam, the Drop is now available in a moulded plastic version that is especially relevant for modern interiors.

The Analog table is celebrating the authentic way of connecting with people around a table by bringing us closer. The world is filled with communication through digital devices. Analog provides a space where no device is needed. The table promotes a return to the genuine togetherness that is a stark contrast to the digital life we face with demands of constant on-line presence. Analog gives you an invitation to engage, to share, to be intimate and present – to be off-line.

Analog is not a square, not a circle, not an oval – it is a new form that takes the best from the three classic shapes and brings them together in a new, organic form. There is no hierarchy, just a beautiful platform for conversations which is a perfect match for modern relationships among family members, friends and colleagues.

Along with this theme, Fritz Hansen also announced the reunion of the entire Poul Kjærholm collection including the PK 11 chair, PK 55 desk, PK 62 and PK 63/PK 65 coffee tables.

fritz-PK62-PK63_Lifestylepk 62 (right) and pk 63 tables

Poul Kjærholm’s furniture has a special place in Fritz Hansen’s heart. The pure and beautiful lines fit naturally into the Fritz Hansen universe. Poul Kjærholm is known for using natural materials such as marble, wood, leather and canvas, which he pushed to their limits to show the beauty in their strength and the strength of their natural qualities. Throughout his career, Poul Kjærholm translated values of simplicity and a love of nature into outstanding and unique furniture. The Poul Kjærholm Collection is beautiful and timeless and produced in top quality. Every piece in this highly sophisticated collection has a strong identity and the subtle ability to light up any type of space by giving it a touch of Nordic aesthetics.

“It has always been a very refined group of connoisseurs who understands the uniqueness in Poul Kjaerholm’s extreme minimalism and it will probably remain so. However, the interest in the exclusive and outstanding design and quality strike a chord internationally. We have therefore chosen to tell the full story about Poul Kjaerholm’s design by acquiring the rights to the entire collection,” says Christian Grosen Rasmussen, Head of Design. “The new products are the PK 11, PK 51/PK 55, PK 62 and PK 63/PK 65. Each of them is a unique piece of furniture design that lends our existing collection additional character and distinction. The Poul Kjærholm Collection is much stronger when it includes all the pieces, because that offers more opportunities to combine products. Furthermore, the furniture will be made of the best materials and held to the same high and uncompromising quality standards, which is a crucial feature of the Poul Kjærholm Collection.”

fritz-PK11-PK55pk 11 chair and pk 55 table

fritz-PK65_Lifestyle1pk 65 table and pk 22 chair

fritz-poul1poul kjærholm

[ Fritz Hansen ] Founded in 1872 in Denmark, is one of the world’s most recognizable producers of iconic furniture for public and private spaces. The history of the company is characterized by meticulous craftsmanship, unique design and a sense of understated elegance. Leading architects and furniture designers from all over the world have produced timeless furniture for the company’s collection, which embraces innovative techniques and new materials. Contributors
include legendary designers such as Arne Jacobsen, Poul Kjaerholm, Bruno Mathsson, Piet Hein, and Piero Lissoni as well as young innovators like Kasper Salto and Todd Bracher.

Today Fritz Hansen furniture is embraced by a range of global consumers from city dwellers to business executives who celebrate the company’s ability to enlighten and delight with design. Fritz Hansen products can be seen around the world in residences and high-profile corporations, luxury hotels and art centers including the famed SAS Royal Hotel in Copenhagen and the Museum of Modern Art (MoMA) in New York.

The ro chair by jaime hayón. Milan 2013.

Apr 24, 2013

milanmilan chair | click > enlarge

< With extremely tight schedules our talk with Spanish artist-designer Jaime Hayón transpires amidst the Fritz Hansen open house filled with his fans. >

[DesignApplause] Jaime, why are you here tonight?
[Jaime Hayón] I’m here because I wanted to meet you. Also, I’m here because of the chair I designed and it’s a party and I’m here enjoying it. The new chair for Fritz Hansen is named ‘Ro’ which means tranquility in Danish. The size of the chair is a one-and-a-half seater, spacious enough to share with a book, laptop or a big fat cat. The concept is the inspiration from seven cities I’ve selected as well as to remind everyone how busy and hectic urban living is. The chair is meant to be some sort of form of peace and tranquility. We’ve also created a special exhibition which is now here in this showroom for the Salone del Mobile and then it will become a worldwide traveling show.

[DA] Fritz Hansen gave you a brief to design this new chair. You mix-up art, decoration and design ever so nicely. Does a brief affect your style, your aesthetics in any way and did you try something new on this project?
[JH] Well there’s a lot of exercises here in terms of trying to make a very comfortable seat first of all. In fact, I also tried to keep the price very low. Shape-wise there’s an effort to try and make it very human and almost soft.

[DA] It looks great. And I sat in it. It’s more comfortable than it looks which I like.
[JH] Thank you. Even though when you look at the side and edges which are very thin there’s a lot of weight to it. I’m happy about.

[DA] Tell us about the seven cities and the aesthetics and construction.
[JH] The seven cities are Copenhagen which reflects Scandinavia, Milan, Berlin, New York, London, Paris, Tokyo. The fabric colors and material selection for the legs are an expression of my sensibilities for each of the cities. The chair is sculpted to be beautiful from all angles. There are three pieces, head, body and seat. The upholstery comes in a range of fabrics, each with contrasting textures for the interior cushions. The shell and material and seam detail is very similar to the Egg chair, so it’s a polyurethane shell with a steel frame. The legs are very special and require three different moulds. The back legs have one mould and the front have a right and a left.

2013milan-jaime-legs1

2013milan-jaime-legs2what about here?
2013milan-jaime-frame1

[DA] The bracket is very unique and something we wouldn’t notice without the mirror base.
[JH] Yes, the mirror concept in the exhibit shows you the bracket detail under the seat plus you also see a map of each respective city which is tacked on the ceiling.

milan2013-jaime-glass1

[DA] Are these chairs residential or contract.
[JH] They are both. The construction of contract furniture must pass stiff commercial requirements and be durable. The chair is comfortable while it has the firmness of a contract piece.

[DA] Did you approach Fritz Hansen with this concept?
[JH] No, they called me in expressly to create a chair that would have the potential to become the next classic, something to add to their collection, so 50 years from now Ro would be a classic like the Egg. They called me in a little over two years ago. I worked with their design team to make a chair both comfortable and beautiful.

2013milan-jaime-sketch1

2013milan-fh-jamie1

[DA] What’s your design philosophy?
[JH] At this time of the day? Chilling. But normally have fun, enjoy. Look at things. Live on details. Make quality. Work with the people you like.

[DA] Did you get a chance to look at anything else at Salone?
[JH] Not a chance. I am working. I came here with the chairs to present and I’m going back home with my family, my wife and two young kids.

[DA] Ro will go on sale in nine colors selected by Jaime: violet, blue, yellow, sage green, light pink, sand, taupe, light grey and black. Of interest is each color has a hint of grey in it because he feels if the chair resides in a hotel lobby or one’s home, grey ties into that space. They goes to market September 2013. The chairs for the cities are just part of an exhibition and will not be available for purchase. [ hayón studio ] [ fritz hansen ]

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