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Culture

Home Tag Culture (Page 2)

Women on the walls. Design miami/ 2013.

Dec 14, 2013

miami13-LIQUITEX_SIGN

Liquitex sponsors 15 internationally acclaimed women artists for an exhibit Women on the Walls to coincide with [ Wynwood Walls ] event. The neighborhood provides a great venue for street art and the Miami sun a good test for fade. Let’s check it out next year at Design Miami/ 2014.

miami13-LIQUITEX_DJ_AGANA_2dj agana

miami13-LIQUITEX_MISS_VAN3miss van

miami13-LIQUITEX_MARTHA_COOPER2martha cooper

miami13-LIQUITEX_HEADVAPE1head vape (ladies?)

miami13-LIQUITEX_MURAL1

miami13-LIQUITEX_LADY_PINK1fafi and lady pink

[ official release ] Liquitex sponsors fifteen internationally acclaimed women artists who took to the walls for Wynwood Walls’ new mural project and exhibition ‘Women on the Walls’ during Art Basel Miami Beach last week.Using Liquitex Professional Spray Paint, Paint Markers, Soft Body Color and Freestyle brushes, essential innovators such as Miss Van, Maya Hayuk, Fafi and Lady Pink showcased their work across nine large-scale exterior wall murals depicting the history of graffiti and street art through women’s perspective.

‘Women on the Walls’ gallery exhibition featured work from these artists, in addition to renowned innovators of street art, Claw Money, Shero, Swoon, and Faith 47, as well as Aiko, Kashink, Lakwena, Jess & Katie, Myla, Shamsia and Too Fly.

Boo. Graham & brown.

Oct 30, 2013

grahambrown-cobweb2cobweb moonlight

[ graham & brown ] shares Halloween scary good offer: 25% on select items thru 4 Nov 2013.

grahambrown-mirage2mirage-charcoal

grahambrown-enchant2enchant black

grahambrown-skulls2skulls by barbara hulanicki

grahambrown-fairytoile2fairy toile shadow

[ graham & brown ]

Google doodles. Edith head.

Oct 28, 2013

googledoodle-edith-head1

I always liked Edith’s name. An American costume designer who won eight Academy Awards, more than any other woman. Google recognizes her today – born 28 October 1897. I always like seeing a doodle upon embarking on the search. While writing this post I learned that 27 October’s ‘hot search’ leader in ‘trendy’ was Lou Reed, 2,000,000 searches. Also discovered the first doodle was 30 August 1998. Larry and Sergey played with the corporate logo to indicate their attendance at Burning Man. Stickman. [ edith head ] [ google doodles ]

googledoodle-burningman1

<a href="527-ronscope200about ron kovach

Lou reed. 1942 – 2013.

Oct 28, 2013

1942>2013 lou reed. influential singer songwriter successfully bridged rock and roll and the avant garde. [RK]

Mobile devices now a mainstay for young children.

Oct 28, 2013

mobile devices now a mainstay for young children. seven out of 10 children younger than 8, four of 10 younger than 2, are using mobile devices. via washington post [RK]

packh2o wins 2013 people’s design award.

packh2o wins 2013 people’s design award.

Oct 18, 2013

The PackH2O Water Backpack took home the [ 2013 People’s Design Award ] at the National Design Awards gala in New York, Thursday, 17 October. Todd Oldham announced the winning design and presented the award to president and CEO of Grief Inc. David Fischer. PackH2O attempts to solve the global clean water crisis by giving people the power to easily transport their own water.

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about phil patton

Spaces in between, curated by aldo bakker. Gallery libby sellers.

Oct 7, 2013

GLS_Bakker_Posepose | aldo bakker | 2011

In time for Frieze Art Fair and Pavilion of Art and Design 2013, Gallery Libby Sellers is pleased to present Spaces In Between – a group show curated by the award-winning designer Aldo Bakker.

GLS_Bakker_ThreePair_Particlesthree pair | aldo bakker | 2013 | particles, amsterdam | photography by erik and petra hesmerg

GLS_Bakker_WateringCanwatering can | aldo bakker for thomas eyck | 2009/2010 | photography by marten aukes

GLS_Formafantasma_Craftica_FendiBellLightscraftica fendi bell lights | formafantasma | 2012 | photography by luisa zanzani

GLS_Marigold_WoodenVaseBwooden vase b | peter marigold | 2011 | perimeter art & design

GLS_Muecke_StepStoolstep stool | jonathan muecke | 2011 | volume gallery, chicago | photography by cranbrook academy of art

Gallery Libby Sellers was established by the former curator of London’s Design Museum in 2007 to support and promote contemporary design in a gallery context. Commissioning new works and curating a program of evolving selling exhibitions, the gallery has earned a reputation for its critical and concept-led agenda. Recent selling exhibitions have included: The Copper Mirror Series by Hunting & Narud, installations by Anton Alvarez of his Thread Wrapping Machine designs; a solo show of glass designer Paola Petrobelli; a psychogeography-inspired series of works by London-based Clarke & Reilly; the Craftica series of works with FENDI by Italian designers Formafantasma; and the ongoing touring exhibition of the works of legendary British graphic designer Richard Hollis. All works available from Gallery Libby Sellers.

dates/ 15 october > 14 december 2013
hours/ Tuesday > Friday 11 > 6 | Saturday 11 > 4

Gallery Libby Sellers
41-42 berners street | london WlT 3NB
+44 (0)20 3384 8785 | gallery@libbysellers.com

Cooper-hewitt awarded $5M from nyc for renovation.

Oct 7, 2013

campus/mansioncampus/mansion

The Smithsonian’s Cooper-Hewitt, National Design Museum has received a $5 million allocation through the City of New York’s Department of Cultural Affairs. The funding supports Cooper-Hewitt’s renovation of the historic Carnegie Mansion and grounds, which will result in 60 percent more gallery space when the museum reopens in fall 2014. This is a major additional allocation from the City, which has previously supported this renovation, and will go toward further restoration of millwork, woodwork, flooring, stone and windows, as well as upgrading the Arthur Ross Terrace and Garden.



[ official release ]
The Smithsonian’s Cooper-Hewitt, National Design Museum has received a $5 million allocation through the City of New York’s Department of Cultural Affairs. The funding supports Cooper-Hewitt’s renovation of the historic Carnegie Mansion and grounds, which will result in 60 percent more gallery space when the museum reopens in fall 2014. This is a major additional allocation from the City, which has previously supported this renovation, and will go toward further restoration of millwork, woodwork, flooring, stone and windows, as well as upgrading the Arthur Ross Terrace and Garden.

“The City is pleased to continue its support for Cooper-Hewitt’s transformative project, which will make the institution an even more vibrant destination on Museum Mile,” said Kate D. Levin, commissioner of the New York City Department of Cultural Affairs. “The renovation of the Carnegie Mansion will make design accessible to museumgoers with expanded gallery space, the restoration and preservation of historic rooms, innovative landscape design.”

old ground floorold ground floor
new ground floornew ground floor

“We are so grateful to the City and the Department of Cultural Affairs for their continuing support of the largest capital campaign in Cooper-Hewitt’s history as well as their commitment to safeguarding this national treasure,” said Caroline Baumann, director of Cooper-Hewitt. “We are proud stewards of the Andrew Carnegie mansion, an iconic New York City landmark, and its preservation is one of the driving forces behind this expansion. This grant makes the past and future of design more accessible and impactful to the public.”

Cooper-Hewitt’s renovation is part of an $89 million capital campaign launched in 2006, which includes a $79 million renovation and a $10 million endowment. The expansion includes enlarged and enhanced facilities for exhibitions, collections display, education programming and the National Design Library, and an increased endowment. To date the museum has raised $73.4 million against the $79 million renovation goal, which includes $14.3 million from New York City, and $7.3 million toward the $10 million endowment goal. The scope of the renovation grew as a result of the museum’s desire to increase visitor interactivity and accessibility. The expanded scope, an increase of $25 million, brought the overall cost from $54 million to $79 million. To date the museum has raised 91 percent of its goal.

The museum is working with a team of designers to realize the new Cooper-Hewitt. Design stories will come alive in the exciting new galleries that are being reimagined by Diller Scofidio + Renfro—winners of the 2005 National Design Award for architecture. Local Projects, participatory media designers and 2013 National Design Award winner for interaction design, are developing engaging ways for visitors to become designers. Cooper-Hewitt’s ambition to increase accessibility extends to the Arthur Ross Terrace and Garden, which is being designed by Walter Hood, the 2009 National Design Award winner for Landscape Architecture. A new graphic identity for the museum is being designed by Pentagram. Thinc Design is realizing the new temporary exhibition space on the third floor.

The overall expansion is a collaboration between design architect Gluckman Mayner Architects and executive architect Beyer Blinder Belle. The program of historic preservation, working within preservation parameters established by Beyer Blinder Belle, will aim for Leadership in Energy and Environmental Design certification.

The first phase of the expansion involved renovating the museum’s East 90th Street townhouses in order to move the National Design Library and administrative functions from the Carnegie Mansion to the townhouses, enabling the creation of 60 percent more exhibition gallery space within the museum. The renovation of the townhouses was completed in September 2011. The second phase of the renovation, which involves mansion restoration and the creation of a new 7,000-square-foot gallery, is nearly 70 percent complete.

new gallerynew gallery
new textiles new textiles

During the mansion renovation, Cooper-Hewitt’s usual schedule of exhibitions, education programs and events are being staged at various off-site locations, including the Cooper-Hewitt Design Center in Harlem, which has serviced more than 19,000 people since its opening in May 2012. Sold- out programs cater to a broad audience, providing immersive experiences for pre-schoolers and adults. The museum’s “Design in the Classroom” program, which teaches 21st-century skills by using design as a tool across the curriculum, has served more than 36,000 New York City K–12 public school children during the past two years.

[ About the Smithsonian’s Cooper-Hewitt, National Design Museum ]
Founded in 1897, Cooper-Hewitt is the only museum in the nation devoted exclusively to historic and contemporary design. The museum presents compelling perspectives on the impact of design through educational programs, exhibitions and publications. International in scope and possessing one of the most diverse and comprehensive collections of design works in existence, the museum’s rich holdings range from Egypt’s Late Period/New Kingdom (1100 B.C.) to the present day and total more than 217,000 objects.

The museum has more than 70 full-time staff members, including curators, conservators and design education specialists, and the fiscal year 2013 operating budget is $16 million. The museum is 70 percent funded by earned and contributed income, the remainder coming from federal appropriations.

Clear channel billboards sing national anthem on the 4th.

Jul 3, 2013

clearchannel-anthem1

From July 4 to July 7, cities across the US will display lines from the National Anthem. Here’s a sneak peek at what the actual activation is going to look like. An eastern billboard will begin the Anthem, with “Oh Say Can You See,” and the activation will close as the sun sets on a Western billboard, with “Home of the Brave.” The short film by Taxi, and the Anthem in the film sung by singer-songwriter Ingrid Michelson. Campaign by Clear Channel. Salute!

Samar singh jodha. Venice biennale 2013.

Jun 21, 2013

jodha-outpost1click > enlarge

Celebrated Indian photographer and installation artist Samar Singh Jodha will present his latest work at the Venice Biennale 2013. Jodha has been working on global issues with his art in Asia, Africa and the Middle East for the past two decades. At the 2012 Olympics he had a 40-foot installation on Bhopal-Union Carbide disaster at the Amnesty International London.

jodha-outpost2

A the core of Jodha’ art projects is an involvement at a community level – which includes capacity building issues such as education, rural forestry programs and the revival of traditional craftsmanship. Jodha’s obsession with the nomadic and tribal communities from China/ Burma and North East India began in 2003 then he undertook a road trip from Kunming in South West China through Burma into the North East borders of India. The route had long been shut down due to political reasons, and Jodha made several unsuccessful attempts to cover the length from China. He finally managed to complete his journey, by approaching it from both ends in 2005.

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He began photographing & filming the vanishing Tai Phake tribe of 1500 Buddhists originating from Burma. He set up an education system, helping fund a monastery building project and revive traditional textile looms. On one of these many trips to this region, he stumbled upon the fascinating habitats of the miners in the North Eastern borders of India – sandwiched between Bangladesh, Burma and China. The magnificent metal structures that jutted into the lush and uninhabited landscape, were an unreal testimony to man’s will to survive.

Jodha’s latest body of work is the result of this photo research carried out in the past one decade in the mining communities of North East India. This poetic body of work – printed with archival inks on precious metal plates like Copper, Brass and Mild Steel – contrasts and blends pathos and beauty seamlessly. [ samar singh jodha ]

The Venice Biennale 2013 is the chosen platform for showing Outpost from 1 June to 24 November 2013. [ venice biennale 2013 ]

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