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charlotte perriand

Home Tag charlotte perriand
luminaire welcomes cassina back to the family.

luminaire welcomes cassina back to the family.

Sep 22, 2017

united in their guiding principles, luminaire and cassina share a belief that good design has the power to affect people’s lives. the pioneering design forces are joining again as luminaire welcomes cassina back into the family by offering their innovative range of products in the luminaire showrooms and online store. luminaire is pleased to reunite with cassina and looks forward to a future sharing and shaping the concept of good design.

with a collection that includes iconic pieces from the likes of le corbusier and charlotte perriand to new, progressive designs by visionaries including patricia urquiola, konstantin grcic, and ronan & erwan bouroullec, cassina demonstrates a thoughtful appreciation for its history while looking to the future. the prestigious brand was founded in 1927 in meda, italy by brothers cesare and umberto cassina who translated the rich tradition of furniture production and woodworking of the region into an industrialized system for manufacturing that redefined the notion of contemporary italian design. for over 90 years, cassina has remained on the forefront of design thanks to its unwavering commitment to research, experimentation, and design expression.

cassina has distinguished itself by collaborating with a range of outside designers. since the mid ’50s, the company has engaged the talents of architects such as gio ponti, afra and tobia scarpa, mario bellini and vico magistretti for design collaborations. these designers redefined the notion of what it meant to be contemporary with furniture by reinterpreting traditional form, function, and production. cassina has continued this modern union of designer and producer, melding a diverse range of products together with cohesion by imbuing each project with their design philosophy.

with an eye on the future, cassina has introduced new designers into its collection including zaha hadid, philippe starck, and its newly appointed art director, patricia urquiola. urquiola has established refreshing new designs with cassina like the floe insel, a versatile modular sofa inspired by icebergs with pieces working as “floating islands” that can be used together or separately for a combination of options situated in any living space.

luminaire and cassina have shared a long history in the pursuit of propagating good design. this reunion marks a welcome addition to the luminaire catalog that will see the two brands working together to create new ways of living for the future. for clients of luminaire, the addition of cassina provides another facet in creating dynamic environments made for living.

“cassina represents an important legacy of italian design. from their rich history, they continue to look to the future. we are excited for what lies ahead for cassina and their visionary impact on modern design.” said by luminaire ceo nasir kassamali

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design mastersworks auction. wright.

design mastersworks auction. wright.

Apr 25, 2016

above> reaper | wendell castle | 2010 /// preview / new york | 7 > 19 may 2016 |11a > 6p /// auction / chicago | 19 may 2016 | noon ct

a showcase for exceptional objects, wright presents design masterworks, a tightly curated sale featuring seminal works by the most innovative and influential artists and designers of the 20th and 21st centuries at auction on may 19th. notable works include a minguren ii coffee table by george nakashima, an influential bloc bahut by charlotte perriand and a sculptural rocking chair, titled reaper, by wendell castle, alongside works that unite the worlds of art and design by paul kelpe, peter voulkos, nanda vigo and ettore sottsass. further distinguishing this impressive sale is a selection of important italian glass made by the country’s best designers and makers including an early mosaic vase by artisti barovier, a unique con macchia vase by fulvio bianconi and an exceptional carved vase by vittorio zecchin and franz pelzel, and more.

each of these groundbreaking designs will be featured in our full-color catalog alongside texts and images that contextualize their significance within the cannon of design. all lots will be on view in our new york gallery located at 980 madison avenue.

below> pennellate vase model 3788 | carlo scarpa | venini | 1942

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below> bloc bahut | charlotte perriand | cité cansado | 1958

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below> sculptures from stemmons towers dallas | harry bertoia | 1964a

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below> miss blanche chair | shiro kuramata | ishimaru | 1988 / 1989

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below> o vessel from the kalligraphy series | ettore sottsass | bitossi/flavia | 1996

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dolphin lounge chair | hans j. wegner | johannes hansen | 1950


below> untitled (monumental sonambient) from the standard oil commission | harry bertoia |1975

wright16-masters-harry2

preview / new york | 7 > 19 may 2016 |11a > 6p /// auction / chicago | 19 may 2016 | noon ct
chicago | 1440 west hubbard street /// new york | 980 madison ave new york city

important design auction. wright.

important design auction. wright.

Dec 11, 2014

wright-important-perriand1
nuage bibliothèque | charlotte perriand | ateliers jean prouvé for galerie steph simon | c. 1956

this is a great offering. important design is among wright’s most exclusive auctions of the year. the most celebrated designers of the 20th century are represented in this auction, including paul evans, charlotte perriand, ron arad, harry bertoia, george nakashima, pierre jeanneret, max ingrand and gio ponti.

highlights of the sale include a selection of designs by frank lloyd wright, such as a pair of lounge chairs from the clarence sondern house in kansas city, and a desk from the impertial hotel, tokyo. also outstanding in important design is a mesa coffee table designed by t.h. robsjohn-gibbings, a pair of prefacto chairs by pierre guariche, an iconic wonderlamp by verner panton, and a studio-made general motors firebird iii model designed by the legendary harley j. earl.

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big easy volume 2 for 2 | ron arad | ron arad associates | 1989

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welded front cabinets, pair | paul evans | paul evans studio | 1969

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chandelier, model 1441 | max ingrand | fontana arte | c. 1954

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grande compass table from the electricité de france, marcoule | jean prouvé | ateliers jean prouvé | c. 1954

wright14-important-teague1
nocturne radio, model 1186 | walter dorwin teague | sparton corporation | 1936

1> conoid bench | george nakashima | 1988
2> untitled (sonambient) | harry bertoia | c. 1960
3> menta totem | ettore sottsass | bitossi for mirabili | c. 1965 / 1985
4> monumental battuto vase | tobia scarpa | venini | c. 1957
5> rare bi-pezzati vase | fulvio bianconi | venini | c. 1951
6> chess set | man ray | 1947

[ important design design ] includes many works of exceptional design. each item will be featured in our award-winning, full-color auction catalog as well as presented in our online preview at [ view lots ] | 1440 west hubbard street chicago | 312 563 0020 [ auction / chicago ]

auction > 11 december 2014 | 12 noon cst

design miami 2014 preview #2.

design miami 2014 preview #2.

Nov 27, 2014

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[ perrier-jouët ] exclusive champagne sponsor of design miami/, continues bringing to life its art nouveau heritage with its new design partnership with the vienna based duo mischer’traxler. the project, perrier-jouët presents small discoveries by mischer’traxler, will be revealed at design miami/ 2 – 6 december 2014 with ephemerā, mischer’traxler’s master work of small discoveries, marking the starting point of a year-long artistic residency.

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studio job | chartres | carpenters workshop gallery< |2009 -2012 | limited edition of 5 + 2 ap

[ carpenters workshop gallery ] presents studio job revisiting the world’s most beautiful monuments. the tour begins with big ben aftermath- a functional sculpture incorporating mechanical clockwork. we are then transported to historical france with inspiration from the famous chartres cathedral, then a quick stop to paris with eiffel tower lamp, which although made of hand-painted bronze appears to bend like rubber. finally, the journey becomes more far-flung and takes us to india with taj mahal table.

dm14-west2franz west| divan | unique | carpenters workshop gallery< | 2003

additionally, the gallery will show furniture pieces by franz west.

dm14-prouve1trapèze table | jean prouvé | laffanour – galerie downtown | 1954

[ laffanour – galerie downtown ] / paris presents an exceptional lineup of rare work by french masters. the highlights include pieces by jean prouvé, charlotte perriand, serge mouille, and jean royère. the gallery’s display is reflective of its commitment to promoting architects’ furniture designs and its vision rooted in the rapprochement between different art forms and shared by artists and designers of the 1950s.
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bibliothèque bookcase | charlotte perriand | laffanour – galerie downtown | 1957

dm14-nilufar1catch ceiling lamp – 10 glasses | lindsey adelman | customizable | nilufar gallery

[ nilufar gallery ] is pleased to invite you at the 10th edition of design miami to discover its selection of important pieces by lindsey adelman, fulvio bianconi for venini, lina bo bardi and carlo pagani, maas-fjetterstrom and barbro nilsson, martino gamper, nicholas hughes, vibeke klint, massimiliano locatelli, xavier lust, gio ponti, roberto giulio rida, sergio rodrigues, paavo tynell, nanda vigo.

dm14-bisazza1bisazza wears emilio pucci

luxury italian mosaic company bisazza and legendary fashion house emilio pucci will showcase for the first time in north america bisazza wears emilio pucci, a new collection of bisazza mosaics inspired by historic emilio pucci prints, including new never-before-seen designs, into large-scale bisazza mosaics. the collection will be on view in miami at the bisazza (3740 ne 2nd avenue), and emilio pucci (155 ne 40th street) showrooms, both located in the design district.

dm14-future1

[ welcome to the future ] an installation by new york-based artist daniel arsham explores this interplay between technology and the passing of time. he’s created a fictional archaeological site filled with 20th-century media devices—nintendo controllers, boom boxes, electric guitars, slr cameras, blackberry phones, vhs tapes, walkman players, film projectors, portable televisions, radios—all rendered in ancient geological materials, like volcanic ash, crystal, and obsidian. to create the site, arsham dug an excavation trench 25 feet in diameter into the concrete floor of the gallery and filled it with his new-old sculptures. [ kickstarter ]

>locust projects | 3852 north miami avenue miami design district

[ 2014 exhibitors ]
ammann gallery – cologne
antonella villanova – florence
caroline van hoek – brussels
carpenters workshop gallery – london & paris
carwan gallery – beirut
casati gallery -chicago
cristina grajales gallery – new york
demisch danant – new york
edward cella art + architecture – los angeles
erastudio & apartment-gallery – milan
galerie jacques lacoste – paris
galerie kreo – paris
galerie maria wettergren – paris
galerie pascal cuisinier – paris
galerie patrick seguin – paris
galerie vivid – rotterdam
galleria o. – rome
gallery diet – miami
gallery seomi – seoul & los angeles
hostler burrows – new york
jason jacques inc. – new york johnson trading gallery – new york
jousse entreprise – paris
laffanour – galerie downtown – paris
louisa guinness gallery – london
magen h gallery – new york
moderne gallery – philadelphia
nilufar gallery – milan
ornamentum – hudson
pierre marie giraud – brussels
priveekollektie contemporary art + design – heusden aan de maas
r & company – new york
southern guild – cape town
victor hunt design art dealer – brussels
volume gallery – chicago

[ special exhibitions ]
of the 35 galleries at design miami/ 2014 11 are among those that participated in the first year of the fair in 2005. several of these founding galleries present special exhibitions that celebrate the growth of the collectible design market over the past decade. these include a display dedicated to public commissions in france from the 1960s and 70s from demisch danant; an exhibition on the functional, durable furniture created for universities by charlotte perriand, jean prouvé and le corbusier from galerie patrick seguin; a monograph on rick kauffman’s new york art et industrie gallery and the creative crossover surrounding it from magen h gallery, and newly commissioned works debuting at the fair with cristina grajales gallery, galerie kreo, r & company and nilufar.

[ special commissions ]
design miami/ 2014 features a significant number of special commissions, including works in glass, stone and acrylic. ammann//gallery presents the sakala vase by satyendra pakhalé, his first work in blown murano glass; galerie vivid presents commissioned works by finnish-born designer janne kyttanen, which take the designer’s 3d printed aluminum sedona bench as their point of departure; max lamb creates a granite lamp for johnson trading gallery made over six days using stitch drilling, and jeweler ted noten unveils a table – his first foray into furniture – at ornamentum.

[ a bronze age ]
it may have associations with the earliest days of human craft, but bronze is very much the material of the moment at design miami/. from artist jewelry to monumental decorative works, via furniture and lighting, the cast metal is deployed across multiple formats at this year’s fair. casati gallery introduces the work of chicago-based designer steven haulenbeek with a collection of bronze mirrors, furniture, lights and objects all distinguished by the ‘chaotic texture’ produced by casting in ice. carwan gallery debuts furniture pieces combining bronze, onyx, mother of pearl, resins, fine inlaid wood and silver-plated brass by italian architect vincenzo de cotiis. carpenters workshop gallery shows a new collection of iconoclastic architectural-themed bronzes from studio job; and new furniture pieces and jewelry by claude lalanne are exhibited by louisa guinness gallery.

[ cabinets of curiosity ]
spanning the twentieth and twenty-first centuries, design curio/ presents four immersive environments of objects, textures, artifacts and ideas that truly challenge and contextualize familiar design narratives. this first edition, in celebration of the fair’s 10th anniversary, emphasizes surprising installations of scientific research alongside handcraft and creative production. these include oceanic art and design endeavor coral morphologic’s blue room, offering a coral-eye view of miami’s aquatic waterscapes; beijing’s gallery all presenting naihan li’s latest installation from her i am a monument series, recreating beijing’s cityscape to a scale of 1:100 with billowing smog rising amongst buildings reimagined as furniture pieces. koenig & clinton and joe sheftel gallery partner to present a collection of sottsass objects interacting with works by the memphis group in a jewel-box space; patrick parrish gallery invites visitors to experience the vertiginous grid-based exhibition: surfaces on which your setting and sitting will be uncertain, displaying a group of sculptural furniture objects by ro/lu with matching clothing designs by various projects.

event> design miami/ 2014 @designmiami #designmiami
dates> 3 – 7 december 2014
venue> meridian & 19th street miami beach, usa
december 3-4/ 10am-8pm
december 5/ 11am-8pm
december 6/ 12-8pm
december 7/ 12-6pm

design miami 2014. preview.

design miami 2014. preview.

Nov 17, 2014

above> peter marino: design miami/ 2014 design visionary award winner

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above> zaha hadid’s site-specific installation at design.05 miami / recent photo of the moore building

ten years ago, a small fair for collectible design named design.05 miami launched concurrently with art basel miami beach. located in the moore building in the miami design district, it offered a selection of fifteen invited exhibitors, with the stated aim of bringing museum-quality galleries together with the best collectors, connoisseurs, and designers from around the world in one of the premier destinations for art and design.

fast forward 10 years. rodman primack, executive director of design miami/ stated, “the fair grew out of the need for a consolidated marketplace that would act as a platform to showcase the range and strength of what was then a fledgling market.” adding, “since then, the collectible design market has really changed in scale; it’s internationalized and diversified, and this is reflected very clearly in the fair. design miami/ has changed the way galleries engage with their audiences. i am excited to see this ecosystem bringing so many distinct viewpoints and aesthetics together.”

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above> a rare photo (designapplause can never get him to pose) of muecke with a model of the pavilion concept

[ pavilion commission ]
minneapolis-based designer jonathan muecke has been commissioned to create the pavilion for the tenth anniversary of design miami/.

the design miami/ pavilion commission has become an important feature of the fair. an ephemeral extension of the fair space itself, the pavilion is at once an exhibit and a piece of functional temporary architecture. while the commission is traditionally given to an early career architect or studio, for its tenth anniversary design miami/ has selected a designer whose practice reflects the multifaceted nature of the fair itself.

alexandra cunningham cameron, creative director at design miami/ commented, “for our tenth anniversary, we wanted to pay homage to the type of young designer that design miami/ wishes to champion – one who experiments with materials, form and scale; who is as much a theorist as a maker; and who challenges us to consider how we relate to the world built around us.”

muecke studied architecture at iowa state, interning at the architectural office of herzog & de meuron in basel, switzerland before studying design at the cranbrook academy of art. muecke has evolved a design practice that resists standard divisions between design, art and architecture, instead focusing on refined forms that investigate notions of positive and negative space that relate to humanscale.

centered around a double-layered circular structure with apertures at both poles, muecke’s design miami pavilion (dmp) is designed on a human scale, rejecting monumentality in favor of lightness and variability.

dm14-marino1
above> in a not so rare photo of peter marino in leather on metal on leather. a leather vest pricked all over with metal studs, leather wrist guards with metal spikes, a leather hat with a metal skull, a strand of leather hanging from his neck which holds some metal knives, leather belt, metal belt buckle, metal knuckles with skulls, leather pants, leather boots. all the leather is always black.

[ new initiatives ]
design miami/ is launching two new forward-looking initiatives this year: the exhibition strand design curio, and the design visionary award.

conceived as contemporary ‘cabinets of curiosity’, the four independently curated design curio booths scattered throughout the fair will take the widest possible view of design practice. they will go beyond the scope of collectibledesign to embrace diverse fields from science and technology, to handcraft,and from unrealized prototypes to esoteric collections.

[ design visionary ]
the inaugural design visionary award recognizes peter marino. with this award, design miami/ recognizes marino for his achievements as an architect, for his knowledge and status as a collector of design, art and the decorative arts, and for the impact he has had as an advisor on contemporary and twentieth century design to his numerous clients.

commenting on the first edition of this award, primack stated, “this award is about recognizing the figures that have really propelled the world of design in the broader sense. peter is a great talent, and is also an amazing patron of others’ talents. his knowledge of furniture, his ability to create collections in design and his work with leading brands to help them understand the importance of bringing design voices into their world have substantially impacted the market and the language of design”.

marino founded his eponymous architecture, planning and design studio in new york in 1978 having trained with i. m. pei and george nelson. early clients included andy warhol, yves saint laurent and pierre bergé, and gianni and marella agnelli.

‘one way: peter marino‘ opens at the bass museum of art on 4 december 2014.

dm14-diet-moore1above> production sketch basketball shelf | emmett moore | gallery diet | 2014

dm14-galeriao-ponti1above> mod. 820 armchairs | gio ponti | galleria o | 1956

dm14-grajales-barrali1above> chiaroscuro chair | pedro barrail | cristina grajales gallery | 2014

dm14-nilufar-rida1above> settimanile | roberto giulio rida | nilufar gallery | 2014

dm14-seomi-jin1above> still life series | jang jin gallery seomi | 2014

[ 2014 exhibitors ]
ammann gallery – cologne
antonella villanova – florence
caroline van hoek – brussels
carpenters workshop gallery – london & paris
carwan gallery – beirut
casati gallery -chicago
cristina grajales gallery – new york
demisch danant – new york
edward cella art + architecture – los angeles
erastudio & apartment-gallery – milan
galerie jacques lacoste – paris
galerie kreo – paris
galerie maria wettergren – paris
galerie pascal cuisinier – paris
galerie patrick seguin – paris
galerie vivid – rotterdam
galleria o. – rome
gallery diet – miami
gallery seomi – seoul & los angeles
hostler burrows – new york
jason jacques inc. – new york johnson trading gallery – new york
jousse entreprise – paris
laffanour – galerie downtown – paris
louisa guinness gallery – london
magen h gallery – new york
moderne gallery – philadelphia
nilufar gallery – milan
ornamentum – hudson
pierre marie giraud – brussels
priveekollektie contemporary art + design – heusden aan de maas
r & company – new york
southern guild – cape town
victor hunt design art dealer – brussels
volume gallery – chicago

[ special exhibitions ]
of the 35 galleries at design miami/ 2014 11 are among those that participated in the first year of the fair in 2005. several of these founding galleries present special exhibitions that celebrate the growth of the collectible design market over the past decade. these include a display dedicated to public commissions in france from the 1960s and 70s from demisch danant; an exhibition on the functional, durable furniture created for universities by charlotte perriand, jean prouvé and le corbusier from galerie patrick seguin; a monograph on rick kauffman’s new york art et industrie gallery and the creative crossover surrounding it from magen h gallery, and newly commissioned works debuting at the fair with cristina grajales gallery, galerie kreo, r & company and nilufar.

[ special commissions ]
design miami/ 2014 features a significant number of special commissions, including works in glass, stone and acrylic. ammann//gallery presents the sakala vase by satyendra pakhalé, his first work in blown murano glass; galerie vivid presents commissioned works by finnish-born designer janne kyttanen, which take the designer’s 3d printed aluminum sedona bench as their point of departure; max lamb creates a granite lamp for johnson trading gallery made over six days using stitch drilling, and jeweler ted noten unveils a table – his first foray into furniture – at ornamentum.

[ a bronze age ]
it may have associations with the earliest days of human craft, but bronze is very much the material of the moment at design miami/. from artist jewelry to monumental decorative works, via furniture and lighting, the cast metal is deployed across multiple formats at this year’s fair. casati gallery introduces the work of chicago-based designer steven haulenbeek with a collection of bronze mirrors, furniture, lights and objects all distinguished by the ‘chaotic texture’ produced by casting in ice. carwan gallery debuts furniture pieces combining bronze, onyx, mother of pearl, resins, fine inlaid wood and silver-plated brass by italian architect vincenzo de cotiis. carpenters workshop gallery shows a new collection of iconoclastic architectural-themed bronzes from studio job; and new furniture pieces and jewelry by claude lalanne are exhibited by louisa guinness gallery.

[ cabinets of curiosity ]
spanning the twentieth and twenty-first centuries, design curio/ presents four immersive environments of objects, textures, artifacts and ideas that truly challenge and contextualize familiar design narratives. this first edition, in celebration of the fair’s 10th anniversary, emphasizes surprising installations of scientific research alongside handcraft and creative production. these include oceanic art and design endeavor coral morphologic’s blue room, offering a coral-eye view of miami’s aquatic waterscapes; beijing’s gallery all presenting naihan li’s latest installation from her i am a monument series, recreating beijing’s cityscape to a scale of 1:100 with billowing smog rising amongst buildings reimagined as furniture pieces. koenig & clinton and joe sheftel gallery partner to present a collection of sottsass objects interacting with works by the memphis group in a jewel-box space; patrick parrish gallery invites visitors to experience the vertiginous grid-based exhibition: surfaces on which your setting and sitting will be uncertain, displaying a group of sculptural furniture objects by ro/lu with matching clothing designs by various projects.

event> design miami/ 2014 @designmiami #designmiami
dates> 3 – 7 december 2014
venue> meridian & 19th street miami beach, usa
december 3-4/ 10am-8pm
december 5/ 11am-8pm
december 6/ 12-8pm
december 7/ 12-6pm

zoë ryan: the future is not what it used to be. 2014 istanbul design biennial.

zoë ryan: the future is not what it used to be. 2014 istanbul design biennial.

Oct 15, 2014

istanbul14-Zoe_March2014zoë ryan | courtesy the art institute of chicago/ portrait by cynthia lynn

Zoë Ryan is the John H. Bryan Curator of Architecture and Design and Chair of the Department of Architecture and Design at the Art Institute of Chicago. I’ve been trying to catch her for almost four months to talk about the curator appointment of the 2nd Istanbul Design Biennial coming up in October 2014. We talk following her break-out session with formlessfinder at Design Miami: [ff] won this year’s commission to build the entrance to the Design Miami pavilion.

[DesignApplause] Zoë, have you had a chance to get around Design Miami?
[Zoë Ryan] I’ve only had a small window before this talk, then I’ll head back out and start walking around.

[DA] This is my fifth year coming to Design Miami. I am sort of yearning for something more experimental.
[ZR] I mean, I would say, it’s difficult in this environment, but if you go back to Galerie kreo, they have one or two pieces from Hella Jongerius and one or two pieces from Wieki Somers which came from really experimental exhibitions. They’re kind of one or two from a big collection that they had produced that was shown in Paris. They were really fantastic. I thought that especially the Wieki Somers, um, these hybrids, furniture-lighting- not even sure what they are pieces- they were very exciting for me to see.

I also really enjoyed Volume Gallery and their show with only featuring Jonathan Muecke. I thought it’s quite daring to do a solo show. But in this environment, it really works well. It’s very legible, you get to see a great breadth of work. I think they’ve taken a lot of time. Their collection is very rigorous. It shows the breadth and depth of work, and for me, that’s what I’m looking for. Of course, this is a very specific environment to see this work in but I’m also very interested in.

I want to go see the Charlotte Perriand house on the beach that’s at the Raleigh Hotel, which is going to be hopefully a fantastic piece to see. I’ve never walked through the Herzog & de Meuron parking facility and check out the ‘Art Drive-Thru’ (Colette & Alchemist) installation. I’m curious about the new piece (Phare No. 1-9) by Simon Heijdens, who, you know, we’ve worked with in the past, who seems to know no bounds of his own dexterity as a designer. So I’m excited about that.

In terms of new experimentation, and also I think that’s where- for me- Miami excels is in these types of projects. Projects like formlessfinder’s and the Perrier-Jouët sponsored Simon’s project, are brilliant, where really those are the types of designers that are going to take this opportunity and really do something terrific with it. And something that really relates to their practice and helps them move their practice further, not only something that’s really rigorous and makes a lot of sense for them, and they get as much out of it as they give to the sponsor who’s sponsoring them. And I think more of that kind of sophistication is really needed. What have you seen?

[DA] You’ve given me new glasses to look through. The Swarovski Crystal Palace collaboration with Guilherme Torres creates ‘Mangue Groove’, an insightful installation inspired by mangrove trees to remind us of aquatic conservation efforts surrounding mangrove ecosystems in Brazil. Carpenters Workshop Gallery instilled the concept of time with two creatively fun video/grandfather clocks by Maarten Baas and rAndom created ‘Study of Time’ a mezmerizing illuminated digital wall hanging. Off-site there’s the ‘Untitled’ tent, the venue ‘finally’ on the beach and in Windwood there’s great graffiti art everywhere.

You mentioned Galerie kreo. They’re debuting a Poltrona di Proust armchair, first created by Alessandro Mendini in 1978; this version is in gold Bisazza mosaics. I’m not crazy about gold glitter. kreo director Joanna Frydman said, “It fits entirely with the luxurious mood of the fair.”

Can we talk about Istanbul? – Did this commission come out of nowhere for you?

istanbul14-theme1

[ZR] (Laughing) Yes, this came out of nowhere. So, in about- I don’t know- May of this year, I got an email from them asking if they could speak with me about the Biennial. I thought they were calling to ask about different projects and designers to work with, so I was all geared up for that. And then the next day they call again and asked me to curate their event and I was a bit, I was absolutely flabbergasted, but of course really excited.

It took me a minute to think on my good days, am I going to be able to do this project justice? And also will my boss, the Art Institute, allow me to do this? The museum is very committed to find work from other parts of the world and becoming more international, and definitely getting into parts of the world that have been, you know, largely ignored or overlooked.

One of the reasons why I was so excited to do the project was to work in Istanbul, a place that I’ve been to many times before, but never worked there, but somewhere I’ve always been a big fan of. And also to find that there really is a very thriving community of architects and designers there, which have a lot to give to the rest of the world and are really not known to the rest of the world. So that was really fantastic.

[DA] The theme ‘Manifesto’, was it given to you?
[ZR] No, absolutely not. When they came to me I asked for a few months to work on the title and the theme, and I was given complete carte blanche. I sort of floated some concepts past them last month- November. But I also went to Istanbul with my associate curator, Meredith Carruthers, who I hired, and we set out a number of different roundtable discussions with many, many architects and designers in the city, to get to know them and for them to get to know us and to start to throw ideas around. I already had in my mind what I wanted to- I love the history of manifestos, but I really wanted to rethink: what does it mean to have a manifesto today?

below> SIBLING reinstalls its video ‘The Encounterculture’, a manifesto of sevens ways to participate. The film, made in collaboration with Nicole Rose, is re-configured with eight tear-away propaganda posters that see the manifesto travel from the gallery wall out into the streets.

And the title of the Biennial is actually ‘the Future is Not What It Used to Be.” And it’s a way for us, I think we’re in this really critical moment, where we should take stock of where we are, where we’ve come from, and where we want to go. And we were using the manifesto really as a platform where we’re inviting architects and designers to rethink and revisit the history of manifestos, but propose ‘what is a conceptual design manifesto?’ You know, manifestos, towards the end of the 20th Century, seemed really outdated. They seemed naive, at best. And they were often very violent and destructive, they didn’t care about consequences. And so how can we use that talk and perhaps turn it around and reclaim it for our time?

Because I felt we’re in a moment where we do want both big and small ideas, but designers and architects really need to show that they can help us identify issues, work through issues and, at best, overcome issues. For example, how can the manifesto be something that deals with everyday realities, talk about the negative and positive consequences, look at the present yet potentially propose ideas for the future? A key- the manifesto does not need to be a text. It could be a project, it could be a provocation, it could be a service, it could be a publication. I mean, we’re looking for all kinds of projects that will make up the Biennial.

[DA] What’s your timeline?
[ZR] We’ve just launched the call for ideas, that’s gone online. And there’s a two-part call for ideas. The first part is the short statement and it’s about what your manifesto is, a few images, and what kind of platform or medium you want it to be in. And the deadline for that is February 1. And then we will circle back after that and start working individually with studios.

[DA] What are the expectations and criteria for the role of the curator? What’s the schedule for you going to be? How are you going to communicate with everyone to pull it together?
[ZR] Well, there are no hard and fast rules. I’ve been to Istanbul three times already, and I have my associate curator. There’s a team in Istanbul, there’s a foundation team that runs the Biennial. I’m building an international advisory. We have an informal advisory now in Istanbul. And we’re going to continue the idea sessions. We’ll be meeting at least once a month.

[DA] Zoë, is there anything you want to say that we didn’t talk about?
[ZR] Designers, we need you!

[ at-a-glance ]

below> Defne Koz, Marco Susani presents ‘Justaddwater’, their vision for the future of the food experience, where smart appliances meet creative gastronomy.

istanbul14-koz1courtesy koz susani design

below> Turkey has had its share of earthquakes and there are earthquake kits available. In response to this need designers Jessica Charlesworth and Tim Parsons, who are looking at everyday surivivalism for different scenarios create a project called ‘New Survivalism: Alternative Bug-Out Bags’.

istanbul14-timandjess1courtesy parsons & charles- worth

below> ‘Becoming Istanbul’ by Superpool and Project Projects, explores contemporary Istanbul through an interactive database of over 400 artists’ videos, photography series, documentaries, news reports, cartoons and architectural projects.

istanbul14-superpool1courtesy superpool & project projects

below> architect/designer Elena Manferdini serves up ‘Still Life to Living Pictures’ using digital rendering at the scale of architecture to create a space of aesthetic reflection, asking the viewer to be both critical and complicit in this transformed environment, to suspend disbelief and enter the imaginative space of the backdrop, but also to “break the fourth wall” and inspect the surface of her illusion.

istanbul14-elena1updated / just in from istanbul sent by iphone | courtesy elena manferdini

[ participating designers and projects announced – updated ]


’The Future Is Not What It Used To Be’ hosts 53 projects that ask: “What is the future now?” 
By rethinking the manifesto as a platform to frame pertinent questions, the projects question the role of design, its relationship to society, and its ability to be an active agent for change.

The exhibition at the Galata Greek Primary School, the hub of the 2nd Istanbul Design Biennial, will spread over all five floors of the school, an area of approximately 2,300 square meters. 
The projects imagine new possibilities that can transform the present and invite new potential futures. Arranged in five departments— Personal, Norms and Standards, Resource, Civic Relations, and Broadcast — the projects question the manifesto as a platform for situating ideas and pointing to new directions.

[ personal department ] The Moonwalk Machine—Selena’s Step, Sputniko!
Consider Beauty, Studio Frith & Thirteen Ways
Still Life to Living Pictures, Atelier Manferdini: Elena Manferdini
Jardin d’hiver, Dice Kayek: Ayşe Ege and Ece Ege
In The Future, Everyone Will Be Heroic for 1.5 Minutes, Sarraf Galeyan Mekanik: Memduh Can Tanyeli, Erhun Erdoğan and Emine Seda Kayım
BIRDY 2214, Meriç Canatan and Fatosh Erhuy
Ownership of the Face, Kristina Cranfeld
Manifesting the Look of Love, Haelo Design: Helen Maria Nugent and Ron Kirkpatrick
Poly, giffin’termeer: Jess Giffin and Jim TerMeer
Mapmaker Manifesto, Stamen Design: Beth Schechter and Eric Rodenbeck
New Survivalism, Jessica Charlesworth and Tim Parsons

[ norms and standards department ] N°41 Workoutcomputer, BLESS: Desiree Heiss and Ines Kaag
Dyslexie Typeface, Christian Boer
Nap Gap, J. Mayer H. und Partner, Architekten: Jürgen Mayer H. with Wilko Hoffmann and Julien Sarale
smart design (. . .) smart life, Jacob de Baan, Giorgio Caione and Rianne Koens
Justaddwater, Koz Susani Design: Defne Koz, Marco Susani
LEPSIS: The Art of Growing Grasshoppers, Mansour Ourasanah
Designing for the Sixth Extinction, Alexandra Daisy Ginsberg
New Energy Landscapes, Sean Lally
Incomplete Manifesto for The Night, Clio Capeille
Towards a Universal Mundane Manifesto, Emmet Byrne and Alex DeArmond

[ resources department ] A Reading Room, Future Anecdotes Istanbul: Can Altay and Aslı Altay
Open Manifesto, FormaFantasma: Simone Farresin and Andrea Trimarchi
Palamut Timeline, Didem Şenol of Lokanta Maya and Gram, with Elif Esmez, Esra Aca
Rebuild the Electronic and Digital Tools, Coralie Gourguechon
NASALO Dictionary of Smell, Sissel Tolaas
This sea of sugar knows no bounds, AVM Curiosities: Tasha Marks
Hacking the Modern Kitchen, Gastronomika
Diario, Moisés Hernández
knowledge-tools-memory, Studio mischer’traxler: Katharina Mischer and Thomas Traxler
Crafted in Istanbul, Seda Erdural, Barış Gümüştaş and Bilal Yilmaz
Repair Society, Gabriele Oropallo, Joanna van der Zanden, and Cynthia Hathaway
Cultures of Assembly, Studio Miessen
Imagining Our Shared Future, Atatürk Library, Alexis Şanal and Ali Taptık

[ civic relations department ] Public Drawing, Atelier Bow-Wow: Yoshiharu Tsukamoto and Momoyo Kaijima
Use of Shores, a Micro-Manifesto on Micro-Urbanisms, İyiofis: Elif Ensari and Can Sucuoğlu
The Moment for the Generic is Now, fala atelier: Filipe Magalhães and Ana Luisa Soares
#occupygezi architecture, Architecture for All (Herkes için Mimarlık)
The Encounterculture or, Seven Ways to Participate, SIBLING: Amelia Borg, Nicholas Braun, Jonathan Brener, Jessica Brent, Jane Caught, Qianyi Lim, Timothy Moore, and Alan Ting
Retreat, dpr-barcelona: Ethel Baraona, Studio-X; GSAPP: Marina Otero and FAST, The New Institute, Rotterdam: Malkit Shoshan
Design Activism: A Contemporary Design Manifest, Manufakturist: Mia Bogovac, Matea Bronić, Maša Milovac, and Kristina Volf; GOTWOB: Begüm Çelik and Berk Şimşek
TWTRATE, Cansu Cürgen, Eren Tekin, Yelta Köm, Barış Gümüştaş, Avşar Gürpınar, Yağız Söylev and Arzu Erdem
Who Builds Your Architecture?, WBYA?: Kadambari Baxi, Jordan Carver, Laura Diamond Dixit, Tiffany Rattray, Beth Stryker, Mabel O. Wilson
How To Do Too Kadıköy, 72 Hour Urban Action: Kerem Halbrecht and Gilly Karjevsky; with Tasarım Atölyesi Kadıköy (TAK): Onur Atay, Omer Kanıpak, Sıla Akalp
Retroactive Manifesto, Rural Urban Framework: Joshua Bolchover and John Lin
UMK: Lives and Landscapes, Dunne & Raby: Anthony Dunne and Fiona Raby
Phoenix Declaration, Arctic Perspective Initiative (API): Matthew Biederman and Marko Peljhan
The Cultural Sauna, Åbäke
ABC Manifesto Corporation Writers and Consultants, disturbATI collective

[ broadcast department ] Kontraakt, H. Cenk Dereli, Hayrettin Günç, and Yelta Köm
Growing Manifesto, Something & Son: Andrew Merritt and Paul Smyth
Unfacebook, Vibok Works: Paula Alvarez
140journos: Data Concretization, Institute of Creative Minds: Cem Aydoğdu, Engin Önder, Hilal Koyuncu, İgal Nassima, Meriç Şeker

The biennial’s exhibition space, catalogue, and visual identity are designed by Istanbul based Superpool and Project Projects, New York.

[ the opening week program | 30 october > 2 november 
]

>press and professional preview | 30>31 october 2014
>press conference | 10am 30 october at galata greek primary school, followed by an exclusive tour of the exhibition with the curator zoë ryan, associate curator meredith carruthers and the director of the istanbul design biennial deniz ova.

The opening week will provide special opportunities to hear from a number of the participating designers as well as key experts from a variety of fields and occupations. Kicking off the biennial, Curator Zoë Ryan is joined by curators, designers and thinkers in an informal discussion on the Future of Manifestos with Aric Chen, Alison Clarke, and Fiona Raby, exploring the key themes of the biennial on Friday, 31 October between 2>4pm.

Related panels explore the Future of Exhibitions with Paola Antonelli, Jan Boelen, Vasıf Kortun, and Prem Krishnamurthy with curator Zoë Ryan on Saturday, 1 November between 4.30-6pm; and the Future of Publishing with associate curator Meredith Carruthers and Can and Aslı Altay (Future Anecdotes Istanbul) Simon Johnson (THAT Magazine), Adam Michaels (Project Projects) and TWTRATE, on Sunday, 2 November between 4.30>6pm.

Also included in the opening week’s programme will be personal dialogues by designers from all around the world. Designers in Dialogue moderated by Denise Marie Bennett will include Jessica Charlesworth & Tim Parsons – Coralie Gourguechon; Mansour Ourasanah – Marco Susani & Defne Koz; Joshua Bolchover and John Lin – Kadambari Baxi and Mabel Wilson; Natasha Marks – Katharina Mischer Thomas Traxler on Saturday, 1 November between 2-4pm; disturbATI collective – Clio Capeille; GOTWOB – Manufakturist; Arctic Perspective – Cenk Derelli & Yelta Köm; Beth Schechter – Helen Maria Nugent on Sunday, 2 November between 2>4pm.

[ 2nd istanbul design biennial events ]

In addition to the exhibition, the biennial hub at the Galata Greek Primary School will host different events for design enthusiasts daily for six weeks: the Kontraakt team’s broadcast programming will be held on Tuesdays and throughout the week, Q&A’s and panels on Wednesdays, film screenings on Thursdays, and Children and Youth program every day.

Design Walks, comprised of visits to design studios, stores, manufacturers, and noted buildings in 6 neighborhoods and 6 thematic walks on Istanbul’s Asian and European sides to examine the textures of the city and observe traditional crafts are organised throughout the biennial.

The Academy Programme featuring 72 projects including workshops, exhibitions and panels organized by over 33 universities from Istanbul, Ankara, Izmir, Turkish Republic of Northern Cyprus, Europe and the United States to reveal different aspects of the biennial theme can be viewed at university campuses and at Antrepo no.7.

event> [ 2014 Istanbul Design Biennial ] @tasarimbienali #tasarimmanifestosu #designbiennial
date> 1 > 14 november 2014 | tuesday > sunday 10a > 7p | free admission
venue> galata greek primary school | istanbul

<a href="527-ronscope200about ron kovach

Galerie downtown: charlotte perriand. Design miami/ 2013.

Galerie downtown: charlotte perriand. Design miami/ 2013.

Dec 3, 2013

perriand-chair1

Charlotte Perriand’s start to shine brightly with multiple exhibitions

event> charlotte perriand | a house in montmartre
venue 1> laffanour galerie downtown gallery // design miami tent | booth g10
venue 2> raleigh hotel // 18th and beach entrance
date> 4 > 8 december

perriand-hutch1

perriand-shelves1

perriand-table1

[ official press release ]
Laffanour – Galerie Downtown / Paris, the gallery that has created the market for the original works of Charlotte Perriand, will present an extraordinary solo exhibition of the architect and designer’s work at Design Miami/ 2013. “Charlotte Perriand – A House in Montmartre” created in the 1950s will bring together a selection of rare designs created for Maison Borot, the residence of the industrialist Jean Borot, which brilliantly encapsulates the breadth of Charlotte Perriand’s work.
 
In addition to the exhibition, the gallery will show original Perriand designs at the Louis Vuitton boutique located in the Miami Design District, in conjunction with the LVMH tribute to Charlotte Perriand’s “Maison au bord de l’eau” (House by the water’s edge), a Design Miami/ satellite. On view at The Raleigh Hotel in Miami Beach, this project reconstructs Perriand’s never-realized holiday house according to the original plans, and will be furnished with reproduction furniture that Perriand designed for this house. As the largest holder and premiere source for the designer’s work, Galerie Laffanour was asked to participate in this unique project.

Highlights on view at Design Miami/ from Maison Borot will be a bookcase – the culmination of her life-long research and interest in bookcase design, a white lacquered wood hanging system, a mahogany console table and two one-off pieces including a ceiling lamp and settee. The Borot House, one of Perriand’s last works, completely captured the zeitgeist of her time. The exclusive pieces showcased in the exhibition offer a never-before-seen glimpse into the exceptionally sophisticated and comprehensive vision of Charlotte Perriand.

Galerie Laffanour has been the prime mover behind the huge advances in the knowledge and understanding of the true worth of the works of Charlotte Perriand for over 35 years. The gallery’s working partnership with the Perriand family has enabled them to amass an unrivaled collection of referenced works on the designs of Charlotte Perriand. Because of the gallery’s access to personal archives, they have been able to share their expertise and knowledge of her body of work with art historians and researchers.
 
[ laffanour – galerie downtown / paris ] exhibits architects’ furniture designs, which are now recognized as real collectors’ items. For the gallery, this furniture is the product of a debate on the nature of modernity: the attempt to find a balance between the technical and that which is driven by questions of lifestyle – the end goal being to promote something that will be of use to society as a whole. The designs in question stand out for their intellectual rigor, commitment to social change and enthusiasm – we might even say radicalism – possessed as they were of sufficient vision and courage to strike out on new paths. The place of these items of furniture in the history of 20th century art must be seen through the spectrum of this period’s many social upheavals.
 
An uncompromising approach to aesthetics is very much the hallmark of Laffanour – Galerie Downtown / Paris, as is vividly illustrated by its spectacular displays in art fairs, its painstaking restoration work and its gallery exhibitions. Exhibitions at the rue de Seine gallery never fail to offer an opportunity to discover the original and the remarkable – testament to the unequalled expertise of Laffanour – Galerie Downtown / Paris. They also invest the collections of furniture and extremely rare pieces on display with a sense of grandeur that goes well beyond their basic function. Laffanour – Galerie Downtown / Paris is the major exhibitor of Charlotte Perriand’s work, but it has also helped bring Jean Prouvé’s designs to a wider audience. The gallery also features work by designers from the immediate post-1950s period right up to the present-day who are interested in similar creative challenges, such as Ettore Sottsass, Ron Arad and Gaetano Pesce.

Design masters auction. Phillips de pury.

Nov 15, 2012

1> SHIRO KURAMATA | click > enlarge

We have a early peek hosted by Phillips de Pury | auction 11 december 2012 | 2p EST [ early details ]

2> MAX INGRAND

3>MAGDA — LENE ODUNDO

4> SCOTT BURTON

1> SHIRO KURAMATA | ‘Laputa’ bed, circa 1991 | $80,000 – 120,000
2> MAX INGRAND | Rare table lamp, circa 1957 | $50,000 – 60,000
3> MAGDALENE ODUNDO | ‘Untitled (Cat. 134)’ vase, 2000 | $40,000 – 60,000
4> SCOTT BURTON | Prototype ‘Table for Four’ from the Steel Furniture series | $100,000 – 150,000
5> EDWARD WILLIAM GODWIN | Rare and early sideboard, circa 1867 |$500,000 – 600,000
6> CHARLES RENNIE MACKINTOSH | Side chair, designed for the drawing room, Hous’Hill, Catherine Cranston’s residence, Nitshill, Glasgow, 1904 | $180,000 – 220,000
7> CHARLOTTE PERRIAND | Large bibliothèque, 1950s | $180,000- 240,000
8> MAURICE MARINOT | Perfume bottle and stopper, circa 1922| $30,000 – 50,000

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