Sottsass limitless editions.
10 Anni Con Ettore, exhibiting limited-edition works that Ettore Sottsass made the last ten years of his life for Galleria Clio Calvi Rudi Volpi.
top image Akub, 2003
above: architettura romantica, 2004
[LINK]
10 Anni Con Ettore, exhibiting limited-edition works that Ettore Sottsass made the last ten years of his life for Galleria Clio Calvi Rudi Volpi.
top image Akub, 2003
above: architettura romantica, 2004
[LINK]
Swiss architect Peter Zumthor to be named winner of the 2009 Pritzker Prize, the highest recognition for architects. via nyt [PR]
Mecca of modernist architecture now offers tourists chance to stay in its former student quarters. via guardian [PR]
Congress created the Eisenhower Commission in 1999 to plan and raise money for the memorial. Frank Gehry to design it. via portfolio.com [PR]
Architect Dietmar Koering of Arphenotype has designed these electricity pylons for a competition to envisage a new power transmission network in Iceland.
Each pylon to be between 17 and 32 meters tall, with the shape of each varying according to its
longitude and latitude.
Project Overview:
Adaptability is an distinction of evolution, but today’s instant variations in [virtual] extended phenotypes call for something stronger: adaptability of nature! In nature material is used with optimum efficiency. Cells continually adapt to precisely fulfill their function.
Through researching organic forms and their production methods the intelligence of the material itself should support the design language, the lightness and stiffness. Fibrous systems and computation is the answer for this new task. Fibrous system in biology: inspiration! Like in the evolution through phenotypes, the production is based on a clear code; where the evolution part and the random variation is bounded to the specific landscape and site.
Architectural form and its relationship to nature, environment and society has rich antecedents to the human body. The idea is that the power net is building one main spine of nowadays society which enables living on a high standard in an age of communication; therefore the spines of the power net reflects an organic language.
The organic structure is covered with a high reflective “lotus-effect” color. It will be cleaned through natural weather conditions and will reflect the nature itself, which strengthens the idea of a graphical integration to the landscape. The final tower will blend into its environment physical and virtual. It creates a feedback loop in the observed system.
Each transmission tower is shaped in height between 17m and 32m by computer-driven equipment according to its site / longitude and latitude. This approach permits the structures to be modeled and easily fabricated translating into a reasonable cost.
Construction::
For maximum strength and stability the construction method is based on the idea of a Tripod. Once the parameters are set, it is just the location of tower by latitude and longitude, which will result in unique towers.
Material:
The main material used for the towers is an aramid-fibre-matrix bounded with eco resin through thermosetting, which gives the material stability to degration, UV, weathering and wind. The main structure will be built through filament winding and resin transfer molding. This material allows also in computer aided manufacturing an organic design language without much more costs. The thickness of the material will change through the whole system, calculated by software to adapt the stiffness to site + location and natural forces like wind.
The towers will be prefabricated and mounted on site on concrete foundation, which will support the idea of natural material on site.
Today’s pursuit to build lightweight for economic, material engineering and environmental reasons is the logical response to today’s changing society where flexibility is the prime survival quality.
Future:
Once the system is set up it will be a leading manufacturing site for fibrous systems. The high tech environment makes it hard to copy the design language and production method, which leads to a unique company.
The competition’s organizers Landsnet the Association of Icelandic Architects.
First major US exhibition of Fuller’s work in 35 years and a testament to his fascinating mix of utopian vision and organic pragmatism.
March 14 – June 21, 2009 via mcachicago [PR]
Construction of The Shard began this week and by the time of its completion, in early 2012, London will be the host of one of Europe’s tallest buildings and one of the most techno – logically advanced towers ever built.
The tower to stand at 1,017 feet (310 m) tall and have 72 floors, plus 15 further radiator floors in the roof, making it the tallest building in the country. Renzo Piano, the building’s architect, worked together with architectural firm Broadway Malyan during the planning stage of the project.
The Shard tower was announced with the hope that it would be the tallest building in Europe on completion, surpassing Frankfurt’s Commerzbank Tower, which at 849 ft (259 m) had been the tallest building in Europe since 1997. The Commerzbank has since been surpassed in height by two Moscow skyscrapers, Triumph-Palace and Naberezhnaya Tower, both of which the Shard tower would, in turn, surpass. However, since 2000, construction has started on three skyscrapers in Moscow that will rise higher than the Shard tower, including the 2,009 ft (612 m) Russia Tower that is now on hold. Even though the Russia Tower is on hold the other two, the Federation Tower East and the Mercury City Tower are still scheduled to be completed before the shard. Still, if completed on schedule, the Shard London Bridge may become the tallest building in the European Union.
Like the Empire State Building in NYC, Sears Tower in Chicago, Petronas Towers in Kuala Lumpur, The Shard at London Bridge will become a recognizable symbol of London throughout the world.
Architecturally breathtaking, the concept behind The Shard was designed within seconds in a Berlin restaurant by the renowned architect Renzo Piano, a few years ago. “The tower is designed to be a sharp and light presence on the London skyline, and to be sustainable from every point of view: human, technological, energetic and economic.” Says Piano and he really means it.
The Shard has many sustainable credentials and is expected to use around 30% less energy than other comparable buildings and will also be a virtually car-free building. Can you imagine that? A 320 meter building with parking space for only 47 cars! Modern offices and efficient, flexible spaces suitable for a range of different working environments. A hotel, to be operated by Shangri-La Hotels and Resorts as their first European location, would be expected to take up around a fifth of the available space in the tower. A large pre-let for office space in the tower has been agreed in principle by Transport for London. World recession? We’ve read that 40% of the building has been leased.
[LINK]
Toronto-based Sustain Design Studio, creator of the much-touted MiniHome, is giving a series of workshops in Los Angeles and San Francisco. Sustain has been developing dedicated ecological trailer parks for communities of MiniHome residents as well.
Sustain’s Trevor McIvor and Andy Thomson will be coming to both events to discuss prefab architecture and the future of sustainable community design. They’ll also answer questions on their line of products. Sustain is offering a 25% discount to the first California customer to purchase a 12×34 model, which will be on show at Dwell on Design.
San Francisco Session and Venue Information:
Date: Tuesday, April 7th, 2009, 6:30pm to 9pm
Location: Anshen+Allen Architects. 901 Market St.
*Participating architects will be eligible for AIA continuing education credits. The San Francisco event will take place on Tuesday, April 7, from 6:30-9pm California workshops
Los Angeles Session and Venue Information:
Date: Wednesday, April 8th, 2009. 6.30pm to 9pm
Location: SPF: a Gallery, 8609 Washington Blvd
Producer: sustain design studio
Jonathan Glancey interviews Paffard Keatinge-Clay who worked with the greats – Le Corbusier, Frank Lloyd Wright and Mies van der Rohe. via guardian.co.uk [PR]
All content ©2007 > 2024 DesignApplause