good sketcher says, “sketching is a must! bad sketcher says ”sketching isn’t all that important, what about model making?” (left) renzo piano.
“I have so much to say about this that I will be quiet and just sketch…” [architect]
“A designer who can’t sketch is like a journalist who can’t write!” ( nike creative director )
“A couple of good points, but it still doesn’t negate that sketching well is the cost of entry. I think this piece explains why sketching isn’t just important to get a job, but an essential part of the the process.” ( comment )
about randy shear
Just how much space one person needs. 6,000 square feet? 600? Well, try 30 square feet.
The Paco home has a hammock, a Japanese-style recessed desk, a sink, toilet and shower, all in a crate that’s a 3-meter-cube. Not intended to replace where you live now, but rather to supplement it. It could be a beach house, a portable office – anything, really, as long as you find a way to lug it into place and hook up the water. Getting inside? A hatch-like roof to get in.
Designer: Jo Nagasaka
Here’s a clever concept to the mis-match aspect ratios for cinema ( 16/9 ) and television ( 4/3 ).
Not sure how its done but I don’t mind showing this piece of furniture. Being familiar with these dimensions it was easy to remember the model name: 16943. Never liked the 4/3 configure.
Designer: Studio Frst
[via josh spears]
above: illustrator serge bloch // “a designer who can’t sketch is like a journalist who can’t write!” ~ nike creative director // editors note: this post amended 14 november 2018.
Slowing the thought process down
Does sketching provide an advantage at the critical product collaborative phase with the client ? While computers can explore options quickly, sketching slows the design process down which is also desirable because clients like getting involved earlier in the concept and the sketch seems to do that.
above: ray eames, sketch of chairs, Source: Eidelberg M et al. the eameslounge chair: an icon of modern design
above: sketchbooks by hiro kurata
above: sunbeam toaster and a hair clipper by alfonso Iannelli (1888-1965)
above: henry p. glass (1911-2003)
above: john samsen
above: hugh ferriss ( 1889 – 1962 )
above: eero saarinen ( 1910 – 1962 )
above: asif ahmed, student, flux energy elixir workup
I teach a graphic design course, Introduction to Graphic Design at Columbia College Chicago, comprised of graphic design, advertising, and illustration students. It’s a semester-long assignment where they have to create a product/service, name it, design a logo, create five marketing mix concepts, a complex design solution that involves both graphic and product thinking. This course for me was a bit of a revelation regarding the designer vs illustrator comparison: though all students will be sketching concepts, design and advertising majors tend to conceptualize on the computer while illustrators rely on drawing skills to concept as illustrator asif ahmed demonstrates above. asif’s concept exploration also seemed to draw him more into hypothetical branding touchpoint applications.
Am I a good sketcher? There were no computers for my earlier jobs but I had some skills. Today I can relate more closely to bloch and eames.
Select comments from resources below:
Good sketcher says, “Sketching is a must! Bad sketcher says ”Sketching isn’t all that important, what about model making?!” // “A couple of good points, but it still doesn’t negate that sketching well is the cost of entry. I think this piece explains why sketching isn’t just important to get a job, but an essential part of the the process.” // “Drawing is very closely linked to thinking, and building something in your head.” ~ architect
sketchy thinking 2 / DesignApplause
a private view
vintage concept sketches
questioning the cult of the sketch
hugh ferriss, delineator of gotham
types of drawings
designing for humans
why products fail
michael bierut: five secrets from 86 notebooks / added 14 nov 18
Braun launched the 17th edition of the BraunPrize. This internationally recognised design competition is open to young industrial designers who are still studying or who have graduated within the last two years.
International Competition to Promote Young Designers
When it was established in 1968, the Braun- Prize was Germany’s first international competition to promote the work of young designers. Braun’s commitment to this cause has been highly regarded by the design world and the design-aware public ever since. (more…)