revised concept plan is in response to local criticism on location, aesthetics, and function among other things.
frida escoberdo has designed a monolithic timber, tiered platform in randolf square – a singular formal gesture with moveable modules that allows for informal lounging, gatherings, and forums. the installation mirrors the chicago cultural center’s gridded ceiling.
it’s a fortress, of course it is. the architects made it as nice a fortress as possible, a transparent, democratic, open, not-aggressive and environmentally responsible symbol of their country.
asks 24 architects to reconsider the status of the architectural interior. the exercise foregrounds the importance of the interior as a model of sociability. the architects reference a photograph of a canonical interior, from any time period.
a biennial selection featuring some of the world’s best new—or recently completed—buildings, the riba international list 2018 comprises 62 individual buildings drawn from 29 countries.
the serial nature of these works might suggest a reading against a lineage of art from the 1970s often called process or serial art, which exhausted an idea or concept in a monotonous way.
redistribution as a practice has the potential to recover a type of building that – unlike renovation, adaptive reuses, preservation, or restoration = permits the circulation of building components, taken apart, moved around, piled up, and mixed with new construction to create alternative uses. t + e + a + m is looking for a patron to make it happen.
the principle is that it remains a museum that belongs to the geography, and culture and identity of the country.
the overhaul of the tax code unveiled thursday by house republican leaders would hit hard at one of chicago’s great cultural assets.
‘steps’ is a new concrete seating design, aimed to redefine how people use public space.