Hand-painted mario shoes.
Loafers. Paints. Brush. These are cool. via boingboing [PR]
Loafers. Paints. Brush. These are cool. via boingboing [PR]
If we are going to have vandalism here’s an innovative action plan for good vandalism. via gawker [PR]
No Lego replica but a full scale replica of Le Corbusier’s vacation home in Cap-Martin on the Cote D’Azure. via coudal [PR]
MoMA, New York, on-going. Design is not always pretty.
Sometimes it is blunt and aggressive, especially when it is meant to deliver a clear message or depart from tradition and express new ideas. Rough Cut presents a selection of bold designs from MoMA’s collection, ranging from striking posters to fierce chairs, and from incisive videos to vehicles designed for harsh terrains and unforgiving circumstances. Design is not always pretty—but when it is good, it is undeniably powerful, meaningful, and beautiful.
Organized by Paola Antonelli, Senior Curator, and Patricia Juncosa Vecchierini, Curatorial Assistant, Department of Architecture and Design.
Design the Google logo for this K-12 design contest.
In partnership with Cooper-Hewitt Design Museum to encourage the next generation of designers and artists.
above: illustrator serge bloch // “a designer who can’t sketch is like a journalist who can’t write!” ~ nike creative director // editors note: this post amended 14 november 2018.
Slowing the thought process down
Does sketching provide an advantage at the critical product collaborative phase with the client ? While computers can explore options quickly, sketching slows the design process down which is also desirable because clients like getting involved earlier in the concept and the sketch seems to do that.
above: ray eames, sketch of chairs, Source: Eidelberg M et al. the eameslounge chair: an icon of modern design
above: sketchbooks by hiro kurata
above: sunbeam toaster and a hair clipper by alfonso Iannelli (1888-1965)
above: henry p. glass (1911-2003)
above: john samsen
above: hugh ferriss ( 1889 – 1962 )
above: eero saarinen ( 1910 – 1962 )
above: asif ahmed, student, flux energy elixir workup
I teach a graphic design course, Introduction to Graphic Design at Columbia College Chicago, comprised of graphic design, advertising, and illustration students. It’s a semester-long assignment where they have to create a product/service, name it, design a logo, create five marketing mix concepts, a complex design solution that involves both graphic and product thinking. This course for me was a bit of a revelation regarding the designer vs illustrator comparison: though all students will be sketching concepts, design and advertising majors tend to conceptualize on the computer while illustrators rely on drawing skills to concept as illustrator asif ahmed demonstrates above. asif’s concept exploration also seemed to draw him more into hypothetical branding touchpoint applications.
Am I a good sketcher? There were no computers for my earlier jobs but I had some skills. Today I can relate more closely to bloch and eames.
Select comments from resources below:
Good sketcher says, “Sketching is a must! Bad sketcher says ”Sketching isn’t all that important, what about model making?!” // “A couple of good points, but it still doesn’t negate that sketching well is the cost of entry. I think this piece explains why sketching isn’t just important to get a job, but an essential part of the the process.” // “Drawing is very closely linked to thinking, and building something in your head.” ~ architect
Resources:
sketchy thinking 2 / DesignApplause
a private view
vintage concept sketches
questioning the cult of the sketch
hugh ferriss, delineator of gotham
types of drawings
designing for humans
why products fail
michael bierut: five secrets from 86 notebooks / added 14 nov 18
I love flipbooks but haven’t seen one in quite a while.
At flipbook.info you will find 5120. via manystuff.org
Nothing. Less is more I guess. via the guardian — designobserver [PR]
New York design brand Areaware have launched Moof, an aluminium bicycle by Dutch designer Sjoerd Smit that features built-in solar-powered lights.
Designed in Amsterdam, MOOF’s unique aluminum construction houses two solar powered lamps – one to light the way and the other to make you visible from behind.
This single speed sleek and smooth urban cruiser is both smart and conscientious.
Bike Weight: 28.5 lbs (13 kg)
Frame: 6061 Series Powder-Coated Rustproof Aluminum
Drive Train: Chain Drive
Wheels: Alloy 28″ (71 cm)
Tires: Kenda Cosmos
Lights: Solar powered LED
Brakes: Rear Coaster
Saddle: Adjustable springless leather saddle
Grip: Semi-leather
Weight Limit: 264 lbs (120 kg)
Height Limit: 5’10″ – 6’6″ (179cm – 200cm)
Available for pre-order. Approximate ship date: April 2009
Designer: Sjoerd Smit
Producer: areaware
Retailer: areaware
via dezeen
This year at Milan Design Week 2009, a Lexus exhibition will be called ‘lexus l- finesse- crystallised wind’ and designed by Japanese architect Sou Fujimoto. Here is a preview of the exhibit.
‘Lexus l- finesse- crystallised wind’ will re-interpret the ambivalence of the Lexus design philosophy ‘L-finesse’ through a dynamic installation that combines unity in space, sound and lighting.
“Crystallised wind is the result of a conceptual interpretation of the underlying principles of L finesse design”, explains Sou Fujimoto. “The term wind addresses not only the flow of wind, but also symbolizes a flow or current in a greater sense. It is a new horizon where the natural and the artificial coexist in space. I wanted to find a way to give form to that which is formless: to take the flow of air and the passing of time and to represent them in such a way as to explain the essence of the duality of L-finesse. the result is an art form that represents movement yet stillness, and the flow of time in a timeless environment.’
The Lexus space will display an acrylic art piece based on the full-size concept car model, the Lexus super sports concept car, the LF-A as well as a specially designed piece of furniture constructed from acrylic.
The exhibition will take place in Milan’s museo della permanente art gallery, from april 22nd to 26th.
Designer: Sou Fujimoto
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