when weaving whatever happens, happens.

that’s our inspiration, the bionic universe.

look at things. live on details. make quality. work with the people you like.

most good brands try to sell emotions today.

I love the freedom of nature, to be simple or complex.

do we know what the next big color is, we don’t.

we also ripped apart a few serious industry leader’s lights.

these dots get driven by technology, crisis and design.

if something is so well designed it may not even look designed.

exploring innovative product ideas where no-one has gone before.

11 june 2012 | chicago

first pop-up chicago design museum.

there needs to be a reason I can recognize in order to pursue something new.

andrea talks about his new “grow watch” for alessi.

i am fascinated by the variations that you can find in nature.

the grow watch for alessi inspired by “organic engineering, that is, the influence of shapes found in nature”.

everything evolves.

a well-received documentary about the couple titled – eames: the architect and the painter was released on november 18, 2011.

only film to peer inside their collaboration, their marriage.

A spurt like that means people like your product. The most important thing for me is that we give fair value to our customers.

two companies making products that people like.

I always care about the distribution of Alessi.

I’ve really been into rocking chairs last year.

making products and accessories designed by the world’s foremost architects, designers, and artists.

most comprehensive collection of beatles products that has ever been produced.

it’s a 3-D world. the imagery on a screen is beautiful but i love the 3-D world.

Paul Rand was the only designer Steve Jobs approached. Jobs asks if the designer would show him options. The response was, “no.”

I’d love to be a physicist, but that would never happen, I love to use my hands too much.

the nice thing about product design, you can let the work stand out on its own, and the work gets a lot
of the attention.

if you start thinking about the evolution of an object you are aware of an alarming simplicity at work.

open objects: principally, objects present limits.

“To not have a boss and get paid to be creative basically.” Through April 3.

“The materials we’re using refer to a lost era of luxury travel.” Through April 3.