many of moon hoon’s residential commissions in south korea come from young highly spirited couples who have small budgets but big ideas.
the serial nature of these works might suggest a reading against a lineage of art from the 1970s often called process or serial art, which exhausted an idea or concept in a monotonous way.
redistribution as a practice has the potential to recover a type of building that – unlike renovation, adaptive reuses, preservation, or restoration = permits the circulation of building components, taken apart, moved around, piled up, and mixed with new construction to create alternative uses. t + e + a + m is looking for a patron to make it happen.
feigning randomness, the cubicles are calibrated to support specific relationships between staff while leaving adjacent breakout spaces open and flexible.
the wallderful: mexico city dellekamp arquitectos proposes not a wall, but a bridge between countries.
caruso st john (london) present a room that highlights the circulation of images, references, and histories between their own office and their collaborators artist thomas demand and architectural photographer hélène binet. a felt wallpaper – folds – forms a wall around a table of five models. works by benet hang on the wallpaper.
super models presents replicas of twelve models collected by german architecture museum (dam ) during the 1980s. despite the assumption that museums only knowingly show original works of art, models commissioned to replicate buildings have long been part of the culture of architectural exhibitions.
the principle is that it remains a museum that belongs to the geography, and culture and identity of the country.
the overhaul of the tax code unveiled thursday by house republican leaders would hit hard at one of chicago’s great cultural assets.
welcoming visitors into the main venue of the biennial, this bright, brash yellow installation has consumed a smaller, much less interesting chicago cultural centre reception desk.